Skip to splash images
Yale Center for British Art Home Page
<< YCBA Home
Yale Center for British Art
Yale Center for British Art
<< YCBA Home
Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
    Search Options:
Search in
Simple Search
All Fields
Title
Creator
Subject Terms
Call Number
Search Provenance
Fielded
search for
Search
YCBA Collections Search
Toggle facets
Refine your search
Collection
Prints and Drawings
20
Creator
Girtin, Thomas, 1775–1802
19
Lewis, Frederick Christian the Elder, 1779–1856
11
Harraden, Richard Banks, 1778–1862
4
Pickett, W., active 1792–1820
2
Cotman, John Sell, 1782–1842
1
Girtin, James, ca. 1780–after 1820
1
Harraden, James, active 1801–1814
1
Stadler, Joseph Constantine, active 1780–1812
1
Date
1835
89
1834
83
1800
73
1833
55
1802
34
1827
33
1818
30
1776
28
1850
27
1836
21
1700
20
1803
[remove]
20
1820
19
1830
19
1859
19
1792
18
1824
18
1901
18
1715
17
1825
17
1842
17
1810
16
1832
16
1998
16
1795
15
1813
15
1819
15
1915
14
1831
13
1900
13
1911
13
1751
12
1812
12
1874
12
1814
11
1822
11
1840
11
1811
10
1920
10
1970
10
1720
9
1807
9
1809
9
1864
9
1877
9
1907
9
1921
9
1923
9
1927
9
1773
8
1780
8
1804
8
1805
8
1808
8
1816
8
1845
8
1860
8
1865
8
1908
8
1916
8
1989
8
1735
7
1826
7
1828
7
1837
7
1839
7
1855
7
1863
7
1910
7
1913
7
1918
7
1925
7
1990
7
1797
6
1801
6
1829
6
1887
6
1903
6
1904
6
1917
6
1922
6
1731
5
1789
5
1799
5
1815
5
1823
5
1843
5
1844
5
1847
5
1883
5
1889
5
1897
5
1929
5
1996
5
0
4
1767
4
1774
4
1775
4
1787
4
1793
4
On-site Access
Accessible by appointment in the Study Room
20
Image Use
Free to Use
20
Image Available
Available
20
Classification
Prints
[remove]
20
Creator Gender
male
20
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
5
Liber Studiorum, 1838
1
Period
19th century
20
Materials & Techniques
aquatint
19
wove paper
17
soft-ground etching
15
etching (printing process)
4
hand coloring
2
watercolor
2
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
46
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
16
to
67
Work Type
intaglio print
20
Genre
architectural subject
20
cityscape
15
landscape
4
genre subject
1
Subject Terms
architectural subject
[remove]
20
river
15
cityscape
10
boats
5
bridge (built work)
5
buildings
5
people
5
carriages
4
carts
4
horse (animal)
4
barges (flat-bottomed watercraft)
3
trees
3
clouds
2
domes
2
house
2
houseboats
2
arches
1
barrels (containers)
1
branches
1
bread
1
more
Subject Terms
»
Associated Places
Europe
19
France
19
Île-de-France
19
Seine
13
Paris
11
Val-de-Marne
7
Charenton-le-Pont
6
Pont de Charenton-le-Pont
6
Marne
5
Panthéon
4
Pont Neuf
4
Bassin de l'Arsenal
3
Cathédrale Notre-Dame de Paris
3
Acqueduct of Louveciennes
2
Bourse de Paris
2
Louveciennes
2
Marly-le-Roi
2
Pont de la Concorde
2
Quartier de Chaillot
2
Saint-Germain-en-Laye
2
more
Associated Places
»
Exhibition History
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
20
Search Constraints
Start Over
You searched for:
Date
1803
Remove constraint Date: 1803
Subject Terms
architectural subject
Remove constraint Subject Terms: architectural subject
Classification
Prints
Remove constraint Classification: Prints
1
-
20
of
20
Sort by collection
collection
relevance
artist (A-Z)
date
title (A-Z)
Number of results to display per page
100 per page
100
per page
50
per page
15
per page
View results as:
List
Masonry
Search Results
1
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
2
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
3
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
4
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
5
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
6
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
7
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
8
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
9
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
10
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
11
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
12
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
13
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
14
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
15
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
16
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
17
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
18
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
19
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
20
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803