Taking Physick; - or - The News of Shooting the King of Sweden!
1792
4
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
5
James Gillray, 1756–1815
The Bottomless-Pitt
1792
6
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
7
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
8
James Gillray, 1756–1815
Wha Wants Me?
1792
9
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
10
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
11
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
12
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
13
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
14
Print made by Charles Williams, active 1796–1830
Anticipation - Ways & Means - or - Buonaparte Really Taken!!
1792
15
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
16
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
17
James Gillray, 1756–1815
French Liberty - British Slavery
1792
18
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
19
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified