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Collection
Prints and Drawings
2
Creator
Ackermann, Rudolph, 1764–1834
1
Bartolozzi, Francesco, 1727–1815
1
Blake, William, 1757–1827
1
Correggio, Antonio Allegri, ca. 1489/94–1534
1
Knight, John Baverstock, 1785–1859
1
Date
1808
24
1789
21
1675
15
1754
14
1792
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1850
13
1772
11
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1797
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1829
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1827
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2009
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1700
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1731
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1734
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1739
2
On-site Access
Accessible by appointment in the Study Room
2
Image Use
Free to Use
2
Image Available
Available
2
Classification
Prints
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2
Creator Gender
male
2
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
1
Period
19th century
2
Materials & Techniques
wove paper
2
black ink
1
etching (printing process)
1
relief etching
1
stipple engraving
1
watercolor
1
Height [cm]
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50
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39
Work Type
drawing
1
intaglio print
1
relief print
1
watercolor
1
Genre
religious and mythological subject
2
literary theme
1
portrait
1
Subject Terms
nude
2
religious and mythological subject
2
wings
2
woman
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2
Greek
1
Venus taking care of Cupid
1
arrows
1
bird
1
boys
1
children
1
costume
1
earrings
1
family
1
flowers (plants)
1
goddess
1
headband
1
leaf
1
literary theme
1
love
1
mother
1
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Subject Terms
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Associated People
Cupid
1
Venus
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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1804
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woman
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1
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
2
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804