Date: 1798 / Image Use: Free to Use - YCBA Collections Search Search Results

1. The Seven Ages of Man: The Lover, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. The Seven Ages of Man: The Justice, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

7. The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. The Port of London

Creator:: Thomas Luny, 1759–1837
Date:: 1798
Materials & Techniques:: Oil on canvas
Dimensions:: 21 3/4 × 33 7/8 inches (55.2 × 86 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

9. Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”

Creator:: James Ward, 1769–1859
Date:: ca. 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 33 x 47 inches (83.8 x 119.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

10. A Landscape with Figures

Creator:: Nicholas Pocock, 1740–1821
Date:: 1798
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/2 x 26 1/2 inches (52.1 x 67.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. High Street, Oxford

Creator:: Thomas Malton the Younger, 1748–1804
Date:: between 1798 and 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 35 × 47 inches (88.9 × 119.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. King's Parade, Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: between 1798 and 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 37 1/2 x 50 inches (95.3 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Setters

Creator:: George Morland, 1763–1804
Date:: between 1798 and 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/4 x 9 inches (33.7 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Tiger Hunting in the East Indies

Creator:: Thomas Daniell, 1749–1840
Date:: 1798
Materials & Techniques:: Oil on canvas
Dimensions:: 32 5/8 x 50 inches (82.9 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

15. The Bridge over the River Rye at Helmsley, with the Castle Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Valle Crucis Abbey, near Llangollen

Creator:: imitator of Thomas Girtin, 1775–1802
Date:: between 1798 and 1801
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Jonathan Wild precipitating himself into the sea, Vide, Book 2, Chapter 2, page 1

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Dimensions:: Sheet: 3 7/8 x 3 3/16in. (9.8 x 8.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael Zinman

18. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Classical Composition

Creator:: Thomas Girtin, 1775–1802
Date:: 1798 to 1799
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:: Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Comforts of Bath: The Concert

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Comforts of Bath: The Music Master

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Comforts of Bath: Private Practice Previous to the Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Comforts of Bath: The Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Comforts of Bath: Gouty Gourmands at Dinner

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Comforts of Bath: Gouty Persons Fall on Steep HIll

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Comforts of Bath: The Breakfast

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Four Studies of a Hay Cart

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 8 9/16 inches (28.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Consequence of not Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Sir William Beechey

Creator:: William Ridley, 1764–1838
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Sheepdog Asleep in a Landscape

Creator:: Attributed to Andrew Geddes, 1783–1844
Date:: undated
Materials & Techniques:: Watercolor, black chalk, brown chalk, white chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Study of Two Peacocks

Creator:: Andrew Geddes, 1783–1844
Date:: undated
Materials & Techniques:: Black chalk, pen and brown ink, pastel, and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 7 inches (25.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Dead Hare

Creator:: Andrew Geddes, 1783–1844
Date:: undated
Materials & Techniques:: Black chalk, verso: black chalk and stump on medium, slightly texuted, cream laid paper
Dimensions:: Sheet: 7 7/8 x 14 3/8in. (20 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Clarendon House

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

40. Como

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Capture of Tobago by Major General Cuyler, and Vice Admiral Sir John Laforey

Creator:: Print made by J. Pass, active 1796–1800
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

42. View of Cape Diamond

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

43. View of the Rock Bridge

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

44. Hamburg

Creator:: Print made by Samuel Davenport, 1783–1867
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

45. Elevation of the New East India House Now Building in Leadenhall Street

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 10 3/8 inches (13.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

46. The Daughter of Herodias

Creator:: Print made by Thomas Holloway, 1748–1827
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

47. New Morality

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hay Wagon and Horses

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Black chalk; verso: red and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Projected Design for Fonthill Abbey, Wiltshire

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Watercolor and graphite on slightly textured, cream wove paper
Dimensions:: Frame: 28 1/2 x 43 1/2 x 2 inches (72.4 x 110.5 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Sketchbook of Joseph Farington, containing illustrations of the English Lake Country, prepared for Gray's Journal

Creator:: Joseph Farington, 1747–1821
Date:: c.1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Portrait of Lady Marjorie Jenkins

Creator:: John Downman, 1750–1824
Date:: 1798
Materials & Techniques:: Black chalk with watercolor and stumping on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 x 8 1/2 inches (28 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

53. Nisser Werk

Creator:: Print made by James Heath, 1757–1834
Date:: 1798
Materials & Techniques:: Etching and engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 10 1/2 inches (35.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Doublûres of Characters

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Président d'Administration Municipale. French Habits no 5

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Councellor Ego. -i.e: little i, myself i

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Les Membres du Conseil des Cinq Cents. French Habits No. 3

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Peep into the Cave of Jacobinism

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 5/8 x 9 3/4in. (19.4 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Mr. Garrick in the Character of Richard III

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1798
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 22 3/4 inches (46.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

65. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. On the Conway River, North Wales

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 × 18 11/16 inches (34.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

67. James Northcote

Creator:: William Daniell, 1769–1837
Date:: between 1798 and 1819
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 1/2 inches (24.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Christ in Pietà, Panel from Sant'Agostino Altarpiece

Creator:: William Young Ottley, 1771–1836
Date:: 1798
Materials & Techniques:: Graphite on moderately thick, textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 10 1/2 inches (27.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

69. Bolton Priory, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1803
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 x 16 1/2 inches (22.2 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Brecon Bridge

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1803
Materials & Techniques:: Gray and black wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/2 x 15 7/8 inches (21.6 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. East End of Howden Church, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1803
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 3/4 inches (39.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Mountainous Landscape with Clouds

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:: Sheet: 10 1/8 × 15 inches (25.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving with hand coloring in watercolor gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

74. Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby

Creator:: Follower of Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 3/16 inches (16.9 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right

Creator:: Follower of Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured, green-beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 13/16 inches (11.7 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Study of Figures at Ulm

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/16 × 4 7/16 inches (8.4 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Study of Figures at Schaffhausen

Creator:: Samuel Prout, 1783–1852
Date:: before 1841
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/16 × 4 7/16 inches (8.7 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Seated Peasant Woman Seen From Behind

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 1 7/8 × 1 5/16 inches (4.8 × 3.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Group of Four Seated Men

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 1 9/16 × 2 1/2 inches (4 × 6.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A Laborer Seen From Behind Operating a Machine

Creator:: Samuel Prout, 1783–1852
Date:: before 1841
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 15/16 × 2 1/2 inches (10 × 6.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Two Boys

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 9/16 × 3 1/16 inches (11.6 × 7.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Peasant Woman, Standing, Seen From Behind

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Seated Peasant Boy Seen From Behind

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 13/16 × 1 1/4 inches (7.1 × 3.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Seated Peasant Woman

Creator:: Samuel Prout, 1783–1852
Date:: before 1841
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 1 7/8 × 1 11/16 inches (4.8 × 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Sketches of Peasants and Work-Horses

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with pen and ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/2 inches (15.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Fisherfolk on the Beach, Ostend

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Bathing Tents on the Beach, Ostend

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 6 5/16 inches (9 × 16.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Barbastelle Bat

Creator:: James Sowerby, 1756–1822
Date:: 1798
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 6 1/2 inches (18.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses

Creator:: Charles Warren, 1767–1823
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

90. Lord Viscount Duncan

Creator:: Charles Turner, 1774–1857
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

91. The Right Honorable Viscount Duncan

Creator:: Richard Earlom, 1743–1822
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/8 x 20 1/8in. (35.9 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

92. Sir Robert Harland

Creator:: Richard Earlom, 1743–1822
Date:: 1798
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

93. Sir Robert Harland

Creator:: Richard Earlom, 1743–1822
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 5/8 x 19 3/4in. (34.6 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

94. The Landlord's Daughter

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 10 1/2 inches (40.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. The Tenant's Daughter

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. The Thatched Cottage

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Much Ado About Nothing

Creator:: unknown artist
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

98. Men Loading a Cart Beside a River

Creator:: Thomas Gisborne, active 1798
Date:: undated
Materials & Techniques:: Watercolor with gray and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 x 13 1/2in. (24.3 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Henry Revell Reynolds

Creator:: Valentine Green, 1739–1813
Date:: 1798
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 18 1/8 × 14 inches (46 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Mrs Seaforth as, Tuccia - The Vestal Virgin

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1798
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 15 5/8 inches (52.7 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1798

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1. The Seven Ages of Man: The Lover, 'As You Like It,' II, vii

2. The Seven Ages of Man: The Justice, 'As You Like It,' II, vii

3. The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii

4. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

5. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

6. The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii

7. The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii

8. The Port of London

9. Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”

10. A Landscape with Figures

11. High Street, Oxford

12. King's Parade, Cambridge

13. Setters

14. Tiger Hunting in the East Indies

15. The Bridge over the River Rye at Helmsley, with the Castle Beyond

16. Valle Crucis Abbey, near Llangollen

17. Jonathan Wild precipitating himself into the sea, Vide, Book 2, Chapter 2, page 1

18. Arch of Janus, after Piranesi

19. Classical Composition

20. Set of Six Views in London, (Turn Pike series)

21. Comforts of Bath: The Concert

22. Comforts of Bath: Coaches Arriving

23. Comforts of Bath: The Music Master

24. Comforts of Bath: The Pump Room

25. Comforts of Bath: Private Practice Previous to the Ball

26. Comforts of Bath: The Ball

27. Comforts of Bath: Gouty Gourmands at Dinner

28. Comforts of Bath: Gouty Persons Fall on Steep HIll

29. The Comforts of Bath: The Breakfast

30. Four Studies of a Hay Cart

31. Tempio d' Antonio e Faustina

32. The Consequence of not Shifting the Leg

33. Sir William Beechey

34. Adelaide

35. Fonrose

36. Sheepdog Asleep in a Landscape

37. Study of Two Peacocks

38. Dead Hare

39. Clarendon House

40. Como

41. The Capture of Tobago by Major General Cuyler, and Vice Admiral Sir John Laforey

42. View of Cape Diamond

43. View of the Rock Bridge

44. Hamburg

45. Elevation of the New East India House Now Building in Leadenhall Street

46. The Daughter of Herodias

47. New Morality

48. Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse

49. Hay Wagon and Horses

50. Projected Design for Fonthill Abbey, Wiltshire

51. Sketchbook of Joseph Farington, containing illustrations of the English Lake Country, prepared for Gray's Journal

52. Portrait of Lady Marjorie Jenkins

53. Nisser Werk

54. Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

55. Doublûres of Characters

56. Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work

57. Président d'Administration Municipale. French Habits no 5

58. Councellor Ego. -i.e: little i, myself i

59. Les Membres du Conseil des Cinq Cents. French Habits No. 3

60. A Peep into the Cave of Jacobinism

61. Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself

62. "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

63. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

64. Mr. Garrick in the Character of Richard III

65. Review of Light Horse Volunteers on Wimbledon Common

66. On the Conway River, North Wales

67. James Northcote

68. Christ in Pietà, Panel from Sant'Agostino Altarpiece

69. Bolton Priory, Yorkshire

70. Brecon Bridge

71. East End of Howden Church, Yorkshire

72. Mountainous Landscape with Clouds

73. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

74. Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby