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1. Lynmouth Harbor and Grattan Hill-Devon

Lynmouth Harbor and Grattan Hill-Devon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, over graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 18 1/8 × 21 15/16 inches (46 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The East Front of the Library of Trinity College in the University of Cambridge

The East Front of the Library of Trinity College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Cambridge University: Queens College

Cambridge University: Queens College
Creator:
Print made by Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Leicestershire Hunt - A Struggle for the Start

The Leicestershire Hunt - A Struggle for the Start
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Leicestershire Hunt - The Death

The Leicestershire Hunt - The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Fagot Binders

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1800
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 18 1/4 x 22 1/8in. (46.4 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Breaking Cover

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
Undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 21 7/8 inches (37.5 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. British, Louis XIV Revival, frame

British, Louis XIV Revival, frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Dimensions:
Frame: 27 × 22 × 1 3/4 inches (68.6 × 55.9 × 4.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art