Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
23
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1796
24
Thomas Girtin, 1775–1802
Dustanborough Castle from a Distance
ca. 1796
25
Thomas Girtin, 1775–1802
Thetford, Norfolk
ca. 1796
26
John Raphael Smith, 1752–1812
A Maid - Une Pucelle
1791
27
John Raphael Smith, 1752–1812
A Widow - Une Veuve
1791
28
John Raphael Smith, 1752–1812
A Wife - Une Femme Mariee
1791
29
John Raphael Smith, 1752–1812
What You Will - Ce Qui Vous Plaira
1791
30
Thomas Girtin, 1775–1802
Distant View of Jedburgh
ca. 1796
31
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
32
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
33
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
34
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
35
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
36
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
37
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
38
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
39
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
40
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
41
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
42
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
43
Print made by unknown artist
Johann Hieronymus Schroeter
1791
44
Thomas Rowlandson, 1756–1827
View of the Market Place at Juliers in Westphalia
1791
45
Thomas Rowlandson, 1756–1827
Limbourg, Belgium
between 1791 and 1792
46
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
47
James Moore, 1762–1799
Part of Weymouth Harbour, Dorset, England
1791
48
James Moore, 1762–1799
St. Catherine's Chapel, Abbotsbury, Dorset, England
1791
49
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
50
James Moore, 1762–1799
Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England
1791
51
James Moore, 1762–1799
Corfe Castle
1791
52
James Moore, 1762–1799
Corfe Castle, Dorset
1791
53
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
54
James Moore, 1762–1799
Corfe Castle
1791
55
James Moore, 1762–1799
Cerne Abbey, Dorset
1791
56
James Moore, 1762–1799
Corfe Castle
1791
57
James Moore, 1762–1799
Cerne Abbey
1791
58
James Moore, 1762–1799
Cerne Abbey
1791
59
James Moore, 1762–1799
Corfe Castle
1791
60
James Moore, 1762–1799
Milton Abbey, Dorset
1791
61
James Moore, 1762–1799
The Old Church Portland
1791
62
James Moore, 1762–1799
Bow & Arrow Castle, Portland, England
1791
63
James Moore, 1762–1799
The Old Parsonage, Portland, England
1791
64
James Moore, 1762–1799
Berry Pomeroy Castle Devon, England
1791
65
James Moore, 1762–1799
Exeter Cathedral, Devon, England
1791
66
James Moore, 1762–1799
Berry Pomeroy Castle, Devon, England
1791
67
James Moore, 1762–1799
Wimborne Minster, Dorset, Englad
1791
68
James Moore, 1762–1799
Buckfast Abbey, Devon, England
1791
69
James Moore, 1762–1799
Bindon Abbey, Dorset, England
1791
70
James Moore, 1762–1799
Okehampton Bridge
1791
71
James Moore, 1762–1799
Christchurch Priory, Dorset
1791
72
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
73
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
74
James Moore, 1762–1799
Water Tower, Chester, England
1791
75
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
76
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
77
James Moore, 1762–1799
Valle Crucis Abbey, Dinbighshire, Wales
1791
78
James Moore, 1762–1799
Hawarden Castle, Flintshire, Wales
1791
79
James Moore, 1762–1799
Hawarden Castle, Flintshire, Wales
1791
80
James Moore, 1762–1799
Basingwerk Abbey, Wales
1791
81
James Moore, 1762–1799
Grand Gate of Denbigh Castle
1791
82
James Moore, 1762–1799
Gate of Denbigh Castle, Wales
1791
83
James Moore, 1762–1799
Newark Priory, Surrey
1791
84
James Moore, 1762–1799
Conwy Castle, Wales
1791
85
James Moore, 1762–1799
Denbigh Castle, Wales
1791
86
James Moore, 1762–1799
Bangor Cathedral, Wales
1791
87
James Moore, 1762–1799
Outer Gates of Denbigh Castle, Wales
1791
88
James Moore, 1762–1799
Cymer Abbey, Wales
1791
89
James Moore, 1762–1799
Conwy Castle, Wales
1791
90
James Moore, 1762–1799
Flint Castle, Wales
1791
91
James Moore, 1762–1799
Caernarfon Castle, Outside of Eagle Tower
1791
92
James Moore, 1762–1799
Montgomery Castle, Powys, Mid-Wales
1791
93
James Moore, 1762–1799
Eagle Tower of Caernarfon Castle, Wales
1791
94
James Moore, 1762–1799
Ludlow Castle, Shropshire
1791
95
James Moore, 1762–1799
Architectural Study of a Ruined Abbey
1791
96
Henry Fuseli, 1741–1825
Study of a Seated Woman
1791
97
Samuel Hieronymus Grimm, 1733–1794
Haverfordwest, Pembrokeshire
1791
98
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby