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Collection
Prints and Drawings
17
Creator
Girtin, Thomas, 1775–1802
17
Lewis, Frederick Christian the Elder, 1779–1856
5
Date
1835
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1967
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On-site Access
Accessible by appointment in the Study Room
17
Image Use
Free to Use
17
Image Available
Available
17
Classification
Prints
16
Drawings & Watercolors
1
Creator Gender
male
17
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
5
Period
19th century
16
Materials & Techniques
soft-ground etching
14
wove paper
14
aquatint
5
etching (printing process)
3
gray wash
2
watercolor
2
yellow wash
2
blue wash
1
graphite
1
green wash
1
Height [cm]
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Current results range from
15
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48
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Current results range from
44
to
68
Work Type
intaglio print
17
watercolor
3
drawing
1
Genre
architectural subject
16
cityscape
13
landscape
5
Subject Terms
architectural subject
14
river
10
buildings
4
cityscape
4
boats
3
clouds
3
bridge (built work)
2
carriages
2
cattle
2
landscape
2
water mill
2
arches
1
barges
1
barges (flat-bottomed watercraft)
1
boating
1
canes
1
carts
1
cows
1
deciduous trees
1
dog (animal)
1
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Subject Terms
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Associated Places
Europe
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17
France
17
Seine
17
Île-de-France
17
Paris
9
Bassin de l'Arsenal
8
Cathédrale Notre-Dame de Paris
5
Pont de la Tournelle
5
Acqueduct of Louveciennes
4
Louveciennes
4
Marly-le-Roi
4
Yvelines
4
Boulogne-Billancourt
3
Hauts-de-Seine
3
Panthéon
3
Pont-de-Sèvres
3
Saint-Germain-en-Laye
3
Sèvres
3
Bougival
1
Choisy-le-Roi
1
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Associated Places
»
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Sainte-Genevieve La Pantheon - Symbole des revolutions (Canadian Centre for Architecture, 1989-09-26 - 1989-11-30)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
17
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1802
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15
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1
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
2
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
3
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
4
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
5
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
6
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
7
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
8
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
9
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
10
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
11
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
12
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
13
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
14
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
15
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
16
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
17
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802