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Collection
Prints and Drawings
75
Creator
Cumberland, George, 1754–1848
35
Yenn, John, 1750–1821
8
Wheatley, Francis, 1747–1801
7
Colnaghi,, established 1760, active ca. 1785–1911
6
Unknown artist
6
Edy, John William, 1760–1820
4
Fisher, George Bulteel, 1764–1834
4
Vendramini, Giovanni, 1769–1839
4
Blake, William, 1757–1827
3
Holland, William, 1757–1815
3
Newton, Richard, 1777–1798
3
Lewis, Frederick Christian the Elder, 1779–1856
2
Malton, Thomas, 1726–1801
2
Reynolds, Joshua, Sir, 1723–1792
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Bigg, William Redmore, 1755–1828
1
Bourne, James, 1773–1854
1
Bowles, & Carver, 1763–1830
1
Cardon, Anthony, 1772–1813
1
Dighton, Robert, 1752–1814
1
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Date
1791
604
1802
404
1853
236
1800
215
1790
188
1546
179
1782
155
1739
134
1870
134
1773
131
1808
118
1877
116
1803
111
1840
109
1799
94
1742
93
1855
91
1823
85
1854
84
1820
78
1795
[remove]
75
1834
74
1868
74
1730
67
1754
67
1839
65
1827
63
1830
63
1752
62
1869
59
1745
55
1700
54
1793
52
1815
52
1835
52
1861
51
1807
49
1821
49
1826
49
1889
49
1867
48
1780
47
1832
47
1888
47
1760
45
1814
45
1862
43
1794
42
1758
41
1810
39
1831
39
1836
38
1825
37
1776
36
1785
36
1563
35
1751
35
1778
34
1750
33
1775
32
1809
32
1786
31
1824
31
1568
30
1735
30
1783
30
1789
29
1725
28
1777
28
1781
28
1880
28
1857
27
1749
26
1770
26
1806
26
1769
25
1822
25
1829
25
1755
24
1788
24
1796
24
1559
23
1743
23
1801
23
1813
23
1843
23
1850
23
0
22
1763
22
1768
22
1816
21
1852
21
1553
20
1738
20
1753
20
1811
20
1828
20
1837
20
1871
20
1727
19
On-site Access
Accessible in the Study Room
75
Image Use
Free to Use
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75
Image Available
Unavailable
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75
Classification
Prints
62
Drawing & Watercolors-Architectural
10
Drawings & Watercolors
3
Creator Gender
male
73
unknown
6
Collective Title
Thoughts on Outline
34
Cries of London
6
Iconographie Anglaise par Reynolds et Autres
2
The Princess's Curtsey
2
Period
18th century
59
19th century
11
18th century-19th century
3
Materials & Techniques
wove paper
50
etching (printing process)
46
watercolor
21
laid paper
13
hand coloring
9
black ink
8
stipple engraving
8
aquatint
7
color printing
6
mezzotint
6
pen
6
graphite
2
black chalk
1
brown ink
1
gouache
1
gray wash
1
pens
1
Height [cm]
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59
Unknown
5
Width [cm]
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76
Unknown
5
Work Type
intaglio print
53
drawing
13
watercolor
13
Genre
literary theme
27
architectural subject
12
religious and mythological subject
12
genre subject
9
portrait
4
animal art
3
landscape
2
historical subject
1
military art
1
Subject Terms
architectural subject
10
caricature
3
portrait
3
cottage
2
exterior view
2
house
2
cliff
1
gown
1
lady
1
landscape
1
limestone
1
sceptre
1
Associated Places
Derbyshire
1
High Tor
1
Matlock Bath
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
61
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
5
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
1
Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler, in memory of Robert B. Silvers
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
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1
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
2
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
3
Print made by William Blake, 1757–1827
Anacreon Ode LII
1795
4
John Malchair, 1730–1812
In Powis Parke
1795
5
unknown artist
Lady Amelia Hume
1795
6
William Nutter, 1754–1802
Saturday Evening, the Husbandman's Return From Labour
1795
7
Ezekial A. Ezekiel, 1757–1806
Major-General Stringer Lawrence
1795
8
Print made by Charles Wilkin, 1750–1814
Mrs. Parkyns
1795
9
William Lowry
Perspective View of Design... Cast Iron Bridge... To Supply the Place of the Present London Bridge
ca. 1800
10
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
11
unknown artist
A Half-Timbered House
ca. 1800
12
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
13
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
14
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
15
unknown artist
A Half-timbered House
ca. 1800
16
Print made by Thomas Prattent, active 1780–1810
Trinity House, Tower Hill
1795
17
Print made by John Murphy, ca. 1748–1820
Her Royal Highness Princess of Wales
1795
18
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
19
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
20
John William Edy, 1760–1820
Views of Quebec: View of the River St. Lawrence, Falls of Montmorenci from the Island of Orleans
1795
21
Samuel William Reynolds, 1773–1835
The Smitten Clown
1795
22
unknown artist
The Admiralty
1795
23
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
24
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
25
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
26
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
27
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
28
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
29
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
30
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
31
John William Edy, 1760–1820
Views of Quebec: View of St. Anthony's Nose, on the North River Province of New York
1795
32
Print made by unknown artist
At a Tragedy
1795
33
Print made by George Townly Stubbs, 1748–1815
Josiah Wedgwood Efqr
1795
34
Print made by Richard Newton, 1777–1798
The Princess's Curtsey (Left)
1795
35
Print made by Richard Newton, 1777–1798
A Clerical Alphabet
1795
36
Thomas Medland, 1755–1823
Horse Guards
1795
37
Print made by Richard Newton, 1777–1798
The Princess's Curtsey (Right)
1795
38
John William Edy, 1760–1820
Views of Quebec: View of the Falls of Chaudiere
1795
39
John William Edy, 1760–1820
Views of Quebec: View of Cape Diamond, Plains of Abraham, and part of the Town of Quebec
1795
40
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
41
George Perfect Harding, 1780–1853
Lady Mary Dudley
undated
42
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
43
Print made by George Cumberland, 1754–1848
O Be Thy Mouth with Figs Ægilean Filled
1795
44
Attributed to George Cumberland, 1754–1848
Inventions by G. Cumberland, Title Page to 'Thoughts on Outline'
1795
45
Print made by George Cumberland, 1754–1848
Hail Young Eyed God of Wine! Parent of Joys!
1795
46
Print made by George Cumberland, 1754–1848
Against the Head which Innocence Secures
1795
47
Print made by George Cumberland, 1754–1848
Paris is Fifth from Jove, but Helen First
1795
48
Print made by George Cumberland, 1754–1848
Lytierses
1795
49
Print made by George Cumberland, 1754–1848
Anacreon. Ode XXXIX. Drinking Scene
1795
50
Attributed to George Cumberland, 1754–1848
Inventions by G. Cumberland, Title Page to 'Thoughts on Outline'
1795
51
Print made by George Cumberland, 1754–1848
Hail Young Eyed God of Wine! Parent of Joys!
1795
52
Print made by George Cumberland, 1754–1848
Against the Head which Innocence Secures
1795
53
Print made by George Cumberland, 1754–1848
Not the Springs Mouth, or Breath of Jessamin
1795
54
Print made by George Cumberland, 1754–1848
Content with Food which Nature Freely Bred
1795
55
Print made by George Cumberland, 1754–1848
Nor Swords were Forged but Void of Care and Crime
1795
56
Print made by George Cumberland, 1754–1848
Paris Shall Helena to Ilium Bring
1795
57
Print made by George Cumberland, 1754–1848
Aerial Clouds thro' Heavens' Resplendent Plains
1795
58
Print made by George Cumberland, 1754–1848
Paris is Fifth from Jove, but Helen First
1795
59
Print made by George Cumberland, 1754–1848
Think You, the Happy in the Shades Below
1795
60
Print made by George Cumberland, 1754–1848
Lytierses
1795
61
Print made by George Cumberland, 1754–1848
Anacreon. Ode LX. Epithalamium
1795
62
Print made by George Cumberland, 1754–1848
On Acis Bosom I My Head Reclined
1795
63
Print made by George Cumberland, 1754–1848
On Acis Bosom I My Head Reclined
1795
64
Print made by George Cumberland, 1754–1848
Nor Swords were Forged but Void of Care and Crime
1795
65
Print made by George Cumberland, 1754–1848
Content with Food which Nature Freely Bred
1795
66
Print made by George Cumberland, 1754–1848
O Be Thy Mouth with Figs Ægilean Filled
1795
67
Print made by George Cumberland, 1754–1848
Impelled by Ev'ry Stormy Sounding Gale
1795
68
Print made by George Cumberland, 1754–1848
Anacreon. Ode LX. Epithalamium
1795
69
Print made by George Cumberland, 1754–1848
Impelled by Ev'ry Stormy Sounding Gale
1795
70
Print made by George Cumberland, 1754–1848
Anacreon. Ode XXXIX. Drinking Scene
1795
71
Print made by George Cumberland, 1754–1848
Not the Springs Mouth, or Breath of Jessamin
1795
72
Print made by George Cumberland, 1754–1848
Paris Shall Helena to Ilium Bring
1795
73
Print made by George Cumberland, 1754–1848
Think You, the Happy in the Shades Below
1795
74
Print made by George Cumberland, 1754–1848
Aerial Clouds thro' Heavens' Resplendent Plains
1795
75
James Bourne, 1773–1854
Matlock Tor
ca. 1800