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Collection
Prints and Drawings
14
Creator
Bigg, William Redmore, 1755–1828
2
Chinnery, George, 1774–1852
2
Collins, William, 1788–1847
2
Gillbank, Haveill, 18th–19th centuries
2
Girtin, Thomas, 1775–1802
2
Boydell, John, 1720–1804
1
Cotman, John Sell, 1782–1842
1
Harraden, Richard Banks, 1778–1862
1
Pickett, W., active 1792–1820
1
Rowlandson, Thomas, 1756–1827
1
Smirke, Robert, 1752–1845
1
Thew, Robert, 1758–1802
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Varley, Cornelius, 1781–1873
1
White Abbott, John, 1763–1851
1
Date
1767
137
1800
121
1772
82
1764
72
1745
69
1775
69
1793
67
1789
63
1850
56
1762
54
1790
52
1784
51
1791
51
1797
48
1783
44
1799
44
1792
43
1794
41
1795
40
1825
38
1830
38
1814
37
1860
36
1782
35
1807
35
1820
35
1827
35
1859
35
1804
34
1805
34
1768
33
1778
33
1802
33
1810
33
1771
32
1813
32
1857
30
1780
29
1785
29
1786
29
1867
29
1841
28
1770
27
1835
27
1836
27
1787
26
1788
26
1796
26
1821
26
1808
25
1826
25
1864
24
1774
23
1817
23
1740
22
1746
21
1765
21
1674
20
1755
20
1801
20
1812
20
1819
20
1822
20
1831
20
1840
20
1759
19
1815
19
1742
18
1749
18
1818
18
1739
17
1773
17
1855
17
1823
16
1824
16
1829
16
1834
16
1861
16
1863
16
1865
16
1917
16
1700
15
1776
15
1779
15
1781
15
1798
15
1833
15
1880
15
1909
15
1803
[remove]
14
1816
14
1748
13
1811
13
1870
13
1877
13
1915
13
1750
12
1828
12
1920
12
0
11
On-site Access
Accessible by appointment in the Study Room
14
Image Use
Free to Use
14
Image Available
Available
14
Classification
Drawings & Watercolors
8
Prints
6
Creator Gender
male
14
Collective Title
Liber Studiorum, 1838
1
Period
19th century
14
Materials & Techniques
wove paper
11
graphite
4
watercolor
4
gray wash
3
soft-ground etching
3
aquatint
2
pen
2
black ink
1
brown ink
1
etching (printing process)
1
gouache
1
gray ink
1
gum
1
laid paper
1
scraping out
1
stipple engraving
1
stopping out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
71
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
104
Work Type
drawing
8
watercolor
8
intaglio print
6
Genre
landscape
6
genre subject
5
architectural subject
4
cityscape
2
literary theme
1
marine art
1
Subject Terms
trees
[remove]
14
landscape
6
architectural subject
5
river
5
genre subject
4
house
4
clouds
3
dog (animal)
3
buildings
2
children
2
cityscape
2
fence
2
hats
2
horse (animal)
2
people
2
shovel
2
water
2
As You Like It, play by William Shakespeare
1
Grand Tour
1
Indian
1
more
Subject Terms
»
Associated Places
Europe
3
France
2
Paris
2
Seine
2
Île-de-France
2
Alps
1
Asia
1
Cathédrale Notre-Dame de Paris
1
Cymru
1
England
1
India
1
Lakenham
1
Mer de Glace (glacier)
1
Monmouth
1
Monnow
1
Norfolk
1
Norwich
1
Panthéon
1
Pont Neuf
1
Pont Saint Michel
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Great Age of British Watercolors c.1750 - 1880 (National Gallery of Art, 1993-05-02 - 1993-07-25)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
14
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Date
1803
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1
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
2
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
3
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
4
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
5
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
6
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
7
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
8
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
9
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
10
Attributed to William Collins, 1788–1847
Landscape with Fence
undated
11
Attributed to William Collins, 1788–1847
Landscape: House and Trees
undated
12
George Chinnery, 1774–1852
A Pipul Tree
between 1803 and 1825
13
George Chinnery, 1774–1852
Figure Seated by an Indian Temple
between 1803 and 1825
14
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807