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Collection
Prints and Drawings
46
Rare Books and Manuscripts
3
Paintings and Sculpture
1
Creator
Girtin, Thomas, 1775–1802
13
Moore, James, 1762–1799
11
Ellis, William, 1747–1810
8
Johnson, Joseph, 1738–1809
6
Witton, P. H. Jr., Active 1792
6
Farington, Joseph, 1747–1821
3
Christie, Mr. (James), 1730–1803
2
Smith, John, 1749–1831
2
Thirtle, John, 1777–1839
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Alken, Samuel, 1756–1815
1
Bartolozzi, Francesco, 1727–1815
1
Boydell, John, 1720–1804
1
Carter, John, 1748–1817
1
Howitt, Samuel, 1765?-1822
1
Loutherbourg, Philippe-Jacques de, 1740–1812
1
Nash, John, 1752–1835
1
Parish, Henry William, active 1792
1
Repton, John Adey, 1775–1860
1
Wheatley, Francis, 1747–1801
1
more
Creator
»
Date
1794
522
1796
339
1814
156
1765
149
1800
133
1785
113
1960
110
1834
107
2002
107
1772
103
1827
102
2010
98
1995
97
1795
96
2000
94
1980
93
2011
93
2012
91
1775
87
1825
87
1998
87
2003
87
1830
86
1997
86
1791
85
1990
84
2004
84
1810
83
2008
83
1999
82
1790
81
1996
81
1985
80
1835
78
1994
77
1831
75
2001
74
1977
73
1978
73
1818
72
1833
72
2009
72
1979
71
2006
71
1976
70
1984
70
2007
70
1784
69
1829
69
1981
69
1991
69
2005
69
1820
68
1988
68
1993
68
1780
67
1987
67
1983
66
1815
65
1992
65
1799
64
1982
63
1986
63
1806
61
1812
61
1832
61
1805
60
1989
58
2016
58
1793
56
1823
54
1836
53
1797
52
1842
52
1970
52
2013
52
1811
51
1817
51
1750
50
1792
[remove]
50
1912
50
1973
50
1974
50
2015
50
1804
49
1807
49
1770
48
1798
48
1975
48
1808
47
2014
47
2018
47
1845
46
1767
45
2017
45
1828
44
1776
43
1819
43
1824
43
1859
43
On-site Access
Accessible in the Study Room
49
Not on view
1
Image Use
Free to Use
47
Under Certain Circumstances
3
Image Available
Available
46
Unavailable
4
Classification
Drawings & Watercolors
35
Prints
10
Books
3
Drawing & Watercolors-Architectural
1
Paintings
1
Creator Gender
male
47
unknown
3
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
1
Period
18th century
47
18th century-19th century
2
19th century
2
Materials & Techniques
graphite
34
wove paper
30
laid paper
16
watercolor
15
aquatint
8
etching (printing process)
8
brown ink
6
pen
6
black ink
4
gray wash
2
canvas
1
colored ink
1
drypoint
1
letterpress printing
1
oil paint
1
painting (technique)
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
71
Unknown
3
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
16
to
91
Unknown
3
Work Type
drawing
36
watercolor
17
intaglio print
9
auction catalog
2
painting
1
relief print
1
Genre
architectural subject
30
landscape
20
genre subject
7
cityscape
6
marine art
5
animal art
2
historical subject
1
portrait
1
sporting art
1
Subject Terms
architectural subject
30
landscape
25
trees
21
ruins
11
buildings
9
stone
9
men
8
river
8
boats
7
costume
7
hats
7
house
7
park (grounds)
7
church
5
cityscape
5
country house
5
garden
5
genre subject
5
marine art
5
bridge (built work)
4
more
Subject Terms
»
Associated Places
England
[remove]
50
United Kingdom
36
Europe
22
Northumberland
7
Birmingham
6
Devon
6
London
6
Greater London
4
Thames
3
Berkshire
2
Bristol
2
Cumbria
2
Dartmouth
2
Hertfordshire
2
Holy Island
2
Kent
2
Kingswear
2
Lake District
2
Lindisfarne
2
Showell Green
2
more
Associated Places
»
Associated People
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Manley, George, -1791
1
Mansell, William (second Duke of Newcastle's gamekeeper)
1
Simpson, David, -1816
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Life in England 1750 - 1850 (Paul Mellon Arts Center, 1990-03-27 - 1990-05-21)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Image of London (Barbican Art Gallery, 1987-08-06 - 1987-10-18)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
46
Yale Center for British Art, Paul Mellon Fund
1
Language
English
3
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Date
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1
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
2
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
4
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
5
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
6
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
7
William Ellis, 1747–1810
Beddington
1792
8
William Ellis, 1747–1810
The New Meeting
1792
9
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
10
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
11
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
12
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
13
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
14
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
15
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
16
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
17
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
18
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
19
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
20
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
21
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
22
James Moore, 1762–1799
Gateshead Abbey
1792
23
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
24
James Moore, 1762–1799
Ouse Bridge, York
1792
25
James Moore, 1762–1799
East End of Tynemouth Priory
1792
26
James Moore, 1762–1799
Bothal Castle, Northumberland
1792
27
James Moore, 1762–1799
Bamburgh Castle, Northumberland
1792
28
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
29
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
30
James Moore, 1762–1799
Coupland Castle, Northumberland
1792
31
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
32
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
33
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
34
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
35
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
36
Thomas Girtin, 1775–1802
St. Mary Redcliff, Bristol
ca. 1797
37
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
38
Thomas Girtin, 1775–1802
Bristol: Sketch of Boats and Buildings
ca. 1797
39
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
40
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
41
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
42
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
43
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
44
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
45
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
46
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
47
Print made by William Ellis, 1747–1810
Clapham
1792
48
Christie, Mr. (James), 1730–1803
A catalogue of Indian idols, Indian paintings, drawings, &c.
[1792]
49
Howitt, Samuel, 1765?-1822
[Etchings of animals]
[1792-1803]
50
Christie, Mr. (James), 1730–1803
A catalogue of the genuine and capital collection of pictures
1792