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Collection
Prints and Drawings
3
Creator
Crome, John, 1768–1821
2
Cruikshank, George, 1792–1878
1
Date
1771
150
1630
29
1826
16
1909
9
1832
7
1674
6
1667
4
1960
4
1772
3
1793
3
1807
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3
1833
3
1836
3
1875
3
0
2
1785
2
1787
2
1790
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1799
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1804
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1806
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1823
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1834
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1850
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1890
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1922
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1955
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1600
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1621
1
1658
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1665
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1680
1
1683
1
1698
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1700
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1715
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1728
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1731
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1736
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1744
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1745
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1751
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1760
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1763
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1766
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1768
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1774
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1776
1
1779
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1780
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1782
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1784
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1788
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1792
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1794
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1797
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1798
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1808
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1810
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1825
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1835
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1838
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1855
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1859
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1884
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1886
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1891
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1892
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1902
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1907
1
1921
1
1926
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1938
1
1963
1
1967
1
1969
1
1983
1
1998
1
On-site Access
Accessible in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
2
Unavailable
1
Classification
Prints
3
Creator Gender
male
3
Period
19th century
3
Materials & Techniques
etching (printing process)
3
wove paper
3
Height [cm]
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25
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19
Work Type
intaglio print
3
Genre
genre subject
3
landscape
2
Subject Terms
genre subject
3
bushes
2
hat
2
landscape
2
man
2
resting
2
trees
2
branches
1
chariots
1
clocks
1
clouds
1
dog (animal)
1
fences
1
figures
1
fireplace
1
fishing
1
hallucination
1
hearts
1
illustration
1
imagination
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Subject Terms
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Associated People
Cupid
1
Exhibition History
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
Yale Center for British Art; Yale University Art Gallery Collection
1
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Date
1807
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22
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1
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
2
Print made by George Cruikshank, 1792–1878
The Triumph of Cupid: A Reverie
undated
3
Print made by John Crome, 1768–1821
The Back of the Mills
ca. 1812