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Remains of St. Barts Priory
Creator:
John Greig, active 1803–1853
Date:
1805
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 x 6 1/8in. (22.9 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prospero Conjuring a Masque for Ferdinand and Miranda
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1810
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the Second - The First Party
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 1/8 inches (19.1 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the Third - The Night House
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash over graphite on medium, morderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 6 1/8 inches (18.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the Fourth - The Betting Booth
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the First - The Inheritance
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 3/8 inches (19.1 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection