Date: 1792 - YCBA Collections Search Search Results

301. Veransulean Pennisula

Creator:: Thomas Daniell, 1749–1840
Date:: August 7, 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper, mounted on modedrately thick, slightly textured, wove paper
Dimensions:: Sheet: 7 15/16 × 10 15/16 inches (20.2 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

302. A Lying-In Visit, or a Short-Sighted Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. The Murder of James I, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 7/8 × 24 3/8 inches (50.5 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Vices overlook'd in the New Proclamation

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 3/8in. (22.2 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Sin, Death, and the Devil

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 15 1/4in. (29.5 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. French Liberty - British Slavery

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. John Bull Bother'd; - or - The Geese Alarming the Capitol

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 11 5/8 x 14 3/4in. (29.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Design for the New Gallery of Busts and Pictures

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 5/16in. (24.4 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 3/8 x 15 5/8in. (31.4 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. The Bottomless-Pitt

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 8 3/4in. (24.8 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 8 1/4in. (29.2 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. A Sphere, Projecting against a Plane ---

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 8 3/8in. (23.8 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Wha Wants Me?

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 7 1/2in. (22.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. The National Assembly Petrified / The National Assembly Revivified

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 1/8 x 11 1/2in. (41 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1792
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. A Necessary War or Quixotism Revived, or The Knight of the Little House

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The Affectionate Daughter

Creator:: John Eginton, active 1763–1800
Date:: 1792
Materials & Techniques:: Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Setting out for the Fair

Creator:: John Eginton, active 1763–1800
Date:: 1792
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. The Fairings

Creator:: John Eginton, active 1763–1800
Date:: 1792
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Winter's Tale, Act IV, Scene III

Creator:: Print made by James Fittler, 1758–1835
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Plate: 19 3/8 x 24 7/8in. (49.2 x 63.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Niobe

Creator:: Figures engraved by William Sharp, 1749–1824
Date:: 1792
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. King Henry VI, Part II, Act III, Scene III

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1792
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932

325. Mrs. Lenox

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 7/16 inches (19 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Miss Price

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 11 1/8 inches (34.2 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Herd of Eight Horses under a Tree

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. The House of William Russell, Esq., Showell Green: English and French Text

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:: Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. The House of George Humphrys, Esq., Spark Brook

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Baskerville House, the Residence of John Ryland, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The New Meeting

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 11 3/4 inches (22.1 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Beddington

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 7/16 inches (16.9 × 21.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Bordesley Hall, the Seat of John Taylor, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Ticket for the Benefit of Mr. Dragonetti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 7 3/4 inches (16.8 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Ticket for the Brandenbourg House Masquerade

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca. 1797
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 3/4 inches (13.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Man Toasting Another Man . . .

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. The Archiepiscopal Palace of Lambeth

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. A Right Honorable (sic) Alias a sans Culotte

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 3/4 x 11 3/8in. (32.4 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. A Ward of Chancery

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. A Hint for an Escape at the Next Spring Meeting

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 14 1/2in. (21.9 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 14 1/8in. (23.8 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13in. (21.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Caractacus at the Tribunal

Creator:: A. Birrell, ca.1770–ca. 1820
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/8 x 24 5/8in. (48.6 x 62.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. The Antiquities of Malmsbury

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. A Scene in the Gamester

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. An Essay on the Sublime and Beautiful, The Maiden Speech

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand colored
Dimensions:: Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. After Sun-Set

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. The Murder of James First, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Arundel House in London 1646

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching and engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 15/16 × 10 1/16 inches (25.2 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. A Gentleman's Seat on Stockwell Common, Surrey

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 7/8 x 10 15/16in. (17.5 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Dunfermline. The Ruined Refectory

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Boyne Castle, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Cawdor Castle, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Lincluden Collegiate Church, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Glasgow Cathedral, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 8 15/16 inches (17.8 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Creator:: Print made by W. Pyott, active late 18th century
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

365. Ticket for the Brandenbourg House Masquerade

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca. 1797
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1792
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Mrs. Lenox

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 7 3/8 x 5 1/8in. (18.7 x 13cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

368. Dr. Samuel Johnson

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 1/2 x 5 1/4in. (19.1 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

369. Dr. Samuel Johnson

Creator:: Charles Townley, 1746–c.1800
Date:: 1792
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 x 13in. (43.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

