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Collection
Prints and Drawings
16
Creator
Smith, Charles Loraine, 1751–1835
4
Cruikshank, Isaac, 1764–1811
3
Rowlandson, Thomas, 1756–1827
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Carter, John, 1748–1817
1
Dent, William, active 1784–1793
1
Ellis, William, 1747–1810
1
Fores, S. W., 1761–1838
1
Girtin, Thomas, 1775–1802
1
Johnson, Joseph, 1738–1809
1
Newton, Richard, 1777–1798
1
Witton, P. H. Jr., Active 1792
1
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1826
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1764
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1788
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1792
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1809
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1731
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1831
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1983
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1735
4
1736
4
On-site Access
Accessible by appointment in the Study Room
16
Image Use
Free to Use
16
Image Available
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16
Classification
Prints
11
Drawings & Watercolors
5
Creator Gender
male
16
Collective Title
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
1
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
1
Period
18th century
16
Materials & Techniques
graphite
5
wove paper
5
watercolor
3
black ink
1
brown ink
1
gray wash
1
laid paper
1
letterpress printing
1
pen
1
red ink
1
Height [cm]
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21
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39
Work Type
drawing
5
watercolor
3
relief print
1
Genre
architectural subject
4
genre subject
2
landscape
2
cityscape
1
marine art
1
Subject Terms
architectural subject
4
men
3
trees
3
genre subject
2
horse (animal)
2
landscape
2
women
2
Grand Tour
1
barrels (containers)
1
barriers
1
boats
1
buildings
1
cart
1
castles
1
cityscape
1
clouds
1
coats
1
costume
1
dog (animal)
1
figures
1
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Subject Terms
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Associated Places
England
4
Europe
4
United Kingdom
4
Amsterdam
1
Birmingham
1
Canterbury
1
City of Westminster
1
Devon
1
Exeter
1
Germany
1
Kent
1
London
1
Netherlands
1
Palace of Westminster
1
Showell Green
1
St. Augustine's Abbey
1
St. Augustine's Gate
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
13
Yale Center for British Art
3
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Date
1792
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21
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1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
3
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
4
Isaac Cruikshank, 1764–1811
The Antiquities of Malmsbury
1792
5
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
6
Charles Loraine Smith, 1751–1835
4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
1792
7
Charles Loraine Smith, 1751–1835
3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
1792
8
Charles Loraine Smith, 1751–1835
2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
1792
9
Print made by William Dent, active 1784–1793
A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket..
1792
10
Richard Newton, 1777–1798
Psalm Singing at the Chapel XXXXX (Royal)
1792
11
Print made by Isaac Cruikshank, 1764–1811
The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
1792
12
Charles Loraine Smith, 1751–1835
1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..
1792
13
Isaac Cruikshank, 1764–1811
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
1792
14
Thomas Rowlandson, 1756–1827
An Essay on the Sublime and Beautiful, The Maiden Speech
1792
15
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
16
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792