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Collection
Prints and Drawings
13
Creator
Bigg, William Redmore, 1755–1828
2
Chinnery, George, 1774–1852
2
Collins, William, 1788–1847
2
Gillbank, Haveill, 18th–19th centuries
2
Girtin, Thomas, 1775–1802
2
Boydell, John, 1720–1804
1
Cotman, John Sell, 1782–1842
1
Harraden, Richard Banks, 1778–1862
1
Pickett, W., active 1792–1820
1
Rowlandson, Thomas, 1756–1827
1
Smirke, Robert, 1752–1845
1
Thew, Robert, 1758–1802
1
Varley, Cornelius, 1781–1873
1
White Abbott, John, 1763–1851
1
Date
1767
137
1800
107
1772
82
1764
72
1745
69
1775
68
1793
66
1789
63
1762
54
1790
54
1784
51
1797
48
1850
46
1791
45
1783
43
1799
43
1792
42
1794
41
1795
40
1814
37
1830
37
1804
36
1825
36
1782
35
1820
35
1859
35
1860
35
1807
34
1827
34
1768
33
1805
33
1771
32
1778
32
1780
32
1802
32
1810
31
1813
31
1857
30
1867
29
1841
28
1785
27
1786
27
1835
27
1770
26
1788
26
1821
26
1836
26
1787
25
1808
25
1826
25
1796
24
1864
24
1774
23
1817
23
1740
22
1746
21
1765
21
1755
20
1801
20
1812
20
1822
20
1831
20
1759
19
1815
19
1819
19
1840
19
1674
18
1739
18
1742
18
1818
18
1773
17
1823
16
1824
16
1829
16
1855
16
1700
15
1776
15
1779
15
1781
15
1833
15
1834
15
1863
15
1749
14
1798
14
1816
14
1865
14
1909
14
1917
14
1748
13
1803
[remove]
13
1811
13
1870
13
1750
12
1828
12
1877
12
1915
12
1747
11
1845
11
1847
11
1880
11
On-site Access
Accessible in the Study Room
13
Image Use
Free to Use
13
Image Available
Available
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13
Classification
Drawings & Watercolors
7
Prints
6
Creator Gender
male
13
Collective Title
Liber Studiorum, 1838
1
Period
19th century
13
Materials & Techniques
wove paper
10
graphite
3
gray wash
3
soft-ground etching
3
watercolor
3
aquatint
2
pen
2
black ink
1
brown ink
1
etching (printing process)
1
gouache
1
gray ink
1
laid paper
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
51
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
8
to
68
Work Type
drawing
7
watercolor
7
intaglio print
6
Genre
genre subject
5
landscape
5
architectural subject
4
cityscape
2
literary theme
1
marine art
1
Subject Terms
trees
[remove]
13
architectural subject
5
landscape
5
genre subject
4
house
4
river
4
dog (animal)
3
buildings
2
children
2
cityscape
2
clouds
2
fence
2
hats
2
horse (animal)
2
people
2
shovel
2
water
2
As You Like It, play by William Shakespeare
1
Indian
1
apron
1
more
Subject Terms
»
Associated Places
Europe
2
France
2
Paris
2
Seine
2
Île-de-France
2
Asia
1
Cathédrale Notre-Dame de Paris
1
Cymru
1
England
1
India
1
Lakenham
1
Monmouth
1
Monnow
1
Norfolk
1
Norwich
1
Panthéon
1
Pont Neuf
1
Pont Saint Michel
1
Quartier de Chaillot
1
United Kingdom
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
13
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Date
1803
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Subject Terms
trees
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1
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
2
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
3
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
4
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
5
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
6
George Chinnery, 1774–1852
Figure Seated by a Tomb in Bengal
between 1803 and 1825
7
George Chinnery, 1774–1852
A Pipul Tree
between 1803 and 1825
8
Attributed to William Collins, 1788–1847
Landscape with Fence
undated
9
Attributed to William Collins, 1788–1847
Landscape: House and Trees
undated
10
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
11
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
12
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
13
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807