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1. Human Body, Posterior View (Outline Drawing for Table VII)

Human Body, Posterior View (Outline Drawing for Table VII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 19 1/8 x 12 5/8 inches (48.6 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Human Skeleton, Posterior View (Relates to Table II)

Human Skeleton, Posterior View (Relates to Table II)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Ink with traces of graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Human Skeleton, Anterior View

Human Skeleton, Anterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 10 3/4 inches (43.8 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Dorking Hen Body, Lateral View (Outline drawing of the muscles)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:
Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View of Mount Vernon, the seat of General Washington

View of Mount Vernon, the seat of General Washington
Creator:
Isaac Weld, 1774–1856
Date:
1795
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 15/16in. (16.2 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. View on the Thames at Batersea

View on the Thames at Batersea
Creator:
William P. Sherlock, c.1780–1850
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. St. Martins in the Fields

St. Martins in the Fields
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/4 x 12 1/2in. (27.3 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

11. How to Attack, Defeat, and Destroy all France

How to Attack, Defeat, and Destroy all France
Creator:
William O'Keefe, active 1794–1807
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 5/8in. (20.3 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Contest between Oppression and Reason, On the Best Way of Settleing Debates

A Contest between Oppression and Reason, On the Best Way of Settleing Debates
Creator:
William O'Keefe, active 1794–1807
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 11/16 x 16 5/16 inches (47.5 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/16 x 16 1/4 inches (53.8 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 9/16 x 16 3/4 inches (49.7 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. New Mackrel, New Mackrel

New Mackrel, New Mackrel
Creator:
Print made by Niccoló Schiavonetti, 1771–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Round & Sound, Five Pence a Pound, Duke Cherries

Round & Sound, Five Pence a Pound, Duke Cherries
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Caleb Whitefoord Esq.

Caleb Whitefoord Esq.
Creator:
Samuel William Reynolds, 1773–1835
Date:
1795
Materials & Techniques:
Mezzotint on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 × 12 7/16 inches (41.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of the South Front of Hamilton Palace

View of the South Front of Hamilton Palace
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Favorite Guinea Pigs Going to Market

Favorite Guinea Pigs Going to Market
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Saddling Enclosure, Epsom

The Saddling Enclosure, Epsom
Creator:
James Barenger, 1780–after 1831
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Old Chairs to Mend

Old Chairs to Mend
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Matlock Tor

No cover image available
Creator:
James Bourne, 1773–1854
Date:
ca. 1800
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 12 5/8 inches (45.7 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler, in memory of Robert B. Silvers