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Date 1801

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Denial and Disappointment
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
Black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 x 3 3/8 inches (9.8 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fight Interrupted
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Chapel and Hall of Oriel College
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1801
Materials & Techniques:
Etching and line engraving; unfinished proof before letters on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hero and Leander
Creator:
William Hamilton, 1751–1801
Date:
1801
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Banishment of Aristides
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ruins of the College of Lincluden, near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1806
Materials & Techniques:
Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sleaford Church
Creator:
Print made by Bartholomew Howlett, 1767–1827
Date:
1801
Materials & Techniques:
Etching and line engraving; proof on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Cognocenti Contemplating ye Beauties of ye Antique
Creator:
Print made by James Gillray, 1756–1815
Date:
1801
Materials & Techniques:
Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:
Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941
Strephon and Chloe
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reverend Hugh Blair, D.D.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Chapel and Hall of Oriel College, &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1801
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Seated Man Drinking
Creator:
Print made by Alexander George Fraser, 1786–1865
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 4 inches (14.2 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James A. Bergquist
William Cobbett
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 12 9/16 inches (43.1 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
And Ah! Let Pity Turn Her Dewy Eyes...
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Constable
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 6 7/16 inches (25.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ the Judge and Saints John the Baptist and Abel
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 × 15 5/8 inches (62.1 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

17. The Elect

The Elect
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 25 7/8 inches (28.6 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman
William, Second Earl Beauchamp
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and gouache on ivory
Dimensions:
Image: 2 7/8 x 2 3/4 inches (7.3 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. Ruth Ivor