370. Ullswater, Looking toward Patterdale

Creator:: John Warwick Smith, 1749–1831
Date:: 1792
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 1/8 inches (34 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Village of Stonethwaite and Eagle Cragg, Borrowdale

Creator:: John Warwick Smith, 1749–1831
Date:: 1792
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 20 1/4 inches (34.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Jedburgh Abbey, Roxburghshire

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Melrose Abbey, Roxburghshire

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor and graphite and pen and black ink on medium slightly textured, cream wove paper, mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. The Pottery

Creator:: Arthur William Devis, 1762–1822
Date:: 1792–1795
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Grinding Corn

Creator:: Arthur William Devis, 1762–1822
Date:: 1792–1795
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. The Elopement

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Gateshead Abbey

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. East End of Tynemouth Priory

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Ouse Bridge, York

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. The Abbey of St. Mary, Yorkshire, England

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Bamburgh Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Bothal Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Warkworth Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Lindisfarne Priory, Holy Island, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Coupland Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Lindisfarne Priory, Holy Island, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Kelso Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Warkworth Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Dryburgh Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Jedburgh Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Melrose Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/16 × 9 inches (18.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Melrose Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/16 × 9 inches (18.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Melrose Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 7 3/16 inches (22.9 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Edinburgh Castle, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Kelso Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Linlithgow Palace, West Lothian, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Roslin Castle, Midlothian, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Linlithgow Palace, West Lothian, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Dunblane Cathedral, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1792

Search Results

301. Veransulean Pennisula

302. A Lying-In Visit, or a Short-Sighted Mistake

303. The Murder of James I, King of Scotland

304. Vices overlook'd in the New Proclamation

305. Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day

306. Sin, Death, and the Devil

307. French Liberty - British Slavery

308. John Bull Bother'd; - or - The Geese Alarming the Capitol

309. Design for the New Gallery of Busts and Pictures

310. Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar

311. The Bottomless-Pitt

312. The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)

313. A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again

314. A Sphere, Projecting against a Plane ---

315. Wha Wants Me?

316. The National Assembly Petrified / The National Assembly Revivified

317. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

318. A Necessary War or Quixotism Revived, or The Knight of the Little House

319. The Affectionate Daughter

320. Setting out for the Fair

321. The Fairings

322. The Winter's Tale, Act IV, Scene III

323. Niobe

324. King Henry VI, Part II, Act III, Scene III

325. Mrs. Lenox

326. Miss Price

327. Herd of Eight Horses under a Tree

328. The House of William Russell, Esq., Showell Green

329. The House of William Russell, Esq., Showell Green: English and French Text

330. The House of George Humphrys, Esq., Spark Brook

331. Baskerville House, the Residence of John Ryland, Esq.

332. The New Meeting

333. Beddington

334. Bordesley Hall, the Seat of John Taylor, Esq.

335. Ticket for the Benefit of Mr. Dragonetti

336. Ticket for the Brandenbourg House Masquerade

337. Man Toasting Another Man . . .

338. The Archiepiscopal Palace of Lambeth

339. A Right Honorable (sic) Alias a sans Culotte

340. A Ward of Chancery

341. A Hint for an Escape at the Next Spring Meeting

342. A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend

343. The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing

344. Caractacus at the Tribunal

345. The Antiquities of Malmsbury

346. A Scene in the Gamester

347. An Essay on the Sublime and Beautiful, The Maiden Speech

348. Evening

349. Morning

350. Moon-Light

351. Evening

352. After Sun-Set

353. Moon-Light

354. Windsor Bridge

355. The Murder of James First, King of Scotland

356. Arundel House in London 1646

357. The Bank

358. A Gentleman's Seat on Stockwell Common, Surrey

359. Dunfermline. The Ruined Refectory

360. Boyne Castle, Scotland

361. Cawdor Castle, Scotland

362. Lincluden Collegiate Church, Scotland

363. Glasgow Cathedral, Scotland

364. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

365. Ticket for the Brandenbourg House Masquerade

366. 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

367. Mrs. Lenox

368. Dr. Samuel Johnson

369. Dr. Samuel Johnson

370. Ullswater, Looking toward Patterdale

371. Village of Stonethwaite and Eagle Cragg, Borrowdale

372. Jedburgh Abbey, Roxburghshire

373. Melrose Abbey, Roxburghshire

374. Elgin Cathedral, Moray

375. The Pottery