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Date 1789

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A Border Tower
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink over graphite on very thick, rough, beige wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/8 inches (22.2 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: East Front Elevation of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, modrately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 21 1/4 inches (31.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Plan of Stables and Coach Houses
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured beige laid paper
Dimensions:
Sheet: 21 1/4 x 35 inches (54 x 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 25 3/4 inches (53.3 x 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 25 1/2 inches (54.3 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: South Elevation of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 21 1/2 inches (33 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Elevation of the South Front of the Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 21 1/4 inches (33 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Section through Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 21 1/2 inches (31.8 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Sommers, King Henry VIII's Jester
Creator:
Print made by R. Clamp, fl.1789–1798
Date:
undated
Materials & Techniques:
Colored stipple engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hall's Library at Margate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1789
Materials & Techniques:
Hand-colored aquatint on wove paper
Dimensions:
Sheet: 12 x 18 13/16in. (30.5 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harrow-on-the-Hill, Middlesex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peterborough Cathedral, Cambridgeshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paperr
Dimensions:
Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection