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Collection
Prints and Drawings
25
Creator
Blake, William, 1757–1827
23
Martin, John, 1789–1854
1
Rowlandson, Thomas, 1756–1827
1
Date
1794
25
1804
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1797
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1631
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1888
1
On-site Access
Accessible by appointment in the Study Room
25
Image Use
Free to Use
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25
Image Available
Available
25
Classification
Prints
23
Drawings & Watercolors
2
Creator Gender
male
25
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
23
Period
19th century
25
Materials & Techniques
watercolor
25
black ink
24
wove paper
24
relief etching
23
graphite
2
brown ink
1
gold
1
gray ink
1
pen
1
red ink
1
white gouache
1
Height [cm]
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36
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34
Work Type
drawing
25
watercolor
25
relief print
23
Genre
literary theme
23
religious and mythological subject
23
genre subject
1
historical subject
1
military art
1
Subject Terms
fire
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25
literary theme
23
religious and mythological subject
23
text
22
flames
21
men
17
nudes
15
women
12
wings
7
sun
5
sky
4
smoke
4
angels
3
bald
3
beard
3
hammer
3
serpent
3
snake
3
vines
3
blacksmith
2
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Subject Terms
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Associated People
Satan
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
23
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
23
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
5
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
5
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
25
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1804
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fire
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1
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
2
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
3
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
4
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
6
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
7
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
8
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
10
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
13
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
14
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
15
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
17
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
18
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
19
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
20
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
21
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
22
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
24
Attributed to John Martin, 1789–1854
Fall of a City
undated
25
Thomas Rowlandson, 1756–1827
A Maiden Aunt Smelling Fire
1804