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Collection
Prints and Drawings
29
Paintings and Sculpture
2
Creator
Girtin, Thomas, 1775–1802
12
Moore, James, 1762–1799
4
Turner, J. M. W. (Joseph Mallord William), 1775–1851
4
Dayes, Edward, 1763–1804
3
Smith, John, 1749–1831
3
Farington, Joseph, 1747–1821
2
Loutherbourg, Philippe-Jacques de, 1740–1812
1
Nash, John, 1752–1835
1
Pocock, Nicholas, 1740–1821
1
Repton, John Adey, 1775–1860
1
Rowlandson, Thomas, 1756–1827
1
Thirtle, John, 1777–1839
1
White Abbott, John, 1763–1851
1
Date
1814
173
1767
155
1835
120
1833
102
1960
98
1834
87
1802
64
1820
64
1803
63
1818
61
1800
59
1790
58
1772
53
1815
53
1791
50
1830
50
1817
45
1825
44
1795
43
1778
40
1828
40
1831
40
1859
37
1775
35
1812
34
1823
34
1797
33
1740
32
1780
32
1810
32
1792
[remove]
31
1796
31
1799
31
1811
30
1813
30
1819
30
1824
30
1836
30
1827
29
1829
29
1912
29
1808
28
1782
27
1798
26
1793
23
1794
22
1807
22
1826
22
1860
22
1754
21
1755
21
1770
21
1784
21
1785
21
1801
21
1746
19
1821
19
1822
19
1863
19
1864
19
1773
18
1805
18
1845
18
1789
17
1843
17
1844
17
1759
16
1832
16
1840
16
1786
15
1806
15
1762
14
1765
14
1804
14
1771
13
1776
13
1787
13
1816
13
1850
13
1745
12
1764
12
1779
12
1809
12
1837
12
1865
12
1887
12
1788
11
1890
11
1736
10
1923
10
1965
10
1968
10
1700
9
1760
9
1761
9
1857
9
1958
9
1768
8
1774
8
1838
8
On-site Access
Accessible by appointment in the Study Room
29
Not on view
2
Image Use
Free to Use
31
Image Available
Available
[remove]
31
Classification
Drawings & Watercolors
28
Paintings
2
Drawing & Watercolors-Architectural
1
Creator Gender
male
31
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
1
Period
18th century
29
18th century-19th century
1
19th century
1
Materials & Techniques
graphite
27
wove paper
22
watercolor
19
brown ink
9
laid paper
8
pen
8
black ink
4
gray wash
4
oil paint
2
painting (technique)
2
canvas
1
gray ink
1
panel (wood)
1
red ink
1
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
8
to
71
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
16
to
91
Work Type
drawing
29
watercolor
21
painting
2
Genre
landscape
14
architectural subject
13
marine art
5
cityscape
4
genre subject
3
historical subject
1
military art
1
Subject Terms
landscape
15
architectural subject
13
trees
12
boats
7
buildings
6
men
6
church
5
clouds
5
marine art
5
river
5
sails
5
cathedral
4
rocks (landforms)
4
sky
4
water
4
windows
4
abbey
3
cityscape
3
door
3
fence
3
more
Subject Terms
»
Associated Places
Europe
[remove]
31
United Kingdom
29
England
23
Devon
6
Scotland
4
Bristol
2
Cumbria
2
Dartmouth
2
Hertfordshire
2
Kingswear
2
Lake District
2
London
2
Melrose Abbey
2
Pembrokeshire
2
Roxburghshire
2
St. Albans
2
Thames
2
Wales
2
Amsterdam
1
Berkshire
1
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
12
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
4
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
4
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
4
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
2
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03)
1
J. M. W. Turner - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1968-10-31 - 1969-04-21)
1
Life in England 1750 - 1850 (Paul Mellon Arts Center, 1990-03-27 - 1990-05-21)
1
Moonlight and Firelight (Tate Britain, 1998-06-06 - 1998-11-01)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Date
1792
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1
Joseph Mallord William Turner, 1775–1851
Limekiln at Coalbrookdale
ca. 1797
Not on view
2
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
3
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
4
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
5
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
6
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
7
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
8
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
9
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
10
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
11
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
12
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
13
Thomas Girtin, 1775–1802
St. Mary Redcliff, Bristol
ca. 1797
14
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
15
Thomas Girtin, 1775–1802
Bristol: Sketch of Boats and Buildings
ca. 1797
16
James Moore, 1762–1799
Melrose Abbey, Scotland
1792
17
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
18
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
19
Edward Dayes, 1763–1804
Melrose Abbey, Roxburghshire
1792
20
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
21
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
22
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
23
Nicholas Pocock, 1740–1821
An Admiralty Yacht Running Inshore at Tenby
1792
24
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
25
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
26
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
27
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
28
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
29
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
30
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
31
Edward Dayes, 1763–1804
Jedburgh Abbey, Roxburghshire
1792