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1. Villa in a Valley near Vietri sul Mare

Villa in a Valley near Vietri sul Mare
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Thel's Motto (Plate 1)

Thel's Motto (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Title Page, The Book of Thel (Plate 2)

Title Page, The Book of Thel (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Book of Thel

The Book of Thel
Creator:
Prints made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Bound volume of eight relief etchings printed in brown ink, with watercolor and pen and ink
Dimensions:
Plate: 6 x 4 1/4in. (15.2 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. View of Lincoln Cathedral

View of Lincoln Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, class of 1935

12. Figure Study for the Painting of Victory of Lord Duncan: Study for the Figure of Admiral de Winter

Figure Study for the Painting of Victory of Lord Duncan: Study for the Figure of Admiral de Winter
Creator:
John Singleton Copley, 1738–1815
Date:
undated
Materials & Techniques:
Black and white chalk on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 11 7/8 x 8 7/8 inches (30.2 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Miss Johnson

Miss Johnson
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1794
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 9 3/16 inches (27.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope

Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 13 1/4 inches (42.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. A Visit to the Tombs in Westminister Abbey

A Visit to the Tombs in Westminister Abbey
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 x 9 1/16in. (30.5 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Single Brigantine, Sails Furled

Single Brigantine, Sails Furled
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor,pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

17. Hotspur / Portsmouth

Hotspur / Portsmouth
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 15 5/16 × 15 3/4 inches (38.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

18. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Minister Casting Up His Accounts

The Minister Casting Up His Accounts
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Cupid and Psyche

Cupid and Psyche
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1789
Materials & Techniques:
Wood-engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bernard Quaritch Ltd.