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Collection
Prints and Drawings
117
Creator
Romney, George, 1734–1802
51
Miller, James, active 1773–1814
22
Daniell, William, 1769–1837
7
Daniell, Thomas, 1749–1840
5
Girtin, Thomas, 1775–1802
5
Webber, John, 1752–1793
5
Carter, John, 1748–1817
3
Williams, Hugh William "Grecian", 1773–1829
3
Bourne, James, 1773–1854
2
Rowlandson, Thomas, 1756–1827
2
Smith, John, 1749–1831
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Allan, David, 1744–1796
1
Beaumont, George Howland, Sir, 1753–1827
1
Capon, William, 1757–1827
1
Cuitt, George, 1743–1818
1
Davis, Samuel, 1760–1819
1
Dayes, Edward, 1763–1804
1
Edwards, Edward, 1738–1806
1
Hoare, Richard Colt, Sir, 1758–1838
1
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Creator
»
Date
1791
894
1800
626
1745
494
1802
436
1771
412
1796
402
1790
399
1804
335
1867
329
1795
326
1772
323
1775
294
1832
286
1793
276
1770
252
1784
251
1826
244
0
225
1785
225
1748
223
1767
213
1768
212
1764
208
1752
207
1799
199
1792
190
1814
190
1945
183
1700
178
1789
178
1827
177
1818
164
1820
163
1839
163
1773
161
1780
158
1836
154
1797
150
1825
146
1870
137
1830
135
1787
134
1794
129
1817
128
1835
124
1807
123
1758
121
1801
118
1788
[remove]
117
1968
117
1877
116
1765
115
1805
113
1855
113
1815
110
1749
103
1846
101
1854
101
1755
98
1763
96
1811
96
1813
96
1786
94
1910
94
1717
93
1819
92
1738
91
1782
89
1803
89
1777
88
1798
88
1810
88
1834
87
1760
86
1808
86
1812
86
1778
82
1831
81
1841
81
1762
80
1833
80
1740
79
1774
79
1868
79
1781
78
1783
77
1823
77
1829
76
1828
75
1806
70
1869
70
1821
68
1705
65
1809
62
1840
62
1893
62
1822
60
1843
60
1838
56
1730
51
On-site Access
Accessible in the Study Room
115
On view
1
On view at the Yale University Art Gallery
1
Image Use
Free to Use
113
Under Certain Circumstances
4
Image Available
Available
115
Unavailable
2
Classification
Drawings & Watercolors
91
Drawings & Watercolors-Sketchbooks
25
Drawing & Watercolors-Architectural
1
Creator Gender
male
117
Collective Title
Paradise Lost Sketchbook
25
Views in the South Seas 1776-1780
4
Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. By Sir Richard Colt Hoare Bart. In the Years 1786 to 1790
1
Period
18th century
85
18th century-19th century
30
19th century
2
Materials & Techniques
graphite
112
wove paper
74
laid paper
42
watercolor
40
pen
18
black ink
16
gray wash
12
gray ink
7
brown ink
5
gouache
5
brown wash
4
soft ground
4
black chalk
2
canvas
1
card
1
pens
1
red chalk
1
scraping
1
stumps
1
wash
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
49
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
5
to
65
Work Type
drawing
[remove]
117
watercolor
51
Genre
figure study
54
literary theme
33
architectural subject
32
landscape
28
religious and mythological subject
25
genre subject
23
historical subject
4
cityscape
3
marine art
3
still life
3
animal art
2
Subject Terms
figure study
37
figures
35
architectural subject
33
literary theme
33
Paradise Lost (published 1667) by John Milton
25
religious and mythological subject
25
trees
23
genre subject
20
landscape
20
men
8
river
8
Macbeth, play by William Shakespeare
7
arches
7
tree
7
banquet
6
buildings
6
correctional institution
6
dress
6
fence
6
house
6
more
Subject Terms
»
Associated Places
United Kingdom
17
England
11
Europe
10
London
6
Scotland
5
City of Westminster
4
Ganges
3
Macau
3
Palace of Westminster
3
Asia
2
Greater London
2
India
2
Italy
2
Kent
2
All Saints Church
1
Bacoli
1
Baiae
1
Bharat
1
Bihar
1
Campania
1
more
Associated Places
»
Associated People
Banquo (character in Macbeth)
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Shakespeare, William (1564–1616), playwright and poet
1
The Virgin Mary
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
3
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
2
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Enlightened Princesses - Caroline, Augusta, Charlotte, and the Shaping of the Modern World (Yale Center for British Art, 2017-02-02 - 2017-04-30)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
40
Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund
25
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
21
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
21
Yale Center for British Art, Gift of Paul F. Walter
5
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
1
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Date
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1
George Romney, 1734–1802
Sketchbook Including Drawings Relating to John Milton’s Paradise Lost
ca. 1793
On view at YUAG
2
George Stubbs, 1724–1806
A Foxhound on the Scent
1788
3
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
4
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
ca. 1793
On view
5
George Romney, 1734–1802
Figure Composition Study 22
ca. 1793
6
George Romney, 1734–1802
Figure Composition Study 33
ca. 1793
7
George Romney, 1734–1802
The Effects of Envy and Pride
ca. 1793
8
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
9
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
ca. 1793
10
George Romney, 1734–1802
Prison Scene
ca. 1793-1794
11
George Romney, 1734–1802
Possibly "The Effects of Pride" or "Injustice"
ca. 1793-1794
12
George Romney, 1734–1802
Figure Composition; Prisoner before a Judge
ca. 1793
13
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
14
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
15
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
ca. 1793
37
George Romney, 1734–1802
John Howard Visiting a Lazaretto
ca. 1793
38
George Romney, 1734–1802
John Howard Visiting a Lazaretto
ca. 1793
39
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
40
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
41
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
42
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
43
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1793
44
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1793
45
George Romney, 1734–1802
Study for Susan, When the Seas were Roaring
ca. 1793-1794
46
George Romney, 1734–1802
Hell
ca. 1793-1794
47
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1793
48
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1793
49
George Romney, 1734–1802
The Indian Woman
ca. 1793
50
George Romney, 1734–1802
The Indian Woman
ca. 1793
51
George Romney, 1734–1802
Landscape Study for Titania's Attendants Chasing Bats
ca. 1793
52
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
53
George Romney, 1734–1802
Figure Composition Study 24
ca. 1793
54
George Romney, 1734–1802
Figure Composition Study 26
ca. 1793-1794
55
James Bourne, 1773–1854
Alderwasley, Derbyshire
undated
56
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus, Bay of Baie
ca. 1788-1820
57
James Bourne, 1773–1854
Northfleet, Kent
undated
58
James Miller, active 1773–1814
Dandelion Farm, near Margate
undated
59
Hugh William "Grecian" Williams, 1773–1829
Taormina, Sicily
undated
60
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
61
Paul Sandby Munn, 1773–1845
Landscape with Farmhouse, Figures and Pond
undated
62
Johan Joseph Zoffany, 1733–1810
A Hindu Brought to the River Ganges to Die, at Ghazipur
1788
63
Hugh William "Grecian" Williams, 1773–1829
Castle in a Landscape
undated
64
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
65
John Webber, 1752–1793
Goodrich Castle on the Wye, Hertfordshire
1788
66
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
67
Thomas Daniell, 1749–1840
Bijaigarh (Bidze Gur)
1788
68
Thomas Daniell, 1749–1840
Calcutta
1788
69
Thomas Daniell, 1749–1840
Opposite Eouilgunge, Sep. 11. 1788
1788
70
James Miller, active 1773–1814
View of Isleworth Church
undated
71
James Miller, active 1773–1814
Distant View of Church
undated
72
James Miller, active 1773–1814
The Fulham End of Putney Bridge
undated
73
James Miller, active 1773–1814
View of Buildings
undated
74
James Miller, active 1773–1814
Trees before a House
undated
75
James Miller, active 1773–1814
View of a House
undated
76
James Miller, active 1773–1814
House With Tree
undated
77
John Webber, 1752–1793
View in Macao
1788
78
John Webber, 1752–1793
The Fan Palm of Cracatoa
1788
79
John Webber, 1752–1793
View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad
1788
80
John Webber, 1752–1793
View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad
1788
81
Hugh William "Grecian" Williams, 1773–1829
A Rowing Boat
undated
82
Thomas Rowlandson, 1756–1827
The Prospect Before Us
1788
83
Sir Richard Colt Hoare, 1758–1838
Amphitheatre at Pola in Istria
1788 to 1819
84
James Miller, active 1773–1814
Figure Study of a Lady (back view)
undated
85
James Miller, active 1773–1814
Figure Study of a Lady
undated
86
James Miller, active 1773–1814
Figure Study of a Lady
undated
87
James Miller, active 1773–1814
View of a House
undated
88
James Miller, active 1773–1814
Floating Barrel in a Stream
undated
89
James Miller, active 1773–1814
View of a Building with Chimneys
undated
90
James Miller, active 1773–1814
House by a Bridge
undated
91
James Miller, active 1773–1814
Tree amidst Houses
undated
92
James Miller, active 1773–1814
A Country Lane
undated
93
James Miller, active 1773–1814
The Interior of a Coffee House
undated
94
James Miller, active 1773–1814
Caves
undated
95
James Miller, active 1773–1814
Sailboat near Rocks
undated
96
James Miller, active 1773–1814
Figure Study of a Seated Lady
undated
97
James Miller, active 1773–1814
Figures with Animals at Cave
undated
98
Thomas Daniell, 1749–1840
Near Sita Coonde, October 22, 1788
1788
99
Thomas Daniell, 1749–1840
Shoreline
1788
100
John Nixon, ca. 1760–1818
Bathing Machine on the Common, near Southsea Castle
1788
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