Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
9
unknown artist
Gloucester Cathedral
ca. 1795
10
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
11
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
12
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
13
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
14
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
15
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
16
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
17
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
18
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
19
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
20
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
21
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
22
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
23
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
24
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
25
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
26
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
27
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
28
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
29
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
30
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
31
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
32
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
33
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
34
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
35
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
36
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
37
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
38
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
39
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
40
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
41
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
42
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
43
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
44
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west