Street Scene in Chorley, Lancashire, with a view of Chorley Hall
ca. 1795
Not on view
2
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
3
unknown artist
Durham
ca. 1795
Not on view
4
Joseph Wright of Derby, 1734–1797
Lake Scene
1790
Not on view
5
unknown artist
The Bell Tower of Evesham
ca. 1795
Not on view
6
Joseph Mallord William Turner, 1775–1851
Windsor Castle and Park with Deer
undated
7
Joseph Mallord William Turner, 1775–1851
Figures on Margate Beach
undated
8
Joseph Mallord William Turner, 1775–1851
Waterfall of Lodore, Cumberland
undated
9
attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
10
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
11
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
12
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
13
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
14
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
15
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
16
unknown artist
Gloucester Cathedral
ca. 1795
17
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
18
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
19
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
20
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
21
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
22
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
23
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
24
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
25
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
26
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
27
James Moore, 1762–1799
Refectory of Walsingham
1790
28
James Moore, 1762–1799
Ely Cathedral
1790
29
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
30
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
31
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
32
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
33
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
34
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
35
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
36
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
37
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
38
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
39
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
40
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
41
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
42
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
43
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
44
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
46
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
47
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
48
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
49
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
50
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
51
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
52
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
53
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel