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Collection
Prints and Drawings
69
Creator
Hayley, William, 1745–1820
20
Waring, Frances Miss, active 1801–1826
19
Girtin, Thomas, 1775–1802
18
Vernor, & Hood, active 1795–1807
13
Lewis, Frederick Christian the Elder, 1779–1856
12
Greig, John, active 1803–1853
8
Storer, James Sargant, 1771–1853
8
Blake, William, 1757–1827
6
Cadell, Thomas, 1773–1836
6
Flaxman, Mary A., 1786–1833
6
Smirke the Younger, Robert, Sir, 1781–1867
4
Stadler, Joseph Constantine, active 1780–1812
3
Byrne, William, 1743–1805
2
Harraden, Richard Banks, 1778–1862
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Bartolozzi, Francesco, 1727–1815
1
Chinnery, George, 1774–1852
1
Cotman, John Sell, 1782–1842
1
Craig, William Marshall, 1763 or 1764–1829
1
Harraden, James, active 1801–1814
1
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1802
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1803
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69
1804
67
1835
62
1794
54
1630
49
1836
49
1814
45
1818
44
1795
41
1832
40
1825
39
1813
35
1745
29
1833
28
1788
25
1792
25
1834
24
1763
23
1642
22
1799
22
1748
21
1810
21
1824
21
1826
21
1768
20
1791
20
1819
20
1821
20
1628
19
1805
19
1808
19
1820
19
1859
19
1764
18
1772
18
1827
18
1828
18
1790
17
1839
17
1910
17
1753
16
1773
16
1829
16
1775
15
1675
14
1700
14
1793
14
1798
14
1801
14
1674
13
1784
13
1785
13
1667
12
1715
12
1771
12
1789
12
1816
12
1752
11
1760
11
1787
11
1797
11
1817
11
1831
11
1855
11
1690
10
1728
10
1806
10
1807
10
1815
10
1738
9
1746
9
1796
9
1811
9
1823
9
1861
9
1765
8
1778
8
1780
8
1783
8
1809
8
1812
8
1822
8
1729
7
1777
7
1779
7
1782
7
1837
7
1717
6
1830
6
1838
6
1845
6
1849
6
1873
6
1735
5
1737
5
1767
5
1770
5
1776
5
On-site Access
Accessible in the Study Room
69
Image Use
Free to Use
[remove]
69
Image Available
Available
50
Unavailable
19
Classification
Prints
62
Drawings & Watercolors
7
Creator Gender
male
50
female
20
Collective Title
Twelve Views in Scotland, Delineated by a Lady, in the Polyautographic Art of Drawing Upon Stone
19
The Life, and Posthumous Writings, of William Cowper
14
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
13
The Triumphs of Temper
6
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
4
Byrne's Britannia Depicta
2
Liber Studiorum, 1838
1
Period
19th century
69
Materials & Techniques
wove paper
57
etching (printing process)
31
line engraving
23
lithography
19
aquatint
17
graphite
10
gouache
7
hand coloring
7
soft-ground etching
7
watercolor
4
brown wash
2
chine collé
2
gray wash
2
black ink
1
board
1
brown ink
1
gray ink
1
stipple engraving
1
white gouache
1
Height [cm]
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Current results range from
10
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46
Width [cm]
Width [cm] range begin
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Current results range from
7
to
67
Work Type
intaglio print
42
planographic print
19
drawing
7
watercolor
6
landscape
3
Genre
architectural subject
29
landscape
28
literary theme
20
cityscape
16
marine art
3
genre subject
2
portrait
1
Subject Terms
architectural subject
10
river
8
buildings
3
cityscape
3
boats
2
carriages
2
carts
2
clouds
2
genre subject
2
people
2
trees
2
woman
2
Indian
1
arches
1
baskets
1
branches
1
bread
1
bridge (built work)
1
cattle
1
child
1
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Subject Terms
»
Associated Places
Europe
18
France
18
Île-de-France
18
Seine
16
Paris
7
Acqueduct of Louveciennes
6
Louveciennes
6
Marly-le-Roi
6
Saint-Germain-en-Laye
6
Yvelines
6
Bassin de l'Arsenal
4
Panthéon
4
Bourse de Paris
3
Choisy-le-Roi
3
Conciergerie
3
Pont Neuf
3
Pont au Change
3
Saint-Germain-en-Laye, Château de
3
Théâtre de la Ville
3
Val-de-Marne
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
3
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
67
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Paul Mellon Fund
1
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1803
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1
Print made by William Blake, 1757–1827
Canto V. Verse 43
1803
2
Print made by William Blake, 1757–1827
Canto I. Verse 29
1803
3
Print made by William Blake, 1757–1827
Canto II. Verse 471
1803
4
Print made by William Blake, 1757–1827
Canto III. Verse 201
1803
5
Print made by William Blake, 1757–1827
Canto IV. Verse 328
1803
6
Print made by William Blake, 1757–1827
Canto VI. Verse 294
1803
7
Sir Robert Smirke the younger, 1781–1867
Terrace Before the Church of St. Bartholamew
1803
8
Sir Robert Smirke the younger, 1781–1867
Mosque at Argos
1803
9
Sir Robert Smirke the younger, 1781–1867
Temple at Phigalia
1803
10
Sir Robert Smirke the younger, 1781–1867
Terracina, Italy
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
12
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
13
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
14
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
15
Print made by Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
16
William Sharp, 1749–1824
Kemble
1803
17
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
18
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
19
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
20
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
21
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
22
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
23
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
24
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
25
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
26
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
27
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
28
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
29
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
30
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
31
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
32
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
33
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
34
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
35
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
36
George Chinnery, 1774–1852
An Indian Tomb
between 1803 and 1825
37
William Marshall Craig, 1763 or 1764–1829
Landscape with Lime-Kiln and Workmen
ca. 1808
38
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
39
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
40
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
41
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
42
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
43
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
44
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
45
Print made by John Greig, active 1803–1853
The Elms
1803-1804
46
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
47
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
48
Print made by John Greig, active 1803–1853
Weston House
1803-1804
49
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
50
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
51
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
52
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
53
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
54
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
55
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
56
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
57
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
58
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
59
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
60
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
61
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
62
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
63
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
64
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
65
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
66
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
67
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde (Variant)
1803
68
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
69
Print made by Miss Frances Waring, active 1801–1826
Dunbarton Castle
1803