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Collection
Prints and Drawings
4
Creator
Girtin, Thomas, 1775–1802
4
Lewis, Frederick Christian the Elder, 1779–1856
2
Girtin, James, ca. 1780–after 1820
1
Harraden, James, active 1801–1814
1
Harraden, Richard Banks, 1778–1862
1
Date
1818
11
1834
9
1896
9
1835
6
1867
6
1820
5
1821
5
1803
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4
1799
3
1822
3
1859
3
1758
2
1831
2
1832
2
1860
2
1863
2
1876
2
1925
2
1740
1
1756
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1757
1
1764
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1786
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1788
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1789
1
1794
1
1796
1
1797
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1800
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1801
1
1804
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1807
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1810
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1813
1
1814
1
1816
1
1817
1
1819
1
1828
1
1833
1
1836
1
1838
1
1842
1
1844
1
1850
1
1865
1
1874
1
1877
1
1884
1
1890
1
1900
1
1908
1
1935
1
On-site Access
Accessible in the Study Room
4
Image Use
Free to Use
4
Image Available
Available
4
Classification
Prints
4
Creator Gender
male
4
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
3
Period
19th century
4
Materials & Techniques
aquatint
4
etching (printing process)
3
hand coloring
1
watercolor
1
wove paper
1
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64
Work Type
intaglio print
4
Genre
architectural subject
4
cityscape
3
landscape
1
Subject Terms
architectural subject
4
bridge (built work)
4
river
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4
cityscape
3
boats
1
buildings
1
cottages
1
houses
1
landscape
1
water mill
1
Associated Places
Charenton-le-Pont
4
Europe
4
France
4
Marne
4
Pont de Charenton-le-Pont
4
Val-de-Marne
4
Île-de-France
4
Paris
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
4
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Date
1803
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Width [cm]
28
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river
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1
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
2
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
3
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
4
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803