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101. Bangor, Belfast Lough

Bangor, Belfast Lough
Creator:
James Arthur O'Connor, 1792–1841
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 15/16 inches (18.1 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Wanstead House, Essex

Wanstead House, Essex
Creator:
Thomas Streatfield, 1777–1848
Date:
1807
Materials & Techniques:
Graphite, pen and red and black ink and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 5/8 inches (15.2 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Design for Commodes for Lady Poulett's Room, Stratford Place

Design for Commodes for Lady Poulett's Room, Stratford Place
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1807
Materials & Techniques:
Graphite and pen and brown ink on moderately textured, moderately thick, brown laid paper
Dimensions:
Sheet: 16 1/4 × 12 3/16 inches (41.3 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. A View of the Chapel and Hall of Oriel College, &c.

A View of the Chapel and Hall of Oriel College, &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1807
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. The Villa of - Groote Esq near Bromley Kent

The Villa of - Groote Esq near Bromley Kent
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Wreck and the Merchant Vessel, St. George, at Deal, Kent

Wreck and the Merchant Vessel, St. George, at Deal, Kent
Creator:
John Samuel Hayward, 1778–1822
Date:
1807
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Robbing a Market Girl

Robbing a Market Girl
Creator:
Thomas Heaphy, 1775–1835
Date:
1807
Materials & Techniques:
Watercolor, white gouache, pen and ink and gum over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 5/8 × 17 7/8 inches (60 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. The Lecture House, Watford

The Lecture House, Watford
Creator:
Thomas Hearne, 1744–1817
Date:
1807
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Inside View of the Hall of Christ Church

Inside View of the Hall of Christ Church
Creator:
Print made by James Basire II, 1769–1822
Date:
1807
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Vandyk, As Paris

Vandyk, As Paris
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Plan of Peterborough House

Plan of Peterborough House
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. St. Paul's School

St. Paul's School
Creator:
Samuel Rawle, 1771–1860
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. A View of the Genuine Beer Brewery Golden Lane

A View of the Genuine Beer Brewery Golden Lane
Creator:
J. S. Barth, active 1797–1809
Date:
1807
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Plan of Part of the City of Westminster

Plan of Part of the City of Westminster
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

115. The Triumph of Cupid: A Reverie

The Triumph of Cupid: A Reverie
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 6 1/2 inches (24.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

116. Hornsey, Middlesex

Hornsey, Middlesex
Creator:
James Newton, 1748–c. 1804
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Entrance to Hyde Park from Park Lane

Entrance to Hyde Park from Park Lane
Creator:
James Peller Malcolm, 1767–1815
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Entrance to London by Oxford Street

Entrance to London by Oxford Street
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Entrance to London by Oxford Street

Entrance to London by Oxford Street
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Views of the East Side of the House of Lords etc.

Views of the East Side of the House of Lords etc.
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Foundation Plan of the Ancient Palace of Westminster

Foundation Plan of the Ancient Palace of Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Part of the East Side of the House of Lords

Part of the East Side of the House of Lords
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. The Southwest Corner of Smithfield

The Southwest Corner of Smithfield
Creator:
James Peller Malcolm, 1767–1815
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. A View of the Genuine Beer Brewery, Golden Lane

A View of the Genuine Beer Brewery, Golden Lane
Creator:
J. S. Barth, active 1797–1809
Date:
1807
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Plan of Part of the City of Westminster copied from Rodulphus Agas's Map taken in the Reign of Queen Elizabeth 1578

Plan of Part of the City of Westminster copied from Rodulphus Agas's Map taken in the Reign of Queen Elizabeth 1578
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Views of the East Side of the House of Lords, the East End of the Princes Chamber

Views of the East Side of the House of Lords, the East End of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Miseries Personal

Miseries Personal
Creator:
Thomas Rowlandson, 1756–1827
Date:
1807
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection,Gift of Mrs. Paul Moore

128. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Job's Evil Dreams

Job's Evil Dreams
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. The Wrath of Elihu

The Wrath of Elihu
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. The Creation

The Creation
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 20 1/4 x 15 1/4 x 1in. (51.4 x 38.7 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. The Fall of Satan

The Fall of Satan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Vision of God

The Vision of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Job Accepting Charity

Job Accepting Charity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Satan Smiting Job with Boils

Satan Smiting Job with Boils
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Job's Comforters

Job's Comforters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Job's Despair

Job's Despair
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Studies of the Architecture in Litchfield Cathedral

Studies of the Architecture in Litchfield Cathedral
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1807
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 1/4 inches (19.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Part of St. Augustine's, Canterbury

Part of St. Augustine's, Canterbury
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. A Mulberry Tree Near the Great Gate of St. Augustine's Monastery

A Mulberry Tree Near the Great Gate of St. Augustine's Monastery
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Window of the High Altar, St. Augustine's

Window of the High Altar, St. Augustine's
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Study of an Elderly Man's Portrait

Study of an Elderly Man's Portrait
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 1/8 × 3 7/16 inches (15.6 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Job and His Family

Job and His Family
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Job and His Daughters

Job and His Daughters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Job and His Wife Restored to Prosperity

Job and His Wife Restored to Prosperity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Satan before the Throne of God

Satan before the Throne of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 4 1/8 inches (13.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. The Destruction of Job's Sons

The Destruction of Job's Sons
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. The Messengers Tell Job of the Misfortunes that Have Befallen Him

The Messengers Tell Job of the Misfortunes that Have Befallen Him
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Satan Going Forth from the Presence of the Lord

Satan Going Forth from the Presence of the Lord
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. The Ruins of Bildewas Abbey, Shropsire

The Ruins of Bildewas Abbey, Shropsire
Creator:
unknown artist
Date:
ca. 1812
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 x 21 1/4in. (40.6 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Stoke Newington, Middlesex

Stoke Newington, Middlesex
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. A Reduced Copy of Fisher's Ground Plan of the Royal Palace of Whitehall....1680

A Reduced Copy of Fisher's Ground Plan of the Royal Palace of Whitehall....1680
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Foundation Plan of the Ancient Palace of Westminster

Foundation Plan of the Ancient Palace of Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

158. Plan of the Area to the West of King Street, Westminster

Plan of the Area to the West of King Street, Westminster
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Plan of the Area between King Street and the Thames

Plan of the Area between King Street and the Thames
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Plan of the Area around Dean's Yard, Westminster

Plan of the Area around Dean's Yard, Westminster
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Plan of the Area to the West of Whitehall and Charing Cross

Plan of the Area to the West of Whitehall and Charing Cross
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Plan of Duck Island in St. James's Park

Plan of Duck Island in St. James's Park
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. The Chapel in the White Tower, London

The Chapel in the White Tower, London
Creator:
James S. Storer, 1771–1853
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Plan of Duck Island in St. James Park

Plan of Duck Island in St. James Park
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. A Picturesque View of St. James's Park taken from the Mall

A Picturesque View of St. James's Park taken from the Mall
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. View of Westminster from Standgate

View of Westminster from Standgate
Creator:
John Hassell, 1767–1825
Date:
1807
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. A Geometrical View of the East End of St. Stephan's Chapel

A Geometrical View of the East End of St. Stephan's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. A Geometrical View of St. Stephen's Chapel

A Geometrical View of St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Landscape with Cottage and High Trees

Landscape with Cottage and High Trees
Creator:
Print made by Henry Bellenden Ker, active ca. 1812–ca. 1852
Date:
ca. 1812
Materials & Techniques:
Etching on wove paper
Dimensions:
Plate: 4 x 6in. (10.2 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

170. A Landscape with Buildings

A Landscape with Buildings
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1807
Materials & Techniques:
Etching printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 17 inches (27 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

171. Cattle Resting

Cattle Resting
Creator:
Print made by Robert Hills, 1769–1844
Date:
1807
Materials & Techniques:
Lithograph on moderately thick, moderately textured, gray laid paper
Dimensions:
Sheet: 8 15/16 x 12 1/4 inches (22.7 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

