Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
207
Henry Phillip Hope, active 1799–1818
Vue: Constantinople
undated
208
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
209
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
210
Paul Sandby, 1731–1809
Washerwomen
between 1790 and 1805
211
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
212
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
213
George Engleheart, 1753–1829
Lady Grace Burnaby
1790
214
George Engleheart, 1753–1829
A Lady of the Blunt Family
ca. 1795
215
John Thirtle, 1777–1839
Binham Priory
undated
216
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
217
Charles Heathcote Tatham, 1772–1842
Design for a Monument to the Duke of Wellington
undated
218
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
219
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
220
William Lock II, 1767–1847
Portrait of the Pugilist Johnson
1790
221
Ramsay Richard Reinagle, 1775–1862
Hercules Resting
undated
222
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
223
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties Weightlifting
undated
224
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
225
Sadanand Vyas, active late 18th century
Kun Futta or Ear Good Joguee
undated
226
Print made by Robert Thew, 1758–1802
Infancy (Francis George Hare)
1790
227
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
228
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
229
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
230
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
231
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
232
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
233
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
234
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
235
Francesco Bartolozzi, 1728–1815
April
1790
236
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
237
Francesco Bartolozzi, 1728–1815
Lord Ashburton
1790
238
Francesco Bartolozzi, 1728–1815
Petrus Bembus
1790
239
Francesco Bartolozzi, 1728–1815
Memorial For Sir George Saville, Bart
1790
240
Marie C. Prestel, 1747–1794
A Country Churchyard. Verse from Gray's Elegy
1790
241
Edmund Scott, c.1746–1810
Boys Skating
1790
242
Edmund Scott, c.1746–1810
Boys Bathing
1790
243
Benjamin Duterreau, 1767–1851
The Farmer's Door
1790
244
Francis David Soiron, Born 1764
St. James's Park
1790
245
Benjamin Duterreau, 1767–1851
The Squire's Door
1790
246
Benjamin Duterreau, 1767–1851
The Squire's Door
1790
247
Benjamin Duterreau, 1767–1851
The Squire's Door
1790
248
Francis David Soiron, Born 1764
A Tea Garden
1790
249
William Humphrey, 1745–1810
Temptation
1790
250
Print made by Francesco Bartolozzi, 1728–1815
Francesco D'Ageno
1790
251
Francesco Bartolozzi, 1728–1815
Mr. Keuible In The Character Of King Richard, III
1790
252
Monro School
Fanali di Villa Franca
ca. 1795
253
Monro School
On the Road Between Salerno and Eboli
undated
254
Sir Richard Westmacott, 1775–1856
Interior of Lancaster House
undated
255
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
256
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
257
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
258
William Nutter, 1754–1802
Lady Beauchamp
1790
259
A. Birrell, ca.1770–ca. 1820
Crosby Place
1790
260
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Gautherot
1790
261
unknown artist
Animal Magnetizm
undated
262
John Jones, ca. 1745–1797
Mr. Ramsden, Optician to His Majesty
1790
263
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
264
Isaac Cruikshank, 1764–1811
The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men
1790
265
Isaac Cruikshank, 1764–1811
Glaucus and Scylla or the Monster in Full Cry
1790
266
Monro School
Near Sterzing, Tyrol
ca. 1795
267
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
268
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
269
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
270
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
271
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
272
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
273
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
274
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
275
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
276
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
277
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
278
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
279
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
280
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
281
Thomas Rowlandson, 1756–1827
The Opera Singers
between 1790 and 1795
282
Thomas Rowlandson, 1756–1827
Distress
1790 to 1795
283
T. Simpson, active 1790–1814
Set of four: 4. Wood-Cock and Pheasant Shooting
1790
284
T. Simpson, active 1790–1814
Set of four: 3. Duck Shooting ['Plate 2']
1790
285
Robert Dodd, 1748–1816
Two of a set of six: 2. Wood-Cock Shooting
1790
286
T. Simpson, active 1790–1814
Set of four: 2. Duck Shooting
1790
287
T. Simpson, active 1790–1814
3. Duck Shooting
1790
288
T. Simpson, active 1790–1814
2. Hare Shooting
1790
289
Francesco Bartolozzi, 1728–1815
Venus And Cupid
1790
290
Francesco Bartolozzi, 1728–1815
Venus And Cupid
1790
291
Print made by Francesco Bartolozzi, 1728–1815
Lord FitzGibbon
1790
292
James Sayer, 1748–1823
The Repeal of the Test Act a Vision
1790
293
unknown artist
The True Born Englishman!!! & Keeper Now Every Britons Song shall be Give me Death or Liberty etc. etc
ca. 1795
294
unknown artist
The Knight of the Woeful Contenance going to Expirpate the National Assembly (from: Caricature, vol. 7)
1790
295
unknown artist
The Convention
1790
296
unknown artist
Noah's Ark Improved, or an Attempt to Land in the Teeth of the Wind