Date: 1791 / Image Use: Free to Use - YCBA Collections Search Search Results

201. Entrance to the town of Carmona

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Arab Pulpit in the Great Mosque at Cordova

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. The Monastery of the Cartuja at Xeres

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Torre d' Oro at Seville

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Freixo de Espada a Cinta

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Grollo of St. Anthony under Cape San Antonio

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Rock of Lisbon

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Xeres from the Ramparts

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Sabugal

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Quintel do Brula

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Rueda

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Porto da Ilha, St. Michaels, Azores

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Eruption of the Volcanic Island Sabrina

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Espiel in the Sierra Morena

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Castelo Bom

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Col de Balaguer

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Villa Franca and Harbour

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Ruins of the Ancient City of Italica, Seville in the Distance

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Bridge of Castello Bom on the Coa

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Granada

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. View of the Douro towards Porto

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Entrance to Burgos

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Pass in the Sierra Morena

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Tarifa in the Straits of Gibraltar

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Bridge of Martorelle

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Punta Delgada

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Three images: Don Miguel's Country House, Belem, On the Tagus Towards Belem

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Bright extremity of the Lines of Lisbon at Alhandra on the Tagus

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Pass of the Ebro

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Bridge & Arch of Martorel, Catalonia

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Terceira

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb

Creator:: Jacob C. Schnebbelie, 1760–1792
Date:: 1791
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. View in Oheitepeha Bay, Otaheite

Creator:: John Webber, 1752–1793
Date:: 1791
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 7/8 inches (29.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Views of Spain, Volume I

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Representation of Storming and Taking Bangalore by the Marquis Cornwalls

Creator:: Print made by J. Pass, active 1796–1800
Date:: 1791
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 7 7/8 inches (21 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

236. Black-George

Creator:: John Chapman, active ca. 1792–1823
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

237. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 21 1/2 x 13 7/8in. (54.6 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Caroline, Duchess of Marlborough

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 14 7/8 inches (64.1 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

239. Mrs. Bunbury

Creator:: Print made by John Young, 1755–1825
Date:: 1791
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 9 1/2 inches (32.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

240. Lady Cockburn and Children

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1791
Materials & Techniques:: Engraved in stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 16 inches (51.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

241. Lady Gertrude Fitzpatrick as Sylvia

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Stipple engraving, aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 15/16 × 10 13/16 inches (37.9 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

242. Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1791
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 17 1/4 inches (54.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

243. The Honorable Miss Harris

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1791
Materials & Techniques:: Mezzotint on moderately thick, moderately texetured, cream laid paper
Dimensions:: Sheet: 18 3/8 × 13 15/16 inches (46.7 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

244. Miss Farren

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1791
Materials & Techniques:: Etching and stipple engraving (third state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 17 1/4 inches (63.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

245. Miss Farren

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1791
Materials & Techniques:: Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 14 1/8 inches (51.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

246. Miss Farren

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1791
Materials & Techniques:: Etching and stipple engraving (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 14 inches (54.3 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

247. A Brewhouse Yard

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1791
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 27 1/8 inches (54.3 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

248. The Roguish Boy

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 × 10 13/16 inches (38.9 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

249. Rear Admiral Sir Charles Douglas

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 7/8 x 24in. (37.8 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

250. Admiral Edward Vernon

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 x 26 1/2in. (43.2 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

251. Five Designs for a House in the Gothic Style: Plan of the Chamber Story

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 3/8 inches (45.1 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Five Designs for a House in the Gothic Style: Plan of the Chamber Story

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 3/8 x 17 5/8 inches (59.4 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Watercolor on pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/8 x 17 1/4 inches (59.4 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Five Designs for a House in the Gothic Style: Elevation

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Watercolor and gray wash on pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 43 1/4 × 23 3/8 inches (109.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Design for Little Frogmore: Elevation

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Watercolor, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/2 x 18 inches (59.7 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Merchant of Venice, Act III, Sc. I

Creator:: J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

257. Set of Five: Studies of Laborers

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Set of Five: Studies of Children, a Dog, a Cat, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Mary Isabella, Duchess of Rutland

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Line engraving (only state) on thick, rough, cream laid paper
Dimensions:: Sheet: 23 3/4 × 17 1/2 inches (60.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

261. Views of Polar Regions

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Hall, Easton Neston, Northants

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

263. River Landscape

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 7/8 inches (17.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

264. Porch with Statuary, Easton Neston, Northants

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

265. Farming Village

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

266. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Mary Isabella Manners (née Somerset), Duchess of Rutland

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 15 inches (51.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Taming... Act II, Sc. I

Creator:: Page, fl. 1784–1803
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

269. All's Well... Act III, Sc. V

Creator:: W. Taylor, active 1790–1810
Date:: 1791
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

270. Taming...Act III, Scene I

Creator:: Page, fl. 1784–1803
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

271. Warren Hastings on his Arabian Horse

Creator:: George Townly Stubbs, 1748–1815
Date:: ca. 1796
Materials & Techniques:: Graphite and watercolor; extensive retouching of design on moderately thick, slightly textured, cream wove paper; previously all over mounted to canvas and wood strainer with black and gold residual accretion around edges from eglomise glass
Dimensions:: Sheet: 24 x 19 1/4 inches (61 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Set of Five: Five studies of Peddlers

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Traveler in a Palanquin in India

Creator:: Attributed to Robert Home, 1752–1834
Date:: between 1791 and 1834
Materials & Techniques:: Pen and ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/16 × 19 inches (31.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Madona col Bambino

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

276. Peniston, William, and Frederick James Lamb: The Affectionate Brothers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/16 × 11 9/16 inches (43.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

277. Mrs. Gwyn

Creator:: Print made by John Young, 1755–1825
Date:: 1791
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 9 7/8 inches (32.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

278. A Curious Pump

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Gateway of the Old Palace at Richmond

Creator:: George Isham Parkyns, 1749/50–c.1820
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Rosamond's Pond

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Pye Corner, Smithfield

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. North End, Hampstead

Creator:: Francis Jukes, 1747–1812
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Hornsey

Creator:: William Ellis, 1747–1810
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Sir Paul Pindar's Lodge....

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 9in. (28.6 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Samuel Cooper's Monument in St. Pancras Church

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6 7/8in. (22.9 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Hackney

Creator:: William Ellis, 1747–1810
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Newcastle House, Clerkenwell Close

Creator:: Thomas Prattent, active 1780–1810
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 3/4 x 6 3/8in. (12.1 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. In St. Mary Overie's or St. Saviour's, Southwark

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Memorial to Theodore King of Corsica in St. Ann, Westminster

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 6 3/4in. (22.5 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Stowe's Monument in St. Andrew, Undershaft

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 7 13/16in. (22.5 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Newgate

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Painting on the South Side Severts Tomb

Creator:: Jacob C. Schnebbelie, 1760–1792
Date:: 1791
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Speed's Monument in the Chancel of St. Giles, Cripplegate

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 6 7/8in. (22.5 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Pye Corner, Smithfield

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. A Memorial to Shakespeare

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 x 4 1/4in. (17.8 x 10.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

296. Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 x 18in. (55.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

297. Ducal Palace etc at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Ducal Palace at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. View on the River Liris at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1791

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201. Entrance to the town of Carmona

202. Arab Pulpit in the Great Mosque at Cordova

203. The Monastery of the Cartuja at Xeres

204. The Torre d' Oro at Seville

205. Freixo de Espada a Cinta

206. Grollo of St. Anthony under Cape San Antonio

207. Rock of Lisbon

208. Xeres from the Ramparts

209. Sabugal

210. Quintel do Brula

211. Rueda

212. Porto da Ilha, St. Michaels, Azores

213. Eruption of the Volcanic Island Sabrina

214. Espiel in the Sierra Morena

215. Castelo Bom

216. Col de Balaguer

217. Villa Franca and Harbour

218. Ruins of the Ancient City of Italica, Seville in the Distance

219. Bridge of Castello Bom on the Coa

220. Granada

221. View of the Douro towards Porto

222. Entrance to Burgos

223. Pass in the Sierra Morena

224. Tarifa in the Straits of Gibraltar

225. Bridge of Martorelle

226. Punta Delgada

227. Three images: Don Miguel's Country House, Belem, On the Tagus Towards Belem

228. Bright extremity of the Lines of Lisbon at Alhandra on the Tagus

229. Pass of the Ebro

230. Bridge & Arch of Martorel, Catalonia

231. Terceira

232. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb

233. View in Oheitepeha Bay, Otaheite

234. Views of Spain, Volume I

235. Representation of Storming and Taking Bangalore by the Marquis Cornwalls

236. Black-George

237. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

238. Caroline, Duchess of Marlborough

239. Mrs. Bunbury

240. Lady Cockburn and Children

241. Lady Gertrude Fitzpatrick as Sylvia

242. Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

243. The Honorable Miss Harris

244. Miss Farren

245. Miss Farren

246. Miss Farren

247. A Brewhouse Yard

248. The Roguish Boy

249. Rear Admiral Sir Charles Douglas

250. Admiral Edward Vernon

251. Five Designs for a House in the Gothic Style: Plan of the Chamber Story

252. Five Designs for a House in the Gothic Style: Plan of the Chamber Story

253. Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story

254. Five Designs for a House in the Gothic Style: Elevation

255. Design for Little Frogmore: Elevation

256. Merchant of Venice, Act III, Sc. I

257. Set of Five: Studies of Laborers

258. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

259. Set of Five: Studies of Children, a Dog, a Cat, etc.

260. Mary Isabella, Duchess of Rutland

261. Views of Polar Regions

262. Hall, Easton Neston, Northants

263. River Landscape

264. Porch with Statuary, Easton Neston, Northants

265. Farming Village

266. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

267. Mary Isabella Manners (née Somerset), Duchess of Rutland

268. Taming... Act II, Sc. I

269. All's Well... Act III, Sc. V

270. Taming...Act III, Scene I

271. Warren Hastings on his Arabian Horse

272. Set of Five: Five studies of Peddlers

273. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

274. Traveler in a Palanquin in India