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Date 1798

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Creator Rowlandson, Thomas, 1756–1827

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1. Bishopsgate Volunteer

Bishopsgate Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Comforts of Bath: The Bath

Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Horse Sale in Hopkins's Repository, Barbican

A Horse Sale in Hopkins's Repository, Barbican
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1798 and 1800
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Soldiers Cooking

Soldiers Cooking
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Soldiers Recreating

Soldiers Recreating
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Cut Two and Right Protect

Cut Two and Right Protect
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Consequence of not Shifting the Leg

The Consequence of not Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's

Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Sadlers Sharp Shooters

Sadlers Sharp Shooters
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Light House Volunteers of London and Westminster

The Light House Volunteers of London and Westminster
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. High Fun for John Bull or the Republicans put to their Last Shift

High Fun for John Bull or the Republicans put to their Last Shift
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Castle Baynard Volunteer

Castle Baynard Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Langbourn Ward Volunteer

Langbourn Ward Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Advantage of Shifting the Leg

The Advantage of Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Entrance from Mile End or White Chapel Turnpike

Entrance from Mile End or White Chapel Turnpike
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Review of Light Horse Volunteers on Wimbledon Common

Review of Light Horse Volunteers on Wimbledon Common
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Comforts of Bath: Coaches Arriving

Comforts of Bath: Coaches Arriving
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Comforts of Bath: The Music Master

Comforts of Bath: The Music Master
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Comforts of Bath: Private Practice Previous to the Ball

Comforts of Bath: Private Practice Previous to the Ball
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Comforts of Bath: Gouty Persons Fall on Steep HIll

Comforts of Bath: Gouty Persons Fall on Steep HIll
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Comforts of Bath: The Ball

Comforts of Bath: The Ball
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Comforts of Bath: Gouty Gourmands at Dinner

Comforts of Bath: Gouty Gourmands at Dinner
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Comforts of Bath: The Concert

Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Comforts of Bath.

No cover image available
Creator:
Rowlandson, Thomas, 1756–1827
Date:
[1798]
Physical Description:
12 prints : aquatint ; 19 x 24 cm, mounted to leaves in an album 27 x 33 cm.
Collection:
Rare Books and Manuscripts