Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
312
James Moore, 1762–1799
Hadleigh Castle, Essex, England
1791
313
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
314
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
315
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
316
James Moore, 1762–1799
Study of Sections from the Church of the Holy Ghost
1791
317
James Moore, 1762–1799
Stonehenge
1791
318
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
319
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
320
James Moore, 1762–1799
Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England
1791
321
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
322
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
323
James Moore, 1762–1799
St. Catherine's Chapel, Abbotsbury, Dorset, England
1791
324
James Moore, 1762–1799
Corfe Castle, Dorset
1791
325
James Moore, 1762–1799
Corfe Castle
1791
326
James Moore, 1762–1799
Cerne Abbey, Dorset
1791
327
James Moore, 1762–1799
Milton Abbey, Dorset
1791
328
James Moore, 1762–1799
The Old Parsonage, Portland, England
1791
329
James Moore, 1762–1799
Berry Pomeroy Castle, Devon, England
1791
330
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
331
James Moore, 1762–1799
Christchurch Priory, Dorset
1791
332
James Moore, 1762–1799
Water Tower, Chester, England
1791
333
James Moore, 1762–1799
Newark Priory, Surrey
1791
334
James Moore, 1762–1799
Hawarden Castle, Flintshire, Wales
1791
335
James Moore, 1762–1799
Basingwerk Abbey, Wales
1791
336
James Moore, 1762–1799
Hawarden Castle, Flintshire, Wales
1791
337
James Moore, 1762–1799
Outer Gates of Denbigh Castle, Wales
1791
338
James Moore, 1762–1799
Grand Gate of Denbigh Castle
1791
339
James Moore, 1762–1799
Gate of Denbigh Castle, Wales
1791
340
James Moore, 1762–1799
Flint Castle, Wales
1791
341
James Moore, 1762–1799
Conwy Castle, Wales
1791
342
James Moore, 1762–1799
Conwy Castle, Wales
1791
343
James Moore, 1762–1799
Berry Pomeroy Castle Devon, England
1791
344
Thomas Rowlandson, 1756–1827
View of the Market Place at Juliers in Westphalia
1791
345
Thomas Rowlandson, 1756–1827
Limbourg, Belgium
between 1791 and 1792
346
George Siegmund Facius, 1750–1804
George III
1791
347
Thomas Girtin, 1775–1802
Rocca del Papa, with Monte Cavo
ca. 1796
348
Monro School
On the Banks of the Lago di Como
ca. 1796
349
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
350
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
351
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
352
William Dickinson, 1746–1823
The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
1791
353
John Jones, ca. 1745–1797
Mrs. Jordan in the Character of Hypolita
1791
354
unknown artist
A Curious House at Stepney
1791
355
William Ellis, 1747–1810
Hornsey
1791
356
Francis Jukes, 1747–1812
North End, Hampstead
1791
357
Francesco Bartolozzi, 1728–1815
The Departure of Hagar
1791
358
Francesco Bartolozzi, 1728–1815
A Sacrifice To Diana The Goddess Of Hunting
1791
359
Joseph Grozer, ca. 1755–1798
William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
1791
360
George Isham Parkyns, 1749/50–c.1820
Gateway of the Old Palace at Richmond
1791
361
unknown artist
Monmouth House, Soho Square
1791
362
unknown artist
A Specimen of Ancient Building (Old houses in King Street)
1791
363
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
364
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
365
unknown artist
Sir Paul Pindar's Lodge...
1791
366
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
367
John Thomas Smith, 1766–1833
Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
1791
368
unknown artist
London Stone in Cannon Street
1791
369
unknown artist
A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
370
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
371
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church
1791
372
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
373
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
374
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
375
Alfred William Warren, active 1791–1809
George Horne D.D. Late Lord Bishop of Norwich
undated
376
Samuel William Reynolds, 1773–1835
A Young Lady
ca. 1796
377
James Barry, 1741–1806
Elysium and Tartarus or the State of Final Retribution
1791
378
Francesco Bartolozzi, 1728–1815
St. Paul
1791
379
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
380
Isaac Cruikshank, 1764–1811
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
1791
381
Isaac Cruikshank, 1764–1811
The Fruition of Nantes or the Vision Interpreted
1791
382
Isaac Cruikshank, 1764–1811
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
1791
383
Print made by unknown artist
Malbrouke
1791
384
Isaac Cruikshank, 1764–1811
Getting the Length of the Duchess's Foot
1791
385
Isaac Cruikshank, 1764–1811
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
1791
386
Isaac Cruikshank, 1764–1811
A Royal Salute
1791
387
Isaac Cruikshank, 1764–1811
The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
1791
388
Isaac Cruikshank, 1764–1811
The Quornites Disturb'd or Startling the Game
1791
389
Isaac Cruikshank, 1764–1811
Symptoms of Affection, Or - A Specimen of Martial Prowess
1791
390
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
391
James Gillray, 1756–1815
The Finishing Touch
1791
392
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
393
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
394
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
395
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
396
James Gillray, 1756–1815
Patience on a Monument
1791
397
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?