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Collection
Prints and Drawings
7
Creator
Gillray, James, 1756–1815
2
Thirtle, John, 1777–1839
2
Girtin, Thomas, 1775–1802
1
Morland, George, 1763–1804
1
Rowlandson, Thomas, 1756–1827
1
Unknown artist
1
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1965
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1792
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7
1796
7
1813
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1927
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On-site Access
Accessible in the Study Room
7
Image Use
Free to Use
7
Image Available
Available
7
Classification
Drawings & Watercolors
4
Prints
3
Creator Gender
male
7
unknown
1
Period
18th century
5
18th century-19th century
2
Materials & Techniques
wove paper
5
graphite
4
watercolor
2
black chalk
1
brown ink
1
brown wash
1
hand coloring
1
line engraving
1
pen
1
red chalk
1
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29
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23
Work Type
drawing
4
intaglio print
3
watercolor
2
Genre
architectural subject
3
landscape
2
figure study
1
Subject Terms
architectural subject
3
caricature
2
caricatures
2
men
2
satire
2
barn
1
chest
1
cottage
1
cow
1
cows
1
door
1
figure study
1
figures (representations)
1
lake
1
landscape
1
man
1
roof
1
stream
1
thatched
1
trees
1
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Associated Places
England
1
Europe
1
Newcastle
1
Northumberland
1
United Kingdom
1
Exhibition History
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
7
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Date
1792
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1
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
2
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
3
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
4
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
5
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
6
unknown artist
The Bank
1792
7
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797