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Collection
Prints and Drawings
26
Creator
Cumberland, George, 1754–1848
18
Turner, J. M. W. (Joseph Mallord William), 1775–1851
7
Walker, James, 1748–1808
3
Blake, William, 1757–1827
2
Storer, James Sargant, 1771–1853
2
Widnell, J., Active 1795
2
Unknown artist
1
Date
1834
55
1999
31
1630
27
1795
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1800
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1808
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1825
14
1794
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1674
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1784
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1822
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1850
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1859
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1911
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1916
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1920
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1977
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1667
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1778
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1789
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1807
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1811
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1833
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1754
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1932
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1735
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1806
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1835
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1849
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1878
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1892
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3
1912
3
1915
3
1930
3
1937
3
1646
2
1671
2
1681
2
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2
1698
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1700
2
1714
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1719
2
1725
2
1737
2
1742
2
1745
2
1753
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1765
2
On-site Access
Accessible by appointment in the Study Room
26
Image Use
Free to Use
26
Image Available
Unavailable
18
Available
8
Classification
Prints
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26
Creator Gender
male
25
unknown
1
Collective Title
Thoughts on Outline
17
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
Period
18th century
26
Materials & Techniques
line engraving
7
letterpress printing
2
Height [cm]
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45
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Current results range from
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30
Work Type
intaglio print
7
relief print
1
Genre
cityscape
5
architectural subject
4
landscape
4
marine art
2
Subject Terms
hill
6
cityscape
5
man
5
river
4
arch
3
boat
3
bridge
3
church
3
horse (animal)
3
path
3
tree
3
water
3
woman
3
cart
2
chimney
2
city
2
clouds
2
fence
2
field
2
fishing
2
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Subject Terms
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Associated Places
England
6
United Kingdom
6
Birmingham
2
Bridgnorth
2
Bridgnorth Bridge
2
Midlands
2
Severn
2
Shropshire
2
Derbyshire
1
Derwent
1
Matlock
1
Matlock Bridge
1
Nottingham
1
Nottingham Castle
1
Nottinghamshire
1
Trent
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
26
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Date
1795
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20
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Prints
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1
Print made by J. Widnell, Active 1795
Matlock
1795
2
Print made by James Walker, 1748–1808
Bridgenorth
1795
3
Print made by James S. Storer, 1771–1853
Birmingham
1795
4
Print made by James Walker, 1748–1808
Nottingham
1795
5
unknown artist
The Tombs of Richard Pendrell and George Chapman in St. Giles in the Fields
1795
6
Print made by J. Widnell, Active 1795
Matlock
1795
7
Print made by James Walker, 1748–1808
Bridgenorth
1795
8
Print made by James S. Storer, 1771–1853
Birmingham
1795
9
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
10
Print made by William Blake, 1757–1827
Anacreon Ode LII
1795
11
Print made by George Cumberland, 1754–1848
Content with Food which Nature Freely Bred
1795
12
Print made by George Cumberland, 1754–1848
Impelled by Ev'ry Stormy Sounding Gale
1795
13
Print made by George Cumberland, 1754–1848
Lytierses
1795
14
Print made by George Cumberland, 1754–1848
On Acis Bosom I My Head Reclined
1795
15
Print made by George Cumberland, 1754–1848
Not the Springs Mouth, or Breath of Jessamin
1795
16
Print made by George Cumberland, 1754–1848
Against the Head which Innocence Secures
1795
17
Attributed to George Cumberland, 1754–1848
Inventions by G. Cumberland, Title Page to 'Thoughts on Outline'
1795
18
Print made by George Cumberland, 1754–1848
Hail Young Eyed God of Wine! Parent of Joys!
1795
19
Print made by George Cumberland, 1754–1848
Nor Swords were Forged but Void of Care and Crime
1795
20
Print made by George Cumberland, 1754–1848
Paris Shall Helena to Ilium Bring
1795
21
Print made by George Cumberland, 1754–1848
Paris is Fifth from Jove, but Helen First
1795
22
Print made by George Cumberland, 1754–1848
Aerial Clouds thro' Heavens' Resplendent Plains
1795
23
Print made by George Cumberland, 1754–1848
Think You, the Happy in the Shades Below
1795
24
Print made by George Cumberland, 1754–1848
O Be Thy Mouth with Figs Ægilean Filled
1795
25
Print made by George Cumberland, 1754–1848
Anacreon. Ode XXXIX. Drinking Scene
1795
26
Print made by George Cumberland, 1754–1848
Anacreon. Ode LX. Epithalamium
1795