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Collection
Prints and Drawings
56
Creator
Girtin, Thomas, 1775–1802
56
Lewis, Frederick Christian the Elder, 1779–1856
26
Harraden, Richard Banks, 1778–1862
6
Pickett, W., active 1792–1820
6
Harraden, James, active 1801–1814
3
Stadler, Joseph Constantine, active 1780–1812
3
Girtin, James, ca. 1780–after 1820
1
Date
1835
110
1834
103
1833
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1802
56
1803
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56
1767
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1829
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1826
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1827
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1921
6
1778
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1813
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1823
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1917
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1771
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1797
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1812
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1875
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1897
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1902
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1787
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1821
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1696
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On-site Access
Accessible by appointment in the Study Room
56
Image Use
Free to Use
56
Image Available
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56
Classification
Prints
44
Drawings & Watercolors
12
Creator Gender
male
56
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
42
Period
19th century
56
Materials & Techniques
aquatint
43
etching (printing process)
28
wove paper
16
soft-ground etching
14
hand coloring
2
watercolor
2
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46
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140
Work Type
intaglio print
45
drawing
10
Genre
architectural subject
49
cityscape
48
landscape
8
Subject Terms
river
37
architectural subject
20
cityscape
11
bridge (built work)
6
boats
5
people
5
buildings
4
carriages
4
carts
4
horse (animal)
4
barges (flat-bottomed watercraft)
3
clouds
2
domes
2
houseboats
2
trees
2
arches
1
barrels (containers)
1
coat
1
cottages
1
horses (animals)
1
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Subject Terms
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Associated Places
Europe
56
France
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56
Île-de-France
56
Seine
43
Paris
32
Pont Neuf
15
Val-de-Marne
15
Cathédrale Notre-Dame de Paris
12
Charenton-le-Pont
10
Pont de Charenton-le-Pont
10
Pont de la Concorde
8
Acqueduct of Louveciennes
7
Bourse de Paris
7
Louveciennes
7
Marly-le-Roi
7
Panthéon
7
Saint-Germain-en-Laye
7
Yvelines
7
Bassin de l'Arsenal
6
Marne
6
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
12
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
56
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1803
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1
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
2
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
3
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
4
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
5
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
6
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
7
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
8
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
9
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
10
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
11
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
12
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
13
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
14
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
15
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
16
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
17
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
18
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
19
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
20
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
21
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
22
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
23
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
24
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
25
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
26
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
27
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
28
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
29
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
30
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
31
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
32
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
33
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
34
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
35
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
36
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
37
Thomas Girtin, 1775–1802
View of the Pantheon, taken from the Arsenal
1803
38
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
39
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
40
Thomas Girtin, 1775–1802
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
41
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1803
42
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
43
Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
44
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
45
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
46
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
1803
47
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
48
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
49
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
50
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
51
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
52
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
53
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
54
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
55
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
56
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803