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Collection
Prints and Drawings
3
Creator
Blake, William, 1757–1827
2
Blore, Edward, 1787–1879
1
Date
1771
10
1780
6
1797
5
1761
3
1789
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1791
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1800
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1804
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1861
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1700
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1709
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1765
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1775
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1794
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1812
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1867
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1690
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1819
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1885
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1953
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1968
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2009
1
On-site Access
Accessible in the Study Room
3
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Free to Use
3
Image Available
Available
3
Classification
Prints
2
Drawing & Watercolors-Architectural
1
Creator Gender
male
3
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
2
Period
19th century
3
Materials & Techniques
black ink
3
watercolor
3
wove paper
3
relief etching
2
brown ink
1
etching (printing process)
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gouache
1
graphite
1
pen
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Work Type
drawing
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watercolor
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relief print
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Genre
literary theme
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religious and mythological subject
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architectural subject
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Subject Terms
bird
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3
leaf
2
literary theme
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religious and mythological subject
2
text
2
vines
2
architectural subject
1
design
1
eagles (birds)
1
fruits
1
gate
1
gateway
1
grapes
1
horse (animal)
1
mythological figures
1
nude
1
nudes
1
park (grounds)
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statue
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swan
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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1804
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1
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
2
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
3
Edward Blore, 1787–1879
Design for a Park Gateway
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