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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
12
Creator
Blake, William, 1757–1827
12
Date
1804
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12
1794
2
On-site Access
Accessible by appointment in the Study Room
12
Image Use
Free to Use
12
Image Available
Available
12
Classification
Prints
12
Creator Gender
male
12
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
12
Period
19th century
12
Materials & Techniques
black ink
12
relief etching
12
watercolor
12
wove paper
12
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26
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drawing
12
relief print
12
watercolor
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Genre
literary theme
12
religious and mythological subject
12
Subject Terms
literary theme
12
religious and mythological subject
12
roots
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12
text
12
nudes
8
women
8
men
7
vines
7
branches
5
flames
3
sinews
3
sky
3
stars
3
sun
3
arch
2
fire
2
hill
2
moon
2
spires
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stone
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
12
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
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12
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
12
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1804
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Exhibition History
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
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Subject Terms
roots
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1
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
2
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
3
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
4
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
6
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
7
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
8
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
9
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
10
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
12
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820