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Date 1798

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Subject Terms buildings

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High Street, Oxford
Creator:
Thomas Malton the Younger, 1748–1804
Date:
between 1798 and 1799
Materials & Techniques:
Oil on canvas
Dimensions:
35 × 47 inches (88.9 × 119.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
King's Parade, Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
between 1798 and 1799
Materials & Techniques:
Oil on canvas
Dimensions:
37 1/2 x 50 inches (95.3 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Port of London
Creator:
Thomas Luny, 1759–1837
Date:
1798
Materials & Techniques:
Oil on canvas
Dimensions:
21 3/4 x 33 7/8 inches (55.2 x 86 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Porta Nigra, Trier
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beach Scene
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge of Sighs, Venice
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 1/4 inches (37.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monnow Bridge, Monmouthshire
Creator:
Samuel Prout, 1783–1852
Date:
before 1814
Materials & Techniques:
Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beauvais Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/16 × 10 9/16 inches (40.8 × 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right
Creator:
Follower of Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured, green-beige wove paper
Dimensions:
Sheet: 4 5/8 × 7 13/16 inches (11.7 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Sale in Hopkins's Repository, Barbican
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1798 and 1800
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Como

Como
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection