(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
11
Imitator of Thomas Girtin, 1775–1802
Icklesham Church
undated
12
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
13
John Thirtle, 1777–1839
Binham Priory
undated
14
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
15
Sir Richard Westmacott, 1775–1856
Interior of Lancaster House
undated
16
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
17
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
18
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
19
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
20
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
21
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
22
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
23
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
24
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
25
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
26
Thomas Malton, 1726–1801
Principal Front of the Bank of England
1790
27
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
28
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
29
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
30
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
31
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
32
Print made by Jacob Hogg, active 1751
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
1790
33
unknown artist
Gloucester Cathedral
ca. 1795
34
Charles Heathcote Tatham, 1772–1842
Design for a Monument to the Duke of Wellington
undated
35
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
36
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
37
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
38
Henry Phillip Hope, active 1799–1818
Vue: Constantinople
undated
39
Gangaram Chintaman Navgire Tambat, active 1790s
Bhuleshwar Temple, West of Back View
undated
40
Gangaram Chintaman Navgire Tambat, active 1790s
Deepmals, or Light Pillars from Various Temples in Pune
undated
41
Gangaram Chintaman Navgire Tambat, active 1790s
A Suttee Monument
undated
42
Gangaram Chintaman Navgire Tambat, active 1790s
Bhuleshwar Temple, Front View
undated
43
Gangaram Chintaman Navgire Tambat, active 1790s
Farah Bagh near Ahmednagar
between 1790 and 1796
44
Gangaram Chintaman Navgire Tambat, active 1790s
Bhuleshwar Temple, Side View
undated
45
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
46
James Moore, 1762–1799
Unidentified Castle
undated
47
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
48
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
49
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
50
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
51
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
53
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
58
James Moore, 1762–1799
Leiston Abbey, Suffolk England
1790
59
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
60
James Moore, 1762–1799
Bungay Castle
1790
61
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
62
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
63
James Moore, 1762–1799
Wingfield Castle
1790
64
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
65
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
66
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
67
James Moore, 1762–1799
Wingfield Castle
1790
68
James Moore, 1762–1799
Refectory of Walsingham
1790
69
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
70
James Moore, 1762–1799
Ely Cathedral
1790
71
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
72
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
75
Attributed to John Augustus Atkinson, 1775–1831
The School at Wells, Somerset
undated
76
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
80
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
82
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
84
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
85
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
86
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
87
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
88
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
89
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
90
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
91
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
92
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
93
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
94
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
95
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
96
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
97
William Alfred Delamotte, 1775–1863
A Bridge over the Arno (?)
undated
98
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
99
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style