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1. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
Creator:
after Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Miss Campbell

Miss Campbell
Creator:
John Downman, 1750–1824
Date:
1803
Materials & Techniques:
Black chalk, red chalk, and graphite, with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 9 1/2 inches (30.6 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Statue of Dr. Johnson

No cover image available
Creator:
unknown artist
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/2 x 9 1/4in. (19.1 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert