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1. The Coal Wharf, Oxford

The Coal Wharf, Oxford
Creator:
Rev. William Henry Barnard, 1767–1818
Date:
1792
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. View on the River Bhima at Dhawalgadh, 28 Miles East of Poona

View on the River Bhima at Dhawalgadh, 28 Miles East of Poona
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
1792 to 1794
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Image: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Thomas Graves

Thomas Graves
Creator:
unknown artist
Date:
c.1792
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 13 1/2 x 17in. (34.3 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

4. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. View in the Island of Pulo Condore

View in the Island of Pulo Condore
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View in the Island of Pulo Condore

View in the Island of Pulo Condore
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Marchioness of Townshend and Child

Marchioness of Townshend and Child
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1792
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. The Farm House

The Farm House
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1792
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 3/16 x 16 3/4in. (28.4 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Lyme Regis, Dorset

Lyme Regis, Dorset
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Partial View of the West Front of St. Pauls

Partial View of the West Front of St. Pauls
Creator:
Thomas Morris, born 1771
Date:
1792
Materials & Techniques:
Engraving
Dimensions:
Sheet: 22 1/4 x 17in. (56.5 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Duke of Brunswick Attacking the Rear of the Sans Culottes

The Duke of Brunswick Attacking the Rear of the Sans Culottes
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

13. Eloisa

Eloisa
Creator:
John Raphael Smith, 1752–1812
Date:
1792
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 × 16 7/8 inches (58.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Contributing to the Sinking Fund

Contributing to the Sinking Fund
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 7/8 x 16 3/4in. (30.2 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

15. Prussian Bobadils, Returning to Berlin!!!!!!!

Prussian Bobadils, Returning to Berlin!!!!!!!
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 16 7/8in. (27 x 42.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

16. Morning

Morning
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Moon-Light

Moon-Light
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection