Easby Hall and Easby Abbey with Richmond, Yorkshire in the Background
ca. 1800
Not on view
8
John Constable, 1776–1837
Helmingham: The Silent Pool
ca. 1800
9
Joseph Powell, 1780–1834
In Borrowdale
undated
10
Print made by James Walker, 1748–1808
Bridgenorth
1795
11
Print made by James S. Storer, 1771–1853
Birmingham
1795
12
Print made by James Walker, 1748–1808
Nottingham
1795
13
Print made by J. Widnell, Active 1795
Matlock
1795
14
Print made by James S. Storer, 1771–1853
Chelsea Hospital
1795
15
Print made by Thomas Tagg, died 1809
Oxford
1795
16
Print made by Thomas Tagg, died 1809
Cambridge
1795
17
Print made by George Murray, died 1822
Bath
1795
18
Print made by Thomas Rothwell, ca. 1742–1807
Worcester
1795
19
Print made by Thomas Rothwell, ca. 1742–1807
Windsor
1795
20
Print made by Thomas Tagg, died 1809
Wallingford
1795
21
Print made by George Murray, died 1822
Tunbridge
1795
22
Print made by Thomas Rothwell, ca. 1742–1807
Guildford
1795
23
Print made by George Murray, died 1822
Staines
1795
24
unknown artist
St. Paul's From the River
ca. 1800
25
unknown artist
Westminster from Lambeth
ca. 1800
26
John Malchair, 1730–1812
Carisbrooke Castle, Isle of Wight
after 1794
27
Joseph Powell, 1780–1834
Exeter Gate, Harnham Road, Salisbury
undated
28
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
29
Joseph Powell, 1780–1834
Dunster Castle, Somerset: Showing Castle in Distance
undated
30
John Preston Neale, 1771/80–1847
Charlton House, Wiltshire
undated
31
unknown artist
Norris Castle, Isle of Wight
ca. 1800
32
James Wyatt, 1746–1813
Cobham Hall, Kent: Section and Ceiling Plan of the Dairy
1795
33
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of Dairy
1795
34
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Dairy
1795
35
James Wyatt, 1746–1813
Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy
1795
36
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Dairy
1795
37
James Wyatt, 1746–1813
Cobham Hall, Kent: Windows in Dairy
1795
38
James Wyatt, 1746–1813
Cobham Hall, Kent: Cornice and Battlement for the Dairy
1795
39
Joseph Powell, 1780–1834
Dunster Castle, Somerset
undated
40
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
41
Print made by Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
42
James Wyatt, 1746–1813
Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy
1795
43
Paul Sandby, 1731–1809
Brook End, Essex
between 1795 and 1809
44
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Ceiling of the Dairy
1795
45
Thomas Hearne, 1744–1817
Thaxted Church, Essex
ca. 1800
46
James Wyatt, 1746–1813
Cobham Hall, Kent: North Elevation of Dairy
1795
47
Paul Sandby, 1731–1809
The Garden of Thomas Sandby's House at Englefield Green near Windsor
ca. 1800
48
William P. Sherlock, c.1780–1850
View from Greenwich Park
undated
49
William P. Sherlock, c.1780–1850
View Across the Thames for Greenwich Park
1795
50
Joseph Powell, 1780–1834
Fisherman's Quarters, Robin Hood's Bay
undated
51
John Inigo Richards, 1730/31?–1810
At Steyning - Sussex
1795
52
Joseph Powell, 1780–1834
Windermere from Rydal Park
undated
53
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
54
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
55
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
56
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
57
Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
58
Thomas Rowlandson, 1756–1827
Greenwich
1795 to 1800
59
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
60
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
61
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
62
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
63
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
64
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
65
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
66
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
67
Print made by James S. Storer, 1771–1853
Birmingham
1795
68
Print made by James Walker, 1748–1808
Bridgenorth
1795
69
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
70
Thomas Rowlandson, 1756–1827
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
71
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
72
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
73
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
74
Thomas Girtin, 1775–1802
Trees in Hyde Park, London
ca. 1800
75
Thomas Girtin, 1775–1802
Stokesay Castle: Interior of a Raftered Hall
ca. 1800
76
unknown artist
Near Sidmouth
ca. 1800
77
Henry Edridge, 1769–1821
St. Alban's Abbey
ca. 1800
78
Attributed to Robert Dixon, 1780–1815
Norwich from the gravel pits
undated
79
Edward Dayes, 1763–1804
St. Paul's Church, Covent Garden, after the fire
1795
80
Master of the Wire Line, 18th century
View of the Isle of Wight: Landscape with Figures
ca. 1800
81
Skinner and Dyke
A catalogue of all that noble & superlatively capital assemblage of valuable pictures, drawings, miniatures, and prints
[1795]
82
Christie, Mr. (James), 1730–1803
A catalogue of a valuable collection of ancient and modern prints, beautiful high-finished drawings, coloured etchings, &c. elegantly framed and glazed
1795
83
Christie, Mr. (James), 1730–1803
A catalogue of the collection of pictures, copied by a chemical and mechanical process by the Polygraphic Society, from original pictures of the following esteemed masters, viz.
[1795]
84
Christie, Mr. (James), 1730–1803
A catalogue of all those select, beautiful, and uncommonly high-finished pictures, copied from the celebrated originals which composed the Electoral Gallery of Dusseldorf, which by the gracious permission of His Serene Highness the Elector Palatine, were copied for the purpose of being engraved, in consequence of an exclusive privilege granted for that purpose to Messrs. V. and R. Green
[1795]
85
Christie, Mr. (James), 1730–1803
A catalogue of the genuine, capital, and valuable collection of select and beautiful cabinet pictures, the undoubted works of the most celebrated esteemed Dutch and Flemish Masters
[1795]
86
Greenwood (Leicester-Square, London, England)
A catalogue of the most extensive and magnificent collection of stained glass
1795
87
Christie, Mr. (James), 1730–1803
A catalogue of part of the reserved collection of pictures late the property of Dominick Serres, Esq. R.A. deceased
[1795]
88
Christie, Mr. (James), 1730–1803
A catalogue of the capital, genuine, and valuable collection of pictures, late the property of that eminently distinguished artist Sir Joshua Reynolds, Late President of the Royal Academy, decd : comprising the undoubted works of the greatest masters of the Roman, Florentine, Bolognese, Venetian, French, Flemish, and Dutch schools, in the most perfect state of preservation : the whole of which will be sold by auction (by order of the executors) by Mr. Christie, on Wednesday 11th, and Thursday 12th of March, 1795, at his Rooms (late the Royal Academy) Pall Mall : and on Friday 13th, and Saturday 14 of March, 1795, at his Great Room (next Cumberland House) Pall Mall
[1795]
89
Ireland, Samuel, died 1800
Picturesque views on the upper, or Warwickshire Avon
1795
90
Carter, John, 1761 or 1762–1829
Account of sepulchral monuments discovered at Lincoln
1795?]
91
Aikin, John, 1747–1822
A description of the country from thirty to forty miles round Manchester
[1795]
92
Leigh and Sotheby
A catalogue of a genuine and valuable collection of topographical prints and drawings in England and Wales, the most extensive ever offered to public sale
[1795]
93
Christie, Mr. (James), 1730–1803
A catalogue of the second part of the valuable and curious collection of fine old porcelane
[1795]
94
Middleton, Charles, 1756–approximately 1818
Picturesque and architectural views for cottages, farm houses, and country villas