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Collection
Prints and Drawings
3
Creator
Girtin, Thomas, 1775–1802
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3
Date
1790
16
1792
13
1789
10
1793
7
1791
6
1794
4
1796
3
1797
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3
1800
3
1795
2
1801
2
0
1
1777
1
1785
1
1787
1
1788
1
1802
1
1805
1
1809
1
On-site Access
Accessible in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Drawings & Watercolors
3
Creator Gender
male
3
Period
18th century-19th century
2
18th century
1
Materials & Techniques
graphite
3
brown ink
2
pen
2
watercolor
2
wove paper
2
gouache
1
ink
1
laid paper
1
squaring (transferring technique)
1
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Work Type
drawing
3
watercolor
2
Genre
architectural subject
2
cityscape
1
landscape
1
Subject Terms
architectural subject
2
buildings
2
horse (animal)
2
bridge (built work)
1
carriages
1
carts
1
churches
1
cityscape
1
equestrians
1
horses (animals)
1
landscape
1
man
1
panoramas
1
people
1
river
1
rocks (landforms)
1
roofs
1
rooftops
1
ruins
1
stone
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Associated Places
England
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3
Europe
3
United Kingdom
3
Devon
1
Greater London
1
Holy Island
1
Lindisfarne
1
London
1
Northumberland
1
Southwark
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
3
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
2
Panoramania (Barbican Art Gallery, 1988-11-03 - 1989-01-15)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Date
1797
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England
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Creator
Girtin, Thomas, 1775–1802
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1
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
2
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
3
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802