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Date 1791

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401. Part of Weymouth Harbour, Dorset, England

Part of Weymouth Harbour, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. Weymouth Harbour

Weymouth Harbour
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. Sandsfoot Castle, Weymouth

Sandsfoot Castle, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. Corfe Castle, Dorset, England

Corfe Castle, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. Corfe Castle, Dorset

Corfe Castle, Dorset
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 3/8 inches (17 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England

Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 6 9/16 inches (21.3 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite, gray wash, and yellow wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. Exeter Cathedral, Devon, England

Exeter Cathedral, Devon, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. The Old Parsonage, Portland, England

The Old Parsonage, Portland, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. Gate of Denbigh Castle, Wales

Gate of Denbigh Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. Outer Gates of Denbigh Castle, Wales

Outer Gates of Denbigh Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 5/16 inches (16.7 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. Conwy Castle, Wales

Conwy Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. Bangor Cathedral, Wales

Bangor Cathedral, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. Eagle Tower of Caernarfon Castle, Wales

Eagle Tower of Caernarfon Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. Conwy Castle, Wales

Conwy Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. Caernarfon Castle, Outside of Eagle Tower

Caernarfon Castle, Outside of Eagle Tower
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Ludlow Castle, Shropshire

Ludlow Castle, Shropshire
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 1/4 inches (16.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Architectural Study of a Ruined Abbey

Architectural Study of a Ruined Abbey
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 8 5/16 inches (17.1 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. Warkworth Castle, Northumberland

Warkworth Castle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 5/8 inches (16.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. Dustanborough Castle from a Distance

Dustanborough Castle from a Distance
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. A Village in a Wood

A Village in a Wood
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 9 1/4 inches (18.7 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Sir Robert Strange

Sir Robert Strange
Creator:
Robert Strange, 1721–1792
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. Melville Castle, Midlothian

Melville Castle, Midlothian
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Distant View of Jedburgh

Distant View of Jedburgh
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/16 inches (16.5 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Thetford, Norfolk

Thetford, Norfolk
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 3/8 inches (18.7 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. T. Banks, Sculptor, R. A.

T. Banks, Sculptor, R. A.
Creator:
Print made by John Condé, 1765–1794
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. French Democrats surprizing the Royal Runaways

French Democrats surprizing the Royal Runaways
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. The Siege of Blenheim - or - The New System of Gunning Discoverd -

The Siege of Blenheim - or - The New System of Gunning Discoverd -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. Lubber's Hole - alias - The Crack'd Jordan

Lubber's Hole - alias - The Crack'd Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan

The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. The Coming-on of the Monsoons, or The Retreat from Seringapatam

The Coming-on of the Monsoons, or The Retreat from Seringapatam
Creator:
Print made by James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Binding: 25 3/8 inches (64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. In the Via Mala, Between Coire and Splugen

In the Via Mala, Between Coire and Splugen
Creator:
unknown artist
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 9 5/8 inches (38.1 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. Near Chiavenna

Near Chiavenna
Creator:
unknown artist
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. Buildings Overlooking Water, near Naples

Buildings Overlooking Water, near Naples
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Rocca del Papa, with Monte Cavo

Rocca del Papa, with Monte Cavo
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. On the Banks of the Lago di Como

On the Banks of the Lago di Como
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. English Landscape

English Landscape
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 7/8 inches (29.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

453. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. Pheasant Shooting

Pheasant Shooting
Creator:
Robert Dighton, 1752–1814
Date:
before 1801
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 14 1/2 inches (25.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. The House of the Cevaliere D'eon at Tonnerrel

The House of the Cevaliere D'eon at Tonnerrel
Creator:
Print made by William Thomas, active 1783– died 1800
Date:
1791
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

458. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 5 7/8 inches (22.5 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

459. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

460. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

461. Trade Card for Thomas Sandby, Jr.

Trade Card for Thomas Sandby, Jr.
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 × 5 11/16 inches (14.8 × 14.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Drummond

462. Bridge

Bridge
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. Ruins of the Ancient City of Italica, Seville in the Distance

Ruins of the Ancient City of Italica, Seville in the Distance
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. View of the Douro towards Porto

View of the Douro towards Porto
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. Pass in the Sierra Morena

Pass in the Sierra Morena
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Entrance to Burgos

Entrance to Burgos
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Punta Delgada

Punta Delgada
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. Three images: Don Miguel's Country House, Belem, On the Tagus Towards Belem

Three images: Don Miguel's Country House, Belem, On the Tagus Towards Belem
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Bright extremity of the Lines of Lisbon at Alhandra on the Tagus

Bright extremity of the Lines of Lisbon at Alhandra on the Tagus
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Levria

Levria
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Tarifa in the Straits of Gibraltar

Tarifa in the Straits of Gibraltar
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. Pass of the Ebro

Pass of the Ebro
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. Penvensay Castle

Penvensay Castle
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/2 inches (11.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W Gift of Edward Porter Street, Jr., Yale BE 1945W

474. Well Vale, Lincolnshire

Well Vale, Lincolnshire
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

475. Lee's Cottage, Countess Wear

Lee's Cottage, Countess Wear
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

476. Castle of Udolpho

Castle of Udolpho
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

477. Landscape Study of a River Valley with Cattle in the Foreground

Landscape Study of a River Valley with Cattle in the Foreground
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 19 1/4 inches (43.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

478. Warwick Castle

Warwick Castle
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/4 × 19 inches (29.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

479. Blenheim

Blenheim
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

480. Oxford

Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

481. Oxford

Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 12 3/8 inches (19.7 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

482. Goodrich Castle

Goodrich Castle
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 13 1/4 inches (20.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

483. Magdalen Bridge, Near Oxford

Magdalen Bridge, Near Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

484. Pangbourne, Berkshire

Pangbourne, Berkshire
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 13 7/8 inches (24.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

485. On the Wye

On the Wye
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

486. Christ Church Cathedral, Oxford

Christ Church Cathedral, Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 13 3/4 inches (23.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

487. Study of a Cottage and a Man Rolling the Lawn

Study of a Cottage and a Man Rolling the Lawn
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

488. Magdalen College, Oxford

Magdalen College, Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

489. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 14 3/4 inches (24.4 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

490. Saint John's, Oxford

Saint John's, Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

491. Alcides

Alcides
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

492. Landscape Study with Sheep, Oxford in the Distance

Landscape Study with Sheep, Oxford in the Distance
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

493. Scene from 'The Mysteries of Udolpho'

Scene from 'The Mysteries of Udolpho'
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

494. Landscape Study of Cattle in a Pool with a Cottage on a Hill

Landscape Study of Cattle in a Pool with a Cottage on a Hill
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:
Sheet: 10 7/8 × 13 1/2 inches (27.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

495. Falls of the Chulilla

Falls of the Chulilla
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. Canlavieja

Canlavieja
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

497. Salsona Catalonia

Salsona Catalonia
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. Entrance to the Hall of Ambassadors, Alcazar at Seville

Entrance to the Hall of Ambassadors, Alcazar at Seville
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. Cordora looking down the Guadalquiver

Cordora looking down the Guadalquiver
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. Views from Spain towards the High Pyrenees

Views from Spain towards the High Pyrenees
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection