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1. Cottage on Fire at Night

Cottage on Fire at Night
Creator:
Joseph Wright of Derby, 1734–1797
Date:
between 1785 and 1793
Materials & Techniques:
Oil on canvas
Dimensions:
22 1/4 × 31 1/2 inches (56.5 × 80 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Mistletoe Bough

The Mistletoe Bough
Creator:
Francis Wheatley, 1747–1801
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
22 5/8 × 18 1/2 inches (57.5 × 47 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A Romany Encampment

A Romany Encampment
Creator:
Circle of Francis Wheatley, 1747–1801
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
Overall: 27 × 33 1/2 inches (68.6 × 85.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Elliot Sussman, MD, MBA, Yale BA 1973
On View:
Not on view

4. Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box

Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
Creator:
Edward Edwards, 1738–1806
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
50 3/8 x 40 inches (128 x 101.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Lady Jane Mathew and Her Daughters

Lady Jane Mathew and Her Daughters
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
36 × 36 inches (91.4 × 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. The Squire's Door

The Squire's Door
Creator:
George Morland, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
15 5/16 x 12 7/8 inches (38.9 x 32.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Revellers on a Coach

Revellers on a Coach
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
between 1785 and 1790
Materials & Techniques:
Oil on canvas
Dimensions:
16 5/8 x 24 3/8 inches (42.2 x 61.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Prison Scene

Prison Scene
Creator:
George Romney, 1734–1802
Date:
ca. 1790–92
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 18 1/4 inches (28.3 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:
On view at YUAG

9. Prison Scene

Prison Scene
Creator:
George Romney, 1734–1802
Date:
ca. 1790–92
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:
On view at YUAG

10. John Howard Visiting a Lazaretto

John Howard Visiting a Lazaretto
Creator:
George Romney, 1734–1802
Date:
ca. 1790–92
Materials & Techniques:
Black and gray wash with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 20 1/8 inches (31.8 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:
On view at YUAG

11. Study of a Standing Figure

Study of a Standing Figure
Creator:
George Romney, 1734–1802
Date:
ca. 1790
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 8 1/2 inches (15.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Macbeth Meeting the Three Witches

Macbeth Meeting the Three Witches
Creator:
George Romney, 1734–1802
Date:
late 1780s
Materials & Techniques:
Graphite; verso: graphite with brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 8 5/8 inches (14.6 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

13. Anger, Envy, and Fear

Anger, Envy, and Fear
Creator:
George Romney, 1734–1802
Date:
late 1780s
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 13 1/8 inches (26.7 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

14. Canidia and the Youth

Canidia and the Youth
Creator:
George Romney, 1734–1802
Date:
late 1780s
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 5 7/8 inches (15.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

15. Shadwell by the Ship Inn

Shadwell by the Ship Inn
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 3/8 inches (27 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Virtuous Family

The Virtuous Family
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Pen and brown ink, graphite, blue wash, pink wash, and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The River Avon: with Passing Vessels

The River Avon: with Passing Vessels
Creator:
Nicholas Pocock, 1740–1821
Date:
1785
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Adelaide

Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Blackfriars Bridge and St. Paul's

Blackfriars Bridge and St. Paul's
Creator:
Francis Nicholson, 1753–1844
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown ink over graphite, sheet edged with pen and brown ink border on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Westminster from the South Bank

Westminster from the South Bank
Creator:
Francis Nicholson, 1753–1844
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite, sheet edged with pen and brown ink border on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Haughton, Field and Shepheard Fighting

Haughton, Field and Shepheard Fighting
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Watercolor, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 inches (21 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire

Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Black ink, brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Robbing the Mail

Robbing the Mail
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
ca. 1790
Materials & Techniques:
Watercolor and pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 7/8 × 20 5/8 inches (40.3 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Gate Toward Bursit, Aix-la-Chappelle

Gate Toward Bursit, Aix-la-Chappelle
Creator:
Charles Gore, 1729–1807
Date:
1785
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Shower

A Shower
Creator:
Print made by John Hoppner, 1758–1810
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/16 × 11 inches (38.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. The Country Maid's Fortune Told

The Country Maid's Fortune Told
Creator:
Print made by Andreas van Rymsdyck, active 1767– died 1786
Date:
ca.1790
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 × 9 15/16 inches (35.2 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Newark Castle

Newark Castle
Creator:
C. Waller, active 1785–1788
Date:
between 1785 and 1795
Materials & Techniques:
Watercolor and pen and brown ink on thick, rough, cream laid paper
Dimensions:
Sheet: 13 5/8 × 20 5/8 inches (34.6 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A View in Annamooka

A View in Annamooka
Creator:
John Webber, 1752–1793
Date:
ca. 1790
Materials & Techniques:
Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 3/4 inches (27.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Village Scene

Village Scene
Creator:
John Webber, 1752–1793
Date:
ca. 1790
Materials & Techniques:
Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 7/8 inches (26.7 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Rubens' Son and Nurse

Rubens' Son and Nurse
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1785
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 24 1/4 inches (51.4 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. The Flower Girl

The Flower Girl
Creator:
Print made by John Young, 1755–1825
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 12 1/2 inches (42.9 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. The Water Cress Girl

The Water Cress Girl
Creator:
Print made by John Young, 1755–1825
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 x 13 1/4 inches (41 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Judgment of Paris

The Judgment of Paris
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 11 9/16 inches (22.9 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Visiting Card of Mrs. Parker

Visiting Card of Mrs. Parker
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 x 4 1/2 inches (9.2 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Flower Girl

The Flower Girl
Creator:
John Young, 1755–1825
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 x 13 1/8 inches (41 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Travelling in France

Travelling in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Stable of an Inn

The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Pigs at a Trough

Pigs at a Trough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. [A Soft Tumble after a Hard Ride]

[A Soft Tumble after a Hard Ride]
Creator:
Engraved by Richard Earlom, 1743–1822
Date:
ca. 1790
Materials & Techniques:
Mezzotint on laid paper
Dimensions:
Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Sleeping Child

Sleeping Child
Creator:
Francesco Bartolozzi, 1728–1815
Date:
c.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Distressed Mother

The Distressed Mother
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Pulto Carrying Apples, Bride Leading Eros

Pulto Carrying Apples, Bride Leading Eros
Creator:
Francesco Bartolozzi, 1728–1815
Date:
c.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Classical Figures Including Woman With Cornucopia Of Coins

Classical Figures Including Woman With Cornucopia Of Coins
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1790
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Happy Father

The Happy Father
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Margate Hoy

The Margate Hoy
Creator:
Print made by Charles Catton the elder RA, 1728–1798
Date:
1785
Materials & Techniques:
Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Recruiting Sargeant

The Recruiting Sargeant
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, laid paper, mounted on moderately thick, slightly textured, laid paper
Dimensions:
Sheet: 12 x 8 1/4 inches (30.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Love Letter

The Love Letter
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Connoisseurs

The Connoisseurs
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and red, brown and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 inches (22.9 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. A Potter Returning from Market

A Potter Returning from Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:
Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A Carrier's Waggon

A Carrier's Waggon
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 15 3/16 inches (25.7 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Horses and a Cart at a Sandpit

Horses and a Cart at a Sandpit
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Horsemen Colliding

Horsemen Colliding
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. A Review on Blackheath, May 1785

A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Ascent of Vesuvius

The Ascent of Vesuvius
Creator:
Henry Tresham, 1751–1814
Date:
1785 to 1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Wooded Landscape with Country Cart and Figures

Wooded Landscape with Country Cart and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Black and white chalk, gray wash and black wash on medium, slightly textured, buff wove paper
Dimensions:
Sheet: 9 3/4 x 13 inches (24.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Charlotte at the Tomb of Werther

No cover image available
Creator:
William Dickinson, 1746–1823
Date:
1785
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 13/16 × 13 1/2 inches (40.1 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. View of Greenwich from Deptford Yard

No cover image available
Creator:
Joseph Farington, 1747–1821
Date:
before 1795
Materials & Techniques:
Watercolor, gray wash and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection