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Collection
Prints and Drawings
42
Paintings and Sculpture
1
Creator
Boydell, John, 1720–1804
7
Girtin, Thomas, 1775–1802
7
Boydell, Josiah, 1752–1817
6
Browne, John, 1741–1801
6
Ellis, William, 1747–1810
6
Johnson, Joseph, 1738–1809
4
Witton, P. H. Jr., Active 1792
4
Blake, William, 1757–1827
3
Daniell, William, 1769–1837
3
Edwards, Richard, active 1796–1797
3
Farington, Joseph, 1747–1821
3
Young, Edward, 1683–1765
3
Cosway, Richard, 1742–1821
2
Daniell, Thomas, 1749–1840
2
Moore, James, 1762–1799
2
Smith, John, 1749–1831
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Bartolozzi, Francesco, 1727–1815
1
Bigg, William Redmore, 1755–1828
1
Cheesman, Thomas, 1760–1834/35
1
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Creator
»
Date
1767
137
1800
121
1772
82
1764
72
1745
69
1775
69
1793
67
1789
63
1850
56
1762
54
1790
52
1784
51
1791
51
1797
48
1783
44
1799
44
1792
[remove]
43
1794
41
1795
40
1825
38
1830
38
1814
37
1860
36
1782
35
1807
35
1820
35
1827
35
1859
35
1804
34
1805
34
1768
33
1778
33
1802
33
1810
33
1771
32
1813
32
1857
30
1780
29
1785
29
1786
29
1867
29
1841
28
1770
27
1835
27
1836
27
1787
26
1788
26
1796
26
1821
26
1808
25
1826
25
1864
24
1774
23
1817
23
1740
22
1746
21
1765
21
1674
20
1755
20
1801
20
1812
20
1819
20
1822
20
1831
20
1840
20
1759
19
1815
19
1742
18
1749
18
1818
18
1739
17
1773
17
1855
17
1823
16
1824
16
1829
16
1834
16
1861
16
1863
16
1865
16
1917
16
1700
15
1776
15
1779
15
1781
15
1798
15
1833
15
1880
15
1909
15
1803
14
1816
14
1748
13
1811
13
1870
13
1877
13
1915
13
1750
12
1828
12
1920
12
0
11
On-site Access
Accessible by appointment in the Study Room
42
Not on view
1
Image Use
Free to Use
43
Image Available
Available
42
Unavailable
1
Classification
Drawings & Watercolors
23
Prints
19
Paintings
1
Creator Gender
male
43
female
2
Collective Title
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
4
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
4
Young's Night Thoughts
3
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
2
Period
18th century
34
18th century-19th century
8
19th century
1
Materials & Techniques
wove paper
25
graphite
20
etching (printing process)
18
laid paper
18
watercolor
16
line engraving
9
brown ink
6
pen
6
aquatint
5
gray wash
3
stipple engraving
3
black ink
2
canvas
1
colored ink
1
gouache
1
letterpress printing
1
oil paint
1
painting (technique)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
125
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
10
to
150
Work Type
drawing
25
intaglio print
18
watercolor
18
painting
1
relief print
1
Genre
landscape
27
architectural subject
19
genre subject
16
portrait
4
cityscape
3
literary theme
3
marine art
3
animal art
2
religious and mythological subject
1
Subject Terms
trees
[remove]
43
landscape
28
architectural subject
18
genre subject
14
river
12
men
11
hats
9
woman
9
buildings
8
hills
8
man
8
ruins
8
clouds
7
costume
7
house
7
mountains
7
women
7
dog (animal)
6
dress
6
park (grounds)
6
more
Subject Terms
»
Associated Places
England
21
United Kingdom
20
Europe
12
Birmingham
4
Devon
4
Greater London
3
Berkshire
2
Cumbria
2
Dartmouth
2
Kingswear
2
Lake District
2
Showell Green
2
Thames
2
Baskerville House
1
Beddington
1
Beddington Park
1
Bordesley
1
Bordesley Hall
1
Borrowdale
1
Bristol
1
more
Associated Places
»
Associated People
Farren, Elizabeth (1759x62–1829), actress
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Udney, Martha (1761–1831), governess to Princess Charlotte
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
7
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
' Art on the Line ' : the Royal Academy Exhibitions at Somerset House 1780-1836 (The Courtauld Gallery, 2001-10-17 - 2002-01-20)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
John Glover and the Colonial Picturesque (National Gallery of Australia, 2004-04-24 - 2004-07-18)
1
John Glover and the Colonial Picturesque (National Gallery of Victoria, 2004-08-13 - 2004-10-03)
1
John Glover and the Colonial Picturesque (Tasmanian Museum and Art Gallery, 2003-12-05 - 2004-02-01)
1
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
38
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Paul F. Walter
2
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Date
1792
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1
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
2
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
4
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
5
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
6
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
7
George Walker, active 1792–died 1795
Rural Scene
undated
8
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
9
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
10
John Glover, 1767–1849
River with Fishermen
1792
11
Print made by John Browne, 1741–1801
Evening
ca. 1797
12
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
13
Thomas Daniell, 1749–1840
Raji Pollum near Herlpetton
1792
14
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
15
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
16
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
17
William Ellis, 1747–1810
Beddington
1792
18
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
19
Print made by John Browne, 1741–1801
Morning
ca. 1797
20
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
21
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
22
Print made by John Browne, 1741–1801
Evening
ca. 1797
23
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
24
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
25
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
26
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
27
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
28
James Moore, 1762–1799
Gateshead Abbey
1792
29
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
30
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
31
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
32
Thomas Girtin, 1775–1802
Bristol: Sketch of Boats and Buildings
ca. 1797
33
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
34
Thomas Girtin, 1775–1802
Country House
ca. 1797
35
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
36
James Moore, 1762–1799
Pluscarden Abbey
1792
37
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
38
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
39
William Daniell, 1769–1837
Sankrydroog, Madras
1792
40
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
41
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
42
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
43
Print made by William Ellis, 1747–1810
Clapham
1792