Date: 1802 - YCBA Collections Search Search Results

101. Conway, North Wales: The Castle and the Old College House

Creator:: William Alexander, 1767–1816
Date:: 1802
Materials & Techniques:: Gray wash, yellow wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 11 7/8 inches (20.3 × 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Carnarvon

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Watercolor with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 19 1/4 inches (25.7 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Views in England, Scotland and Wales: Watenlath, August 30, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Dunloh Castle, Killarney, Ireland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 19 3/16 inches (30.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Windsor Castle from the Brocas

Creator:: Henry Edridge, 1769–1821
Date:: 1802
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Killarney (Ireland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Watercolor, graphite white gouache, and gum arabic on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Studies of Haymakers

Creator:: Robert Hills, 1769–1844
Date:: ca. 1807
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Prior, Love Disarmed, vol. II

Creator:: John Scott, 1774–1828
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

113. Saint Peter's Church, Hereford, from Butcher's Row

Creator:: follower of John Varley, 1778–1842
Date:: 1802
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 22 5/8 inches (40 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Cottar's Door

Creator:: Print made by William Say, 1768–1834
Date:: 1802
Materials & Techniques:: Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

115. Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 1/4 x 14 1/8in. (26 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

116. Sir Charles Bingham, first Earl of Lucan

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 1/2 inches (22.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

117. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. General James Stuart

Creator:: George Clint, 1770–1854
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/8 × 13 13/16 inches (49.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Shakespeare, Macbeth Act IV, Scene I

Creator:: Robert Thew, 1758–1802
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Cupid in Search of Venus' Dove, Prior's Poems, Vol. II

Creator:: unknown artist
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

121. Tiger Hunting in the East Indies

Creator:: Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. The Snake in the Grass

Creator:: Print made by William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 20 × 14 1/16 inches (50.8 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

123. The Right Honourable The Countess of Euston

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 8 13/16 inches (28.1 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

124. The Right Honourable Lady Catherine Howard

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 7/8 inches (28.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

125. The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Hand-colored stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Dipping Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

Creator:: Samuel Rawle, 1771–1860
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

132. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

133. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

134. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

135. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

136. "Hubert, let me not be bound!"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

137. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

138. "Then go, bid the huntsmen wake them with their horns"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

139. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. Light Head Dress and Long Petticoats

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 14 x 9 3/4in. (35.5 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Landscape with Group of Trees

Creator:: Print made by Richard Cooper the Younger, 1740–1814
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Old Trees with Old Man, a Girl and a Dog

Creator:: Print made by Richard Corbould, 1757–1831
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Study of a Tree

Creator:: Print made by Raphael Lamar West, 1769–1850
Date:: 1802, published 1807
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 9 1/4 inches (32.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. View of Pont Neuf, The Mint etc.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

Creator:: Thomas Stothard, 1755–1834
Date:: 1802 - 1825
Materials & Techniques:: Watercolor and pen and ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

Creator:: Thomas Stothard, 1755–1834
Date:: 1802 - 1825
Materials & Techniques:: Watercolor and pen and ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 22 15/16 inches (48.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 22 inches (46 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Saturday Morning, Favorite Chickens Going to Market

Creator:: Thomas Burke, 1749–1815
Date:: 1802
Materials & Techniques:: Stipple engraving partly printed in color
Dimensions:: Plate: 18 5/8 x 23in. (47.3 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

155. Sir Robert Smirke's Continental Tour

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Paris From the Hospital of Bicêtre

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. O Evening thou Bringest All

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Peasants Going to Market

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 18 x 22in. (45.7 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Part of Audley House, Dukes Place

Creator:: Samuel Rawle, 1771–1860
Date:: 1802
Materials & Techniques:: Etching and line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Lane with Figures, May 1802

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. View of Chepstow Castle, Monmouthshire, from Under the Bridge

Creator:: John Varley, 1778–1842
Date:: 1802
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. View of the Pantheon from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, pink laid paper
Dimensions:: Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, sligihtly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 9 1/4in. (20.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 7/16in. (18.9 x 24cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Netley Abbey

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 x 10 13/16in. (17.9 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Tygwyn Ferry

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 14 1/2 inches (22.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

186. Old Trees with Old Man, a Girl and a Dog

Creator:: Print made by Richard Corbould, 1757–1831
Date:: 1802
Materials & Techniques:: Lithograph on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 9 3/16 × 12 5/8 inches (23.3 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

187. The Distinguishing Characteristic of Masonry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Francis Wheatley, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 5/16 inches (45.5 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. View of Blackfriars Bridge and St. Paul's from the Patent Shot Manufactory on the South Side of the River

Creator:: Daniel Turner, active 1782–1805
Date:: 1802
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Aix-en-Provence

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Portofino, The Italian Riviera of Genoa

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 11 7/16 inches (22.7 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Genoa From a Hill on the Side Near the Lazaretto

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802
Materials & Techniques:: Gray wash and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 8 11/16 × 11 7/16 inches (22.1 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. An Old Battery and Watch Tower in Genoa

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802
Materials & Techniques:: Blue wash, gray wash and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 8 13/16 × 11 5/8 inches (22.4 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Les Ares

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately thick, cream laid paper
Dimensions:: Sheet: 3 11/16 × 5 15/16 inches (9.4 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. From the Ramparts on the East Side of Genoa

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 8 11/16 × 11 3/8 inches (22.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Aix-en-Provence

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 6 inches (9.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. An Old Convent, Near the Conservatory

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802
Materials & Techniques:: Brown wash and graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 8 5/8 × 11 7/16 inches (21.9 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Near Genoa

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Near Genoa

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 10 5/8 inches (18.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1802

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101. Conway, North Wales: The Castle and the Old College House

102. Carnarvon

103. Views in England, Scotland and Wales: Watenlath, August 30, 1802

104. Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802

105. Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802

106. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

107. View of the City with the Louvre & Taken from Pont Marie

108. Dunloh Castle, Killarney, Ireland

109. Windsor Castle from the Brocas

110. Killarney (Ireland)

111. Studies of Haymakers

112. Prior, Love Disarmed, vol. II

113. Saint Peter's Church, Hereford, from Butcher's Row

114. The Cottar's Door

115. Lord Hugh Seymour

116. Sir Charles Bingham, first Earl of Lucan

117. Vice Admiral Lord Hugh Seymour

118. General James Stuart

119. Shakespeare, Macbeth Act IV, Scene I

120. Cupid in Search of Venus' Dove, Prior's Poems, Vol. II

121. Tiger Hunting in the East Indies

122. The Snake in the Grass

123. The Right Honourable The Countess of Euston

124. The Right Honourable Lady Catherine Howard

125. The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic

126. Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)

127. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

128. The Drinking Well in Hyde Park

129. The Dipping Well in Hyde Park

130. A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

131. Characters from a German Production of Macbeth (one of six etchings)

132. Characters from a German Production of Macbeth (one of six etchings)

133. Characters from a German Production of Macbeth (one of six etchings)

134. Characters from a German Production of Macbeth (one of six etchings)

135. Characters from a German Production of Macbeth (one of six etchings)

136. "Hubert, let me not be bound!"

137. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

138. "Then go, bid the huntsmen wake them with their horns"

139. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

140. Light Head Dress and Long Petticoats

141. Landscape with Group of Trees

142. Old Trees with Old Man, a Girl and a Dog

143. Study of a Tree

144. View of Pont Neuf, The Mint etc.

145. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

146. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

147. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

148. Sailors Conversation

149. Sailors Conversation

150. Saturday Morning, Favorite Chickens Going to Market

151. Returning from a Review...Paris

152. Inn Yard at Calais

153. Changing Horses Near Clermont

154. Characters from a German Production of Macbeth (one of six etchings)

155. Sir Robert Smirke's Continental Tour

156. Paris From the Hospital of Bicêtre

157. O Evening thou Bringest All

158. Peasants Going to Market

159. Part of Audley House, Dukes Place

160. Lane with Figures, May 1802

161. View of Chepstow Castle, Monmouthshire, from Under the Bridge

162. View of the Pantheon from the Arsenal

163. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

164. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

165. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

166. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

167. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

168. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

169. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

170. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

171. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

172. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

173. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

174. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

175. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats