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Collection
Prints and Drawings
201
Creator
DeWint, Peter, 1784–1849
75
Hope, Henry Phillip, active 1799–1818
61
Richardson, Thomas Miles Sr., 1784–1848
8
Alken, Henry Thomas, 1784–1851
7
Unknown artist
7
Tatham, Charles Heathcote, 1772–1842
6
Cotman, John Sell, 1782–1842
5
Rowlandson, Thomas, 1756–1827
5
Alexander, William, 1767–1816
2
Blake, William, 1757–1827
2
Dighton, Robert, 1752–1814
2
Havell, William, 1782–1857
2
Langendyck, Dirk, 1748–1805
2
Shepherd, George Sidney, 1784–1862
2
Smirke the Younger, Robert, Sir, 1781–1867
2
Whichelo, C. John M., 1784–1865
2
Burnet, John, 1784–1868
1
Cleveley, Robert, 1747–1809
1
Daniell, William, 1769–1837
1
Duncan, Edward, 1803–1882
1
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Creator
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Date
1791
897
1800
589
1749
536
1745
494
1802
435
1796
412
1771
406
0
336
1804
333
1867
329
1772
322
1832
285
1795
278
1790
273
1775
271
1784
251
1826
245
1793
230
1748
223
1792
215
1767
213
1768
209
1752
207
1764
207
1785
203
1799
[remove]
201
1814
190
1945
183
1700
178
1827
177
1818
164
1820
164
1789
163
1839
163
1836
155
1773
153
1797
150
1825
144
1780
137
1870
137
1830
132
1770
130
1817
129
1787
126
1835
125
1807
123
1758
121
1801
121
1794
118
1968
117
1877
116
1805
113
1855
113
1815
107
1854
101
1846
100
1755
97
1811
96
1763
95
1788
95
1813
95
1910
94
1717
93
1819
93
1765
92
1738
91
1786
91
1777
90
1782
90
1803
90
1798
87
1810
87
1812
87
1834
87
1808
85
1831
81
1841
81
1740
79
1774
79
1778
79
1868
79
1762
78
1781
77
1823
77
1829
77
1783
76
1828
75
1833
70
1869
70
1806
69
1760
68
1821
68
1705
65
1893
62
1840
61
1809
60
1843
60
1822
59
1838
53
1730
51
On-site Access
Accessible by appointment in the Study Room
201
Image Use
Free to Use
201
Image Available
Available
137
Unavailable
64
Classification
Drawings & Watercolors
131
Drawing & Watercolors-Architectural
70
Creator Gender
male
200
unknown
7
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
2
The Costume of China
1
Period
18th century-19th century
155
18th century
23
19th century
23
Materials & Techniques
wove paper
160
graphite
150
watercolor
143
black ink
72
laid paper
33
brown ink
21
pen
21
black chalk
10
gray wash
9
brown wash
8
gouache
8
white chalk
8
red ink
7
tracing paper
7
scraping out
6
card
5
gray ink
5
white gouache
5
pink ink
3
canvas
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
5
to
106
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
87
Work Type
drawing
[remove]
201
watercolor
121
frontispiece
1
Genre
architectural subject
93
landscape
59
genre subject
22
sporting art
10
still life
10
figure study
9
marine art
9
cityscape
8
animal art
6
portrait
4
historical subject
2
military art
2
religious and mythological subject
2
botanical subject
1
Subject Terms
architectural subject
91
landscape
54
trees
41
men
24
figures
19
genre subject
19
horses (animals)
19
clouds
17
river
14
rocks (landforms)
13
hills
11
dogs (animals)
10
hay
10
sporting art
10
still life
10
boats
9
mountains
9
figure study
8
forest
8
houses
8
more
Subject Terms
»
Associated Places
United Kingdom
40
England
34
Europe
27
Berkshire
6
Thames
6
Yorkshire
6
Windsor
5
London
4
Norfolk
3
Wiltshire
3
Windsor Castle
3
Castle Acre
2
Derbyshire
2
Kent
2
Surrey
2
Ashtead
1
Barden
1
Barden Tower
1
Bolsover
1
Bolton Castle
1
more
Associated Places
»
Associated People
Blake, William (1757–1827), engraver, artist, and poet
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
5
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
2
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Behold the Sea (Yale Center for British Art, 2003-06-14 - 2003-09-07)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
196
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Paul Lubetkin
1
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
1
Yale Center for British Art, Gift of the Estate of Roberta A. Kendall
1
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Date
1799
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101
unknown artist
Evening
1799
102
unknown artist
Mid-Day
1799
103
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
104
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
105
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
106
Henry Thomas Alken, 1785–1851
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
107
Thomas Rowlandson, 1756–1827
The Launching of H.M.S. 'Hibernia' 1804
ca. 1804
108
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
109
attributed to Peter DeWint, 1784–1849
Bardon Hill, Charnwood Forest, Leicestershire
undated
110
Peter DeWint, 1784–1849
Still Life: Pots, Basket and Cloth on a Chest
undated
111
Peter DeWint, 1784–1849
Shipwreck off the Needles, Isle of Wight
undated
112
Peter DeWint, 1784–1849
By the Wayside
undated
113
Peter DeWint, 1784–1849
The Long Walk, Windsor
undated
114
Peter DeWint, 1784–1849
Coast Scene
undated
115
Peter DeWint, 1784–1849
Shipbuilding on the Yorkshire Coast
undated
116
Peter DeWint, 1784–1849
Cookham, near Maidenhead
undated
117
Peter DeWint, 1784–1849
Windsor from below the Locks
undated
118
Peter DeWint, 1784–1849
The Wagon
undated
119
Peter DeWint, 1784–1849
The Long Walk, Windsor
undated
120
Peter DeWint, 1784–1849
Cattle by a Stream
undated
121
Peter DeWint, 1784–1849
Ash Tree in Ashstead Park
undated
122
Possibly Peter DeWint, 1784–1849
Sea Study
undated
123
attributed to Peter DeWint, 1784–1849
A Country Road with Traveller on Horseback
undated
124
John Sell Cotman, 1782–1842
Caricature of Two Men with Drawn Swords (One of a Set of Three)
1799
125
John Sell Cotman, 1782–1842
The Rise of the Stocks (One of a Set of Three)
1799
126
pupil of Peter DeWint, 1784–1849
Landscape with Country House
undated
127
pupil of Peter DeWint, 1784–1849
Near Norwich
undated
128
pupil of Peter DeWint, 1784–1849
Near Matlock
undated
129
pupil of Peter DeWint, 1784–1849
Landscape with Cows and Barn
undated
130
pupil of Peter DeWint, 1784–1849
Cottage Amongst Trees
undated
131
imitator of John Sell Cotman, 1782–1842
Interior of a Church, Looking West from South Aisle
ca. 1804
132
Peter DeWint, 1784–1849
On the Thames
undated
133
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk
ca. 1804
134
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk, West Front
ca. 1804
135
Attributed to Robert Speare, 1799–1812
Landscape (in The Lake District?)
undated
136
Robert Hills, 1769–1844
Study of Foliage
after 1799
137
William Alexander, 1767–1816
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
undated
138
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
undated
139
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
140
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
141
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
142
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
143
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
144
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
145
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
146
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
undated
147
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
148
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
149
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
150
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
151
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
152
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
153
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
154
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
155
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
156
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
157
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
158
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
159
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
160
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
161
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
162
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
163
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
164
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
165
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
166
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
167
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
168
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
169
Henry Shaw, 1800–1873
Italian Churches
undated
170
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
171
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
172
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
173
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
174
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
175
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
176
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
177
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
178
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
179
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
180
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
181
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
182
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
183
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
184
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
185
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
186
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
187
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
188
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
189
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
190
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
191
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
192
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
undated
193
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
194
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
195
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
196
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
197
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
undated
198
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
undated
199
Thomas Miles Richardson Sr., 1784–1848
A View of Edinburgh Castle from Candlemaker Row
undated
200
Peter DeWint, 1784–1849
Stonehenge
undated
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