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Date 1789

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Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
George Morland The Anglers' Repast
George Morland, 1763–1804
The Anglers' Repast
1789
Not on view
George Morland A Party Angling
George Morland, 1763–1804
A Party Angling
1789
Not on view
George Garrard A Bay Horse Approached by a Stable-Lad with Food and a Halter
George Garrard, 1760–1826
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
William Blake Original Wrapper to The Book of Thel
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Printed by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake The Book of Thel
William Blake, 1757–1827
The Book of Thel
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
George Romney Group of Four Women Embracing
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
George Holmes Study of a Girl with Two Children at a Stile
George Holmes, active 1789–1802
Study of a Girl with Two Children at a Stile
undated
Charles Gore Konigstein
Charles Gore, 1729–1807
Konigstein
1789
Charles Heathcote Tatham Furniture Designs
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
George Chinnery Portrait of a Gentleman Called Michael Thomas Sadler
George Chinnery, 1774–1852
Portrait of a Gentleman Called Michael Thomas Sadler
undated
Francesco Bartolozzi Lady Smith and Her Children: George Henry, Louisa, and Charlotte
Print made by Francesco Bartolozzi, 1728–1815
Lady Smith and Her Children: George Henry, Louisa, and Charlotte
1789
Francesco Bartolozzi Miss Gwatkin as 'Simplicity'
Print made by Francesco Bartolozzi, 1728–1815
Miss Gwatkin as 'Simplicity'
1789
George Keating Lady Hamilton as St. Cecilia
Print made by George Keating, 1762–1842
Lady Hamilton as St. Cecilia
1789
Thomas Cheesman Lady Hamilton as the Spinster
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as the Spinster
1789
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
Isaac Cruikshank Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3)
Isaac Cruikshank, 1764–1811
Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3)
1789
John Robert Cozens Palm
Print made by John Robert Cozens, 1752–1797
Palm
1789
George Chinnery A Man throwing a Ball to a Dog
George Chinnery, 1774–1852
A Man throwing a Ball to a Dog
undated
John Couse A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
Print made by John Couse, active 1753–1764
A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
1789
George Siegmund Facius Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."
1789
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
unknown artist St. George & The Dragon & Mad[emoise]lle Rippooting
Print made by unknown artist
St. George & The Dragon & Mad[emoise]lle Rippooting
1789
John Robert Cozens Elm
John Robert Cozens, 1752–1797
Elm
1789
John Robert Cozens Spruce Fir
Print made by John Robert Cozens, 1752–1797
Spruce Fir
1789
Charles Turner A Race Meeting (Weighing In)
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
John Robert Cozens Oak
Print made by John Robert Cozens, 1752–1797
Oak
1789
John Robert Cozens Willow
Print made by John Robert Cozens, 1752–1797
Willow
1789
Charles Turner James Lonsdale
Charles Turner, 1774–1857
James Lonsdale
undated
James Newton A View of the Ancient Palace called Placentia, in East Greenwich
James Newton, 1748–c. 1804
A View of the Ancient Palace called Placentia, in East Greenwich
1789
Robert Pollard This View of Grosvenor Square
Robert Pollard, 1755–1838
This View of Grosvenor Square
1789
Peter Simon Frances Isabella Keir Gordon
Peter Simon, 1750–1810
Frances Isabella Keir Gordon
1789
Francesco Bartolozzi Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte
Francesco Bartolozzi, 1728–1815
Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte
1789
unknown artist The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)
unknown artist
The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)
1789
Peter Mazell The Duke of Gordon's Hunting Seat in Glen-Eiodich Banff-Shire (published by Peter Mazell); page 12 (Volume Two)
Peter Mazell, active 1761–1797
The Duke of Gordon's Hunting Seat in Glen-Eiodich Banff-Shire (published by Peter Mazell); page 12 (Volume Two)
1789
Caroline Watson Sir Joshua Reynolds
Print made by Caroline Watson, 1760–1814
Sir Joshua Reynolds
1789
Thomas Girtin Headland on the Coast of South Devon, Possibly Shaldon
Thomas Girtin, 1775–1802
Headland on the Coast of South Devon, Possibly Shaldon
undated
Peter Simon Miss Francis Isabella Gordon
Print made by Peter Simon, 1750–1810
Miss Francis Isabella Gordon
1789
Benjamin West A Farm near Windsor
Benjamin West, 1738–1820
A Farm near Windsor
1789
Francesco Bartolozzi Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope
Print made by Francesco Bartolozzi, 1728–1815
Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope
1789
Francesco Bartolozzi Jane, Countess of Harrington, Lord Viscount Petersham and the Honourable Lincoln Stanhope
Francesco Bartolozzi, 1728–1815
Jane, Countess of Harrington, Lord Viscount Petersham and the Honourable Lincoln Stanhope
1789
William Nutter Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
Francesco Bartolozzi Perseus Having Rescued Andromeda From Imminent Danger, Is Enamoured With Her Beauty
Francesco Bartolozzi, 1728–1815
Perseus Having Rescued Andromeda From Imminent Danger, Is Enamoured With Her Beauty
1789
William Ward The Widow's Tale
William Ward, 1766–1826
The Widow's Tale
1789
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
William Nutter Calypso bewailing the departure of Ulysses
William Nutter, 1754–1802
Calypso bewailing the departure of Ulysses
1789