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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
11
Creator
Ward, James, 1769–1859
7
Hills, Robert, 1769–1844
2
Collings, Samuel, active 1784–1795
1
Smith, John, 1749–1831
1
Date
1752
82
1745
38
1775
18
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1784
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11
1795
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1768
9
1781
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1748
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1839
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1790
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1791
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1763
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1797
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1801
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1805
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1823
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1825
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1827
4
0
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1697
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1755
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1756
3
1783
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1793
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1802
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1846
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1968
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1633
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1
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1
1742
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1798
1
On-site Access
Accessible by appointment in the Study Room
11
Image Use
Free to Use
11
Image Available
Available
11
Classification
Drawings & Watercolors
11
Creator Gender
male
11
Period
18th century-19th century
9
18th century
2
Materials & Techniques
graphite
8
laid paper
6
wove paper
6
gray wash
4
watercolor
3
brown wash
2
black chalk
1
black ink
1
brown ink
1
charcoal
1
pens
1
red chalk
1
white chalk
1
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38
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39
Work Type
drawing
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11
watercolor
6
Genre
genre subject
5
animal art
4
landscape
2
architectural subject
1
sporting art
1
still life
1
Subject Terms
genre subject
5
animal art
3
horses (animals)
3
landscape
3
sporting art
3
farm
2
fence
2
skeleton
2
trees
2
agriculture
1
animals
1
architectural subject
1
barn
1
boar
1
bulls (animals)
1
byre (cattle shed)
1
cart
1
cattle
1
cliffs
1
cows
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Subject Terms
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Associated Places
England
2
United Kingdom
2
Derbyshire
1
Harrow
1
Matlock
1
Exhibition History
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
11
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Date
1784
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Work Type
drawing
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31
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Masonry
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1
John Warwick Smith, 1749–1831
Matlock High Tor
1784
2
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
3
James Ward, 1769–1859
A Human Skeleton
undated
4
James Ward, 1769–1859
A Farm Cart
undated
5
James Ward, 1769–1859
Sir Charles Blunt at the Death of the Boar
undated
6
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
7
James Ward, 1769–1859
Head of a Tiger
undated
8
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
9
Robert Hills, 1769–1844
A Farm at Harrow
undated
10
Robert Hills, 1769–1844
A Cow Byre
undated
11
Samuel Collings, active 1784–1795
A Querulous Committee Meeting
undated