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Collection
Prints and Drawings
278
Rare Books and Manuscripts
5
Creator
Girtin, Thomas, 1775–1802
45
Waring, Frances Miss, active 1801–1826
40
Hayley, William, 1745–1820
26
Lewis, Frederick Christian the Elder, 1779–1856
26
Unknown artist
19
Smirke, Robert, 1752–1845
14
Vernor, & Hood, active 1795–1807
14
Simon, Peter, 1750–1810
13
Thew, Robert, 1758–1802
13
Blake, William, 1757–1827
12
Fuseli, Henry, 1741–1825
10
Ryder, Thomas, 1746–1810
10
Greig, John, active 1803–1853
9
Storer, James Sargant, 1771–1853
9
Bartolozzi, Francesco, 1727–1815
7
Cadell, Thomas, 1773–1836
7
Flaxman, Mary A., 1786–1833
7
Gillray, James, 1756–1815
7
Hamilton, William, 1751–1801
7
Pickett, W., active 1792–1820
7
more
Creator
»
Date
1800
824
1834
601
1789
418
1802
375
1827
365
1794
351
1835
348
1825
343
1795
334
1792
322
1830
314
1793
309
1833
301
1797
297
1700
292
1799
287
1782
283
1803
[remove]
283
1791
280
1808
270
1804
269
1820
269
1836
260
1546
248
1826
232
1775
225
1796
225
1823
224
1798
219
1809
219
1821
215
1780
213
1832
210
1790
209
1801
209
1824
200
1783
198
1807
198
1739
192
1812
189
1828
189
1837
184
1813
183
1814
182
1630
181
1811
181
1788
178
1784
172
1810
169
1818
167
1816
166
1850
166
1831
165
1819
153
1805
146
1822
146
1786
144
1754
141
1785
141
1787
141
1806
138
1778
134
1838
130
1815
127
1745
126
1817
125
1779
122
1771
121
1829
121
1859
121
1781
120
1755
118
1770
118
1776
113
1750
112
2000
112
1989
110
1880
109
1900
106
1772
105
0
104
1999
103
1839
97
1876
95
1765
94
1769
94
1762
93
1773
90
1751
89
1777
89
1897
89
1674
88
1890
88
1738
87
1855
87
1882
87
1768
86
1896
86
1767
84
1875
81
On-site Access
Accessible in the Study Room
283
Image Use
Free to Use
278
Under Certain Circumstances
5
Image Available
Available
170
Unavailable
113
Classification
Prints
[remove]
283
Creator Gender
male
228
female
47
unknown
24
Collective Title
Twelve Views in Scotland, Delineated by a Lady, in the Polyautographic Art of Drawing Upon Stone
40
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
31
The Life, and Posthumous Writings, of William Cowper
19
The Triumphs of Temper
7
Iconographie Anglaise par Reynolds et Autres
5
Specimens of Polyautography
4
Byrne's Britannia Depicta
3
Views of the London Docks
3
The Tragedy of Othello, the Moor of Venice
2
Liber Studiorum, 1838
1
Period
19th century
282
18th century
1
Materials & Techniques
wove paper
107
etching (printing process)
62
lithography
46
aquatint
45
line engraving
30
mezzotint
21
hand coloring
17
laid paper
17
soft-ground etching
16
gouache
12
graphite
9
stipple engraving
8
chine collé
3
watercolor
3
Engraving
1
brown wash
1
white gouache
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
88
Unknown
61
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
140
Unknown
64
Work Type
intaglio print
121
planographic print
46
landscape
5
advertisement
3
aquatint
2
broadside
2
frontispiece
2
woodcut
2
bird's-eye view
1
cityscape
1
ephemera
1
hand-coloring
1
lithograph
1
ticket
1
trade card
1
view
1
Genre
architectural subject
63
landscape
52
cityscape
44
literary theme
30
portrait
21
genre subject
11
marine art
8
animal art
2
historical subject
1
military art
1
religious and mythological subject
1
Subject Terms
river
30
architectural subject
20
cityscape
10
portrait
10
literary theme
9
buildings
6
trees
6
boats
5
bridge (built work)
5
genre subject
5
horse (animal)
5
man
5
people
5
carriages
4
carts
4
cravat
4
house
4
barges (flat-bottomed watercraft)
3
breeches
3
children
3
more
Subject Terms
»
Subject Period
19th century
1
Associated Places
Europe
44
France
44
Île-de-France
44
Seine
34
Paris
26
Pont Neuf
12
Val-de-Marne
11
Cathédrale Notre-Dame de Paris
9
Charenton-le-Pont
8
Pont de Charenton-le-Pont
8
Acqueduct of Louveciennes
6
Bourse de Paris
6
Louveciennes
6
Marly-le-Roi
6
Panthéon
6
Pont de la Concorde
6
Saint-Germain-en-Laye
6
Yvelines
6
Bassin de l'Arsenal
5
Marne
5
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
79
Desdemona (character in Othello)
2
Napoleon I (1769–1821), Emperor of the French
2
Othello (character in Othello, the Moor of Venice)
2
Billington, Elizabeth (1765–1818), singer
1
Brookes, Joshua, -1803
1
Brookes, Joshua, 1761–1833
1
Brookes, Paul, active 1803
1
Davy, Sir Humphry, baronet (1778–1829), chemist and inventor
1
Engelmann, Godefroy (1788–1839), lithographer and publisher
1
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Ludwig, Furst von Starhemberg (1762–1833), Austrian diplomat
1
Newton, Francis Milner (1720–1794), portrait painter
1
Northcote, James (1746–1831), artist and author
1
Olivia (character in Twelfth Night)
1
Senefelder, Johann Alois (1771–1834), actor, playwright, and inventor of lithography
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
4
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Peterloo and Protest (Yale Center for British Art, 2019-08-16 - 2019-12-01)
1
Rubenism (Bell Art Gallery, 1975-01-30 - 1975-02-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
244
Yale Center for British Art, Paul Mellon Fund
9
Yale Center for British Art; Yale University Art Gallery Collection
9
Yale Center for British Art, Paul Mellon Collection, Transfer from the Beinecke Rare Book and Manuscript Library
3
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art; Gift of Michael Zinman
2
Yale Center for British Art; Gift of Peter R. Spokes in memory of Charles Beecher Hogan
2
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerlin, B.A. 1932
2
22706615010008651|Yale Center for British Art, Paul Mellon Fund
1
22706622080008651|Yale Center for British Art, Paul Mellon Fund
1
22711751790008651|Yale Center for British Art, Paul Mellon Collection
1
22749489820008651|Yale Center for British Art, Paul Mellon Fund
1
22924365880008651|Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art, Gift of Geoffrey and Renée Hartman
1
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of John Gerli, B.A. 1932
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Gift of David Bindman
1
Language
English
5
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Date
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1
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
2
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
3
Print made by Thomas Medland, 1755–1823
Rouen, from Mount St. Catherine
1803
4
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front
c.1803
5
Richard Earlom, 1743–1822
Shakespeare, King Lear, Act I, Scene I
1803
6
Print made by unknown artist
Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
1803
7
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
8
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
9
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
10
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
11
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
12
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
13
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
14
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
15
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
16
John Neagle, 1796–1865
Winter's Tale, Act 3, Scene 3
1803
17
William Home Lizars, 1788–1859
Samuel Johnson with Figures
undated
18
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
19
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
20
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
21
Benjamin West, 1738–1820
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
22
James Parker, 1750–1805
MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"
1803
23
Print made by Thomas Trotter, ca. 1750–1803
MacBeth, Act I, Scene III: "A Heath"
1803
24
Robert Thew, 1758–1802
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
25
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
26
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
27
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
28
William S. Leney, 1769–1831
Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
1803
29
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
30
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
31
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
32
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
33
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
34
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
35
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
36
Samuel Noble, 1779–1853
Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108
1803
37
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
38
Print made by Thomas Cook, 1744–1818
Bambridge on Trial for Murder by a Committee of the House of Commons
1803
39
Print made by Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
40
Print made by John Young, 1755–1825
George Canning
1803
41
Print made by James Ward, 1769–1859
Mrs. Billington as St. Cecilia
1803
42
Anker Smith, 1759–1819
Love's Labour Lost, Act IV, Sc. 3
1803
43
unknown artist
Taming of the Shrew, Induc. Sc. II
1803
44
Charles Warren, 1767–1823
Much Ado... Act IV, Sc. 1
1803
45
George Morland, 1763–1804
The Hard Bargain
1803
46
George Morland, 1763–1804
The Last Litter
1803
47
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
48
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
49
Print made by Thomas Medland, 1755–1823
Light House at Havre
1803
50
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
51
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
52
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
53
John Hall, 1739–1797
Timon of Athens
1803
54
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
55
Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
56
John Raphael Smith, 1752–1812
Shepherd's Meal
1803
57
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
58
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
59
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
60
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
61
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
62
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
63
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
64
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
65
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
66
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
67
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
68
James Gillray, 1756–1815
Evacuation of Malta
1803
69
James Neagle, 1760–1822
William Shakspeare
1803
70
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
71
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
72
unknown artist
Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200
1803
73
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
74
Print made by William Ridley, 1764–1838
George Romney, Esqr
1803
75
Robert Thew, 1758–1802
Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1803
76
Robert Thew, 1758–1802
Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc
1803
77
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
78
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
79
Thomas Ryder, 1746–1810
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
80
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
81
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
82
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
83
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
84
Robert Thew, 1758–1802
Henry VIII: Act III, Scene I, A Room in the Queen's Apartments
1803
85
Charles Gauthier Playter, died 1809
Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---
1803
86
William Sharp, 1749–1824
Kemble
1803
87
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
88
Print made by Samuel William Reynolds, 1773–1835
Marchioness of Exeter
1803
89
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
90
Print made by William T. Annis, active 1798–1811
Returned from Market
1803
91
Print made by William T. Annis, active 1798–1811
At Market
1803
92
Francesco Bartolozzi, 1728–1815
Wynnstay Theatre Ticket
1803
93
Print made by Godefroy Engelmann, 1788–1839
G. Engelmann
undated
94
Godefroy Engelmann, 1788–1839
Aloys Senefelder
undated
95
unknown artist
Visit to the Convent at Amiens
1803
96
Print made by Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
97
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
98
John Raphael Smith, 1752–1812
Cottage Family
1803
99
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
100
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
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