172. Christ Church Cathedral, Oxford

Christ Church Cathedral, Oxford
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Westminster from Millbank

Westminster from Millbank
Creator:
James Peller Malcolm, 1767–1815
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. The Crypt, Worcester Cathedral

The Crypt, Worcester Cathedral
Creator:
John Greig, active 1803–1853
Date:
1807
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 6 1/4 inches (10.1 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. The Man at the Tiller

The Man at the Tiller
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 5/8 × 4 inches (14.3 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Shooting Accident

Shooting Accident
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 7 inches (18.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Samuel Johnson

Samuel Johnson
Creator:
David Edwin, 1775–1841
Date:
1807
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 1/2 x 6 1/4in. (24.1 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

178. Man with a riding crop

Man with a riding crop
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 6 inches (19.1 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. William Wilberforce Esqr.

William Wilberforce Esqr.
Creator:
James Heath, 1757–1834
Date:
1807
Materials & Techniques:
Engraving
Dimensions:
Sheet: 20 11/16 x 15 3/16 in. (52.5 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. Dinton House, Wiltshire: Perspective View

Dinton House, Wiltshire: Perspective View
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1812
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 3/4 inches (38.7 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. A House of Assembly, Quebec: Elevation

A House of Assembly, Quebec: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1812
Materials & Techniques:
Watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 12 13/16 × 17 7/8 inches (32.5 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. A House of Assembly, Quebec: Elevation

A House of Assembly, Quebec: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1812
Materials & Techniques:
Watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 12 3/4 × 17 13/16 inches (32.4 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. A House of Assembly, Quebec: Perspective View

A House of Assembly, Quebec: Perspective View
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite with pen and black ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 7/8 inches (33.7 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. A House of Assembly, Quebec: Plan

A House of Assembly, Quebec: Plan
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1812
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 7/8 x 17 7/8 inches (32.7 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Design for a Temple and Bridge in a Nobleman's Park

Design for a Temple and Bridge in a Nobleman's Park
Creator:
John Porter, active 1838
Date:
1807
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 x 8in. (25.4 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. The Southern Entrance to the Cloisters of Worcester Cathedral

The Southern Entrance to the Cloisters of Worcester Cathedral
Creator:
James S. Storer, 1771–1853
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Shakespeare

Shakespeare
Date:
1807
Materials & Techniques:
Line engraving on wove paper
Dimensions:
Sheet: 8 7/8 × 5 1/2 inches (22.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

188. Figure Studies

Figure Studies
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 7/8 × 4 1/2 inches (17.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

189. Sketch for the Scene of a Battle

Sketch for the Scene of a Battle
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 7 7/8 x 8 inches (20 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

190. Illustration for 'Russell', Ode from the Spanish

Illustration for 'Russell', Ode from the Spanish
Creator:
Print made by Robert Mitchell Meadows, Died before 1812
Date:
1807
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

191. Illustration for 'Denham'

Illustration for 'Denham'
Creator:
Print made by J. H. Wright, active 1795–1838
Date:
1807
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

192. East India House

East India House
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. The Old Magazine Hyde Park

The Old Magazine Hyde Park
Creator:
James Peller Malcolm, 1767–1815
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. The East Side of Fitzroy Square

The East Side of Fitzroy Square
Creator:
James Peller Malcolm, 1767–1815
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Cloisters of Worcester Cathedral

Cloisters of Worcester Cathedral
Creator:
John Greig, active 1803–1853
Date:
1807
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 13/16 inches (9.8 × 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Figure Studies

Figure Studies
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Graphite, with watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 4 3/8 inches (19.1 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Edgars Tower, Worcester

Edgars Tower, Worcester
Creator:
James S. Storer, 1771–1853
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. A Whimisical !! Will

A Whimisical !! Will
Creator:
Charles Williams, active 1796–1830
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Pigs Possessed

The Pigs Possessed
Creator:
James Gillray, 1756–1815
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. John Bull and the Sinking Fund

John Bull and the Sinking Fund
Creator:
James Gillray, 1756–1815
